Gratitude

I love it when my turn to blog straddles the November and December holidays. Though it’s dark early and cold often, this time of year puts me in a grateful mood, something to celebrate in these times. It’s easier to ignore the grim headlines and focus on the hopeful ones when I’m in a thankful headspace.

Sunrise at Allen Cove

We spent last weekend in Brooklin, our longtime summer place, which has in recent years also become our Thanksgiving place. It’s intensely quiet in November, and beautiful beyond words. I can spend a whole day mediating on the ever-changing view of the light on the sea, watching for ducks and loons, observing the tide flood in and slip out. And in between, reading good books.

Here are some photos that reflect that beautiful rhythm, some of them of the same places at different times of day, because the view differs by the hour, and I can never make up my mind which I cherish the most.

Mid-afternoon at Allen Cove

An hour later – approaching sunset – at Allen Cove

Naskeag Point on a sunny afternoon. I love how the sea floor looks like a moonscape when the tide is out.

Seaweed of many colors

The hills of Acadia from a distance

Eastern Beach in the early afternoon.

Eastern Beach in the late afternoon shadows

In addition to feeling grateful for the beauty we get to experience on a regular basis here in Maine, I’m grateful for my writing friends who take my breath away with their fine prose, for the people who read my stories, for the editors who make my work better, and for all of you who read and comment on this blog.

Our community is strong and rich and wondrous.  Thank you for making it so, and happy holidays to all of you.

Brenda Buchanan sets her novels in and around Portland. Her three-book Joe Gale series features a contemporary newspaper reporter with old-school style who covers the courts and crime beat at the fictional Portland Daily Chronicle. Brenda’s most recent short story, “Cape Jewell” was published in Snakeberry: Best New England Crime Stories 2025. Her short story, “Means, Motive, and Opportunity,” appeared in the anthology Bloodroot: Best New England Crime Stories 2021 and received an honorable mention in Best American Mystery and Suspense 2022. Her story Assumptions Can Get You Killed was published in Wolfsbane: Best New England Crime Stories 2023. 

 

 

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Writing Tip Wednesday: Be Yourself by Matt Cost

Writing, like life, comes with a whole host of rules. And like life rules, writing rules are often no more than recommendations. My advice? Be yourself. Know the rules, use the ones that work for you, and discard the ones that don’t.

Best tip for writers: not to listen to any silly tips for writers. ~~Joyce Carol Oates

Some of the most famous writers of all time were big time rule breakers. James Joyce’s style was a stream of consciousness with complex symbolism that somehow resounded with readers. William Faulkner and Cormac McCarthy use only a handful of punctuation marks. Gillian Flynn writes unlikeable female protagonists.

It seems that these writers have done okay for themselves. To be honest, Flynn is the only one that I like.

One of my favorite pieces of advice comes from Elmore Leonard. I tend to have a short attention span in my reading, so I try to propel my writing along at a good clip. At the same time, I realize that there are people that enjoy a seven-page description of a vase. To each their own.

Try to leave out the parts that people tend to skip over. ~~Elmore Leonard

 

 

I am not a big fan of Anne Rice books but plenty of people are! Still, I do like her advice and take it to heart.

I don’t think there are any universal rules. I really don’t. We each make our own rules, and we stick to our rules, and we abide by them, but you know rules are made to be broken. … [If] any rule you hear from one writer doesn’t work for you, disregard it completely. Break it. Do what you want to do. I have my own rules that I follow, but they’re not necessarily going to work for other writers. … The only universal rule is to write. Get it done, and do what works for you. There’s nothing sadder than someone sitting there and trying to apply a lot of rules that are not turning that person on and are not stimulating and are not making a novel. ~~Anne Rice

One of my favorite dead writers is Ernest Hemingway but I don’t like the following piece of advice.

When I was writing, it was necessary for me to read after I had written. If you kept thinking about it, you would lose the thing you were writing before you could go on with it the next day. … I had learned already never to empty the well of my writing, but always to stop when there was still something there in the deep part of the well, and let it refill at night from the springs that fed it. ~~Ernest Hemingway

 I write until I’m done and then take a dog walk or lie sleepless in bed plotting out what is going to happen next. That way, when I sit down, I am ready to go again. What does Hemingway know?

Stephen King suggests that you should write every day and I firmly believe that to be true. Especially if the intention is to write a book. Everybody should be able to carve at least twenty minutes a day for writing. But again, there are people that like to write in spurts and gallops and then take a break.

What do I know?

Write. Write on.

About the Author

Matt Cost was a history major at Trinity College. He owned a mystery bookstore, a video store, and a gym, before serving a ten-year sentence as a junior high school teacher. In 2014 he was released and began writing. And that’s what he does. He writes histories and mysteries.

Cost has published six books in the Mainely Mystery series, starting with Mainely Power. He has also published six books in the Clay Wolfe Trap series, starting with Wolfe Trap. There are two books in the Brooklyn 8 Ballo series, starting with Velma Gone Awry. For historical novels, Cost has published At Every Hazard and its sequel, Love in a Time of Hate, as well as I am Cuba. The Not So Merry Adventures of Max Creed began a new series this past April. Glow Trap is his eighteenth published book.

Cost now lives in Brunswick, Maine, with his wife, Harper. There are four grown children: Brittany, Pearson, Miranda, and Ryan. They have been replaced in the home with four dogs. Cost now spends his days at the computer, writing.

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Holiday Music from the Sublime to the Ridiculous

Christmas on the farm, circa 1950

Hi, Kate Flora here. Sunday I was at Symphony Hall in Boston, listening to the Handel and Hayden Society’s version of the Messiah. It’s so stirring to be in the room when everyone rises for the famous Hallelujah chorus. It reminded me of an old post I did many years ago about holiday music, which I’ve just dug up and edited to include here.

Soon, (like today!!) it will be time to start cooking for my annual holiday party, and I love to listen to music while I’m cooking. Second, I love listening to music while I’m cooking, because I’m be so grateful to be in my quiet kitchen instead of out at fine stores everywhere, assaulted by the zillionth version of “Little Drummer Boy.” As I put together the crab cakes for forty people, I’ll imagine those poor, desperate shoppers, thinking to themselves, “And so I knocked him down, a rumpa pum pum. . . .”

There was plenty of traditional Christmas music in my childhood. I sang in the choir at the People’s Methodist Church for about twelve years. Those carols still resonate even though I now sing like a frog with a range of about two notes.

Some years ago, I was in Cambridge, England, on Christmas Eve, and although we didn’t have tickets, we stood outside the King’s College chapel and could hear the carols. That magical experience introduced me to the alternative version of “Oh Little Town of Bethlehem,” to “The Holly and the Ivy,” and that lovely song that Julia Spencer Fleming used for one of her book titles, “In the Bleak Midwinter.” I still like to listen to the King’s College choir in a live recording, complete with chairs creaking and throat clearing between songs and that stunning moment when a single young boy’s voice begins, “Once in Royal David’s City.” http://www.youtube.com/watch?v=1RC34N1TfCQ&feature=related

Over the years, the stack of holiday albums has grown to include Windham Hill, Maine’s own Paul Sullivan’s album “Christmas in Maine,” Mannheim Steamroller, Shaken not Stirred, Bob Dylan, as well as many compilations. I have Gene Autry, the singing cowboy, doing “Frosty the Snowman,” Judy Garland singing “Have Yourself a Merry Little Christmas” and Mario Lanza, the swoon of my youth, singing “The Lords Prayer.”

I have some hauntingly beautiful new age music. If you haven’t heard Enya’s version of “O come, O come, Emmanuel,” you should listen to this. http://www.youtube.com/watch?v=DPHh3nMMu-I Or try Serah singing the same song. Or Loreena McKennitt’s album A Midwinter Night’s Dream. I had never heard of her until I was writing Finding Amy and learned that McKennitt’s song, “Dante’s Prayer,” was one of Amy’s favorites.

Of course, there has been plenty of goofy music as well. Many Christmases ago, my younger son, Max, gave us something by Rush Coil called 8-bit Christmas, with holiday tunes using the sound of Super Mario Brothers. https://www.youtube.com/watch?v=ozKsW3pF_a0&list=PLfDb8lRd0aGZXACH6zRD4n2Pm5SWIXzxC&index=9

Back when I was more of a workout queen, I used to have the world’s single most awful aerobics holiday compilation, Cardio Christmas. It was so bad my family used to beg me to turn it off. I thought those jazzed up versions of holiday tunes were the bee’s knees. Sadly, it is now lost somewhere in the recesses of my house. Unless, of course, my family finally got smart and made it disappear. Here’s an example: https://www.youtube.com/watch?v=x6oSG-fc18U&list=RDx6oSG-fc18U&start_radio=1

For years, my older son, Jake, has made his aged P’s music compilations to bring us up to date on what’s happening in the music world. For Mother’s Day, Father’s Day, birthdays, and Chrismas my husband and I each get our own mix. My lovely daughter-in-law Robyn joined in the fun and made a great Christmas mix for oldsters. So, as I struggle with phyllo dough, marinate ten pounds of mahogany chicken wings, and create the giant taco and the caviar pie, I will be dancing around the kitchen, listening to Elvis sing “Blue Christmas,” Chuck Berry singing “Run, Rudolf, Run,” the Ronettes and Crystals, Dean Martin and Brenda Lee.

It won’t be like being in Cambridge outside the chapel, listening to a choir. But it will definitely put me in the right mood for the season.

What will you be listening to? And here is a favorite holiday recipe:

Caviar Pie

6 hard cooked eggs

8 oz. cream cheese

3 T. mayo

1 c. minced onion

2/3 c. sour cream

1 4 oz. jar of caviar

Mash eggs with mayo. Spread on bottom of 8″ greased springform pan. Mince onions and sprinkle on top. Combine cream cheese and sour cream until smooth and spread over onions with wet spatula. Refrigerate. Just before serving serving, spread caviar on top. Serve with crackers. (Can also be made in a hollowed out loaf of bread)

And a reminder: Someone who leaves a comment on one of our posts this month will win a bag of mysteries.

 

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Inspirations for Names

Kaitlyn Dunnett/Kathy Lynn Emerson here. The other day my friends over at the Word Wenches blog answered a reader question about where they got their characters’ names. A couple of days later, the same topic came up at Jungle Red. Baby books were a popular source. So were contemporary documents and family trees for historical novels. I’ve used both, but I realized, thinking about it, that a lot of my choices (inspirations?) came about in rather peculiar ways.

Take the name of my series character, Liss MacCrimmon. I needed a protagonist for cozy books with a Scottish theme. MacCrimmon was a no-brainer because I knew someone in Liss’s family would play the bagpipes and the MacCrimmons were a famous bagpiping family as far back as the sixteenth century. But Liss? Well, it’s short for Amaryllis, and Amaryllis is the little girl in The Music Man, the one that Winthrop, the little boy in that musical who lisps, struggles to pronounce. I was involved in a production of The Music Man in high school. Enough said.

Then there’s my pseudonym, the one I had to come up with to write the Liss MacCrimmon series. Kaitlyn was the name I always wished my parents had given me instead of Kathy Lynn (which IS my real name—it isn’t “short” for anything). I first heard the name Caitlin in college. That was the name of Dylan Thomas’s wife. And Dunnett? Again, I wanted something Scottish, and one of my favorite authors, especially since she wrote both historical fiction and mysteries, is the late Dorothy Dunnett. Her six-book Lymond Chronicles is unsurpassed as a fictional glimpse into the sixteenth century.

Mikki Lincoln, protagonist of the Deadly Edits series, has a lot of me in her, so I gave her the first name—Michelle—that my parents once considered giving me. Lincoln came from living on Lincoln Place when I was growing up, since it’s that house Mikki moves into in Crime & Punctuation.

With my historical novels, my choices weren’t quite so personal. Susanna, Lady Appleton is the sleuth in my Face Down Mysteries. I wanted a first name that was favored by followers of the New Religion. (If I’d wanted to make her a secret Catholic, she’d have had a saint’s name.) As for her surname, I had written an earlier historical novel that was supposed to be the start of a mystery series but ended up as a single title romance. The hero was named Allington, chosen because it was similar to Allingham and I was reading a lot of Marjorie Allingham’s mysteries at the time. Allington morphed into Appleton for Susanna.

Sometimes I mixed and matched names from my family tree: Julia Applebee, in the children’s book Julia’s Mending, mixes Julia Swarthout and Ella Applebee, my maternal great-grandmothers. Shalla (short for Mahershallahashbaz) in Shalla was the real name one of my seventeenth century ancestors gave his daughter.

Surnames can be tricky. There are a lot to avoid, from political and sports figures to people in entertainment fields. A name too closely associated with a real person can influence how readers view a character. So where did I take inspiration. Two places were the authors of reference books on my office shelves and placenames. There’s a Lady Dixfield in one of my romance novels, inspired by the fact that I live in the village of East Dixfield in the town of Wilton. I’ve used friends’ names, too. In one contemporary romance, I inserted all the last names of the members of my critique group. Three of them became a law firm my character noticed in passing.

Auctioning off a chance to name a character in a forthcoming book is popular to benefit charities. That’s where the owner of Moosetookalook, Maine’s bookstore—Angie Hogencamp—came from. My friend Patsy Asher bid against Angie and lost, so I used her first name for the owner of the local café. In thirteen books I don’t think I ever did give the fictional Patsy a last name. The second cat, Glenora, in my Liss MacCrimmon series was also named by an auction winner.

Speaking of cats, I usually just reuse the names of cats who’ve shared our home, but Lumpkin, for the first cat in the Liss MacCrimmon series, came from a family in one of Charlotte MacLeod’s humorous mysteries. I just liked the sound of it.

Just about wherever you find inspiration works, as long as the name fits the character and the historical period. For the Face Downs, I kept lists of names I found in my research. They were all accurate for the times, but not necessarily believable. I felt readers would probably accept a sixteenth century woman named Dowsabella or Euphemia, but that they would balk at Philadelphia.

Have you ever had a character’s name stop you cold because it just didn’t fit, or was too unlikely, or reminded you of someone you had strong feelings about?

Kathy Lynn Emerson/Kaitlyn Dunnett has had sixty-four books traditionally published and has self published others. She won the Agatha Award and was an Anthony and Macavity finalist for best mystery nonfiction of 2008 for How to Write Killer Historical Mysteries and was an Agatha Award finalist in 2015 in the best mystery short story category. In 2023 she won the Lea Wait Award for “excellence and achievement” from the Maine Writers and Publishers Alliance. She was the Malice Domestic Guest of Honor in 2014. She is currently working on creating new editions of her backlist titles. Her website is www.KathyLynnEmerson.com.

 

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Weekend Update: November 29-30, 2025

Next week at Maine Crime Writers there will be posts by Kaitlyn Dunnett/Kathy Lynn Emerson (Monday), Kate Flora (Tuesday), Brenda Buchanan (Thursday) and John Clark (Friday), with a Writing Tip from Matt Cost on Wednesday.

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

In case you missed them . . .  interesting writing tips last Wednesday and a Thanksgiving story for turkey day. There’s always something new at MCW.

Kate Flora: In my continuing exploration of other genres, this month I have a senior romance story in a new romance anthology.

Here is the buying link

https://www.smashwords.com/books/view/1907948

 

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

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Intro, Extro, Otro

Recently attended the annual Crime Bake in Boston and outside of the suspicion that the hotel where it was held only exists for laundering money—rugs held together with duct tape, both freezing and boiling meeting rooms, a restaurant without enough cheese to make a sandwich—I once again confronted my simultaneous desire to contribute to this community of writers and to hide in a corner.

Then I came across a book that illuminated for me some of the whiplashing I put myself through in the context of trying to belong and not being sure I want to.

The Gift of Not Belonging by Rami Kaminski, subtitled How Outsiders Thrive in a World of Joiners, posits that in addition to introverts and extroverts, there is a personality type the author calls otroversion.

Kaminski’s definition follows:

An otrovert embodies the personality trait of non-belonging: remaining an eternal outsider in a communal world. Unlike those with relational disorders, otroverts are empathetic and friendly, yet struggle to truly belong in social groups, despite no apparent behavioral distinctions from well-adjusted individuals.

Sound at all familiar? Here is Kaminski’s list of the fundamental qualities of otroverts.

  • Lack of a communal impulse—preferring one-on-one conversations to group gatherings.
  • Always an observer, never a true participant—secretly feeling like an outsider in any group
  • Nonconforming—marching not to the beat of their own drum, but to another instrument altogether
  • Independent original thinking—rejecting collective groupthink

Can’t say I’m going to sign up for everything he says, especially his contention that all original work ever done in the world was done by individuals, not group. But the notion my desire to both engage with groups and not be a member is appealing.

And it is not, as one friend put it when I was explaining the concept to her, the Groucho Marx story about not wanting to be a member of a club that would have me. It’s more being able to be a part of a group and contribute without ever feeling truly a part of it. It is not, as an extrovert might think, a pathology, but another way of looking at the world. And one I find oddly comforting.

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Hurrah for the Pumpkin Pie

Kate Flora: Here’s a short Thanksgiving story you might enjoy:

I had exactly thirty minutes to buy everything I needed to cook dinner for twenty, so naturally, navigating the store was like playing bumper cars. As I snatched items off the shelves and shoved my overloaded shopping cart past two tarted-up moms blocking the aisle while they consoled about hair color gone wrong, their sleek heads bobbing and voices cooing like pigeons in the park, that famous line from Tolstoy popped into my head: Happy families are all alike; every unhappy family is unhappy in its own way. I don’t know anything about happy families, but I know plenty about unhappy ones, and one thing I’m certain about is that holidays bring out the worse in mine. In them and in me.

I didn’t even need to be there to script the whole thing. It was consistent every year. Mom and Dad would arrive together but not speaking. She would bustle, tight-lipped, into the kitchen and proceed to get in my way, while Dad would pop his first beer and sit down on the couch to watch football. Baby brother Jesse, who’s living with us since he lost his job, would already be on the other end of the couch, and his silent, cadaver-white girlfriend, Alyse, whose life work is either sleeping or painting her nails black, would be sitting at his feet. Next to arrive would be the “successful brother,” Jared, with his wife Molly and their three barely housebroken children, followed shortly by my oldest brother Jason, his wife Sheryl, and their two hostile teenagers.

Desserts–Before

Molly and Sheryl would come into the kitchen and unload their offerings onto the counter. Molly’s was always, and only, wine, and her first helpful act would be to open a bottle and pour a glass for herself without offering one to anyone else. Sheryl was toying with being a vegetarian, and she’d take up much of my small counter space with the containers of her own special food—only enough for herself, of course. As dinner grew imminent, with a loopy smile and a “you don’t mind, do you?” she’d move in and start her own personal prep, ignoring the fact that I was making gravy, cooking the peas, and mashing potatoes on the crowded stovetop.

By then I would have asked Sheryl if she’d have Ariel and Jonah set the table, a request she’d blithely ignore, so I’d be rushing back and forth trying to do that while not cooking the peas to mush, occasionally tripping over mom, who liked to stand in the middle of the room, muttering darkly about my dad.

 When my husband Charlie got back from hunting with his Uncle Bob and our widowed neighbor, Tom, they’d sit down in front of the TV, too, and send one of the kids out for more beer. When I’d holler to Charlie to come take the turkey from the oven, he’d pretend not to hear me because he was tired from four hours of hunting, and anyway, a working man deserved not to be disturbed. Bob and Tom were both deaf as posts, so they really didn’t hear anything, and my brothers think my poor husband is henpecked, so they’d stay put in a gesture of solidarity.

When I would finally give up and drag the turkey from the oven, I’d find the space I’d cleared for it on the counter now was occupied by two six-packs, and I’d have to stand there, all five foot nothing of me, holding a steaming twenty-four-pound turkey. I’d holler for someone to come and move the beer. If I got lucky, Mom would stop her muttering long enough to do that; otherwise, I’d be yelling until someone in the other room finally gave up and came to my aid. More likely than not, it would be Jared and Molly’s six-year-old, Annie, the most civilized person in the whole lot.

Charlie and I had no kids, and therefore, according to family reasoning, I had fewer demands on my time, which was why everyone thought it was such a great idea for us to host the holiday dinner. Of course, I worked full time, while Sheryl had a part-time job and Molly was a homemaker, but no one seemed to think that counted for anything.

Okay. Yeah. I know. Ann Landers says that nobody can make you do anything that you don’t want to do. All I can say in response is: Ann Landers must have never met my family. As the only girl with all those brothers, I’ve been expected to wait on guys almost since I could crawl. My mom was no different, which may be why she’s gone all weird now. With her, except when she bickers with my dad, it’s like someone’s turned her dial to somewhere between two stations and she’s so busy trying to make sense out of the noises in her head she can’t hear anything that’s happening out here.

Waiting for someone with a carving knife

Maybe if Charlie were on my side, that might help. I’d met him because he was Jonah’s best friend. I should have known better but at the time, I was running on hormones and not good sense and so I married him. I was knocked up when we got married, which I’ve never heard the end of, never mind that Molly and Sheryl both were, too, but I lost that baby and have never gotten pregnant since. And now here I was running through the grocery store like buying food was a 5K, when I’d sworn that last year was going to be the last time I let them do this to me.

The simple fact was that I couldn’t get anyone to listen. I’d planned it all out. Sometime around September, I’d talk with my sisters-in-law, everyone would get assignments, and we’d share the work. But even though I’d done that, and they’d all nodded and agreed, last week when I called to make sure they remembered their jobs, they’d all somehow forgotten and were just too busy add it to their schedules now. They said they were sorry.

Well, I was too busy to add it to my schedule, too, but look where I was. Back in the grocery store, making a martyr of myself because I couldn’t think how to do it differently. Maybe if I just burned the whole dinner? Or forgot to make the dressing? I’d never hear the end of that, but they were all such lazy slugs that they’d be bound to want to give me a second chance. A chance I did not want.

Once I’d loaded it all into my car, I headed for home, and it’s when I passed the CVS that I got the great idea. Everyone in my family, except the little kids, is big on stuffing. Or dressing, as my husband’s family calls it. I don’t eat it, but they’re so passionate about the stuff that they call me days ahead of time to remind me to be sure and make enough. These are the same people, mind you, who can’t find the time to do anything to help, but they’ve always got time to remind me about the dressing, which has to have cornbread and oysters. That and the pumpkin pie. There’s got to be pumpkin. And apple. And pecan. And Uncle Tom doesn’t think it’s a holiday unless there’s mincemeat. And me working late every night because we’re going into the holiday season.

I was so tired I was about in tears, trying to figure out how I’d do it all, when I passed that CVS. And it must have been the devil on my shoulder, whispering in my ear, because I found my car turning right into the parking lot and next thing you know, I was coming out with a couple family-sized packages of laxatives. They’d crush up nice in my mortar and pestle, and mix just fine in the dressing and the pumpkin pie. The way everyone gobbled, no one would notice a thing. Hopefully not until they were safely home.

I stared into my car, at all the bags of food awaiting my attention, but now I felt different. I still had a lot of work ahead of me, but for the first time in a long while, I had found my smile.

“Happy Thanksgiving,” I whispered, as I headed for home. Good thing I’d thought to buy extra toilet paper.

Posted in Kate's Posts | 3 Comments

What’s the best writing advice you ever got?

As part of our Writing Tips Wednesday, we are resharing this post from waayy back in 2012, offering some of the writing advice we’ve gotten over the years.

Kate Flora here, starting a discussion with my fellow writers about the advice we’ve been given along the way. What are some of the things other writers, or writing teachers, have told you, that stick in your mind and inform your writing? For me, two bits of advice immediately come to mind. First, from my favorite writing teacher, Art Edelstein, a man I followed through a succession of church basements and nocturnal classrooms. Art’s advice? Presence your characters. Give them attributes and actions and attitudes and voices that make your readers see them. Art wasn’t talking paragraphs. He was talking a cant of the head, a style of speaking, an indelible world view. A way of making the character come to life in the reader’s mind.

The second came from mystery writer Jane Langton, a woman who could speak about washing the dishes and I’d hang on her every word. Jane read one of my early, unpublished books, and said, “Don’t give you. This world is hard, but you ARE a writer. And then she urged me to be sure that I made scenes. Until she said that, I’m not sure I understood what a scene was. Now I tell my students: make scenes, they are the building blocks, the jigsaw pieces, that you put together to build the whole picture.

Lea Wait:  I’m envious of you, Kate!  When I was starting to write fiction I was basically on my own — no critique groups, no writing classes, no writer friends, so no real advice except in the books I read. I learned most about writing from reading books by the authors I most admired. I think I took most seriously classic pieces of advice like, “show, not tell,” and “define your characters by what they do.” Setting is very important to me, so (in my mind) I made it a character, too, and found that worked for me, as long as I kept it a background character. I started out trying very hard to obey all the rules I’d read about. Now I gleefully break many of them. But I’m still reading; still learning from the authors I admire. But advice?  Keep reading, and keep writing.

Kaitlyn Dunnett: Like Lea I was operating on my own when I started writing fiction, but I did have access to The Writer and Writer’s Digest and I’m pretty sure that it was in one of those magazines that I found a tip that I follow to this day: Start with the day that is different.

This is sound advice. Take it from one who fumbles around every time I launch into writing a new book, trying to find the right place to begin isn’t easy. It always takes me awhile, because that “different” day isn’t always the most obvious. In Kilt Dead, the first Liss MacCrimmon Scottish-American Heritage Mystery, the day that was different in the most significant way for Liss wasn’t the day she found her neighbor’s body in the stock room at Moosetookalook Scottish Emporium. It wasn’t the day she returned to her old home town of Moosetookalook after ten years away. The day when everything changed for her, and the place this novel needed to start, was the day she blew her knee out during a performance, ending her career as a professional Scottish dancer. That’s why she returned to Moosetookalook. And because she returned home, she found a body. And because she found the body . . . well, you get the idea.

 

Kate: Despite following Art through those dusty church basements for a few years, I, too, was mostly on my own. I tried writing groups, but though I loved my fellow writers, they weren’t for me. I was very (and am) very solitary. And I wrote three entire novels before I wrote one that got published. A lot of writers give up long before that. But those words of advice, and encouragement when I did emerge, made a big difference. Now that I teach writing myself, I often wonder if anything I said remains and resonates in my students’ heads.

I really like Kaitlyn’s idea of starting with the day that is different. I also often share another piece of advice that is rather similar: Arrive late and leave early, meaning start as close to the necessary action as you can, and leave quickly when the story is tied up.

Barbara Ross: It’s the moldy oldies that sustain me. Anne Lamott’s “sh**ty first drafts.” I repeated that one to myself just yesterday. And whoever said, “You must write as if your mother is dead.” That’s another one I turn to whenever I’m inhibited about putting something on the page. To be clear, it’s not my actual mother who inhibits me–Hi, Mom.

Kate, I love “enter late and leave early.’ Works for scenes, chapters and whole books!

As for writing instructors, I have to acknowledge Barbara Shapiro who quite literally changed my life. She taught me all about scenes–how to structure them and how to get them on the page. She taught me how to workshop a piece, and through her I met the members of my writers group. She’s teaching a Master Class at The New England Crime Bake this year and I heartily recommend it.

Kate: Of course, the absolutely best advice came from my mother, the late A. Carman Clark, who was a newspaper columnist, journalist, home and garden editor, nature writer, mystery writer, and all-around amazing person. Her advice was simple, and I know we all follow it: Put your seat in the seat, and keep it there.

Readers, what advice did you get?

And then there’s this: Someone who leaves a comment on one of our posts in November will win a bundle of cozy mysteries. Let’s hear from you

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A Few of My Favorite Things

By Kait Carson

As I write this, I’m waiting for the sun to come up so I can shovel our very first accumulating snow of the year. Shoveling snow is not one of my favorite things, but I don’t mind it too much. Yet. I live in The County. Snow’s a given, so I look at it as a home exercise program. Which is necessary this time of the year because baking is one of my favorite things.

This morning the house is full of the scent of pumpkin bread, chocolate chip cookies, puppy peanut butter drops, and Christmas cutouts. By the time this blog appears, I’ll have added the scent of cranberry sauce, pumpkin pies, and a concoction a friend and I made up that goes by the name of apple do da dey—an apple, walnut, cranberry pie with a butter crumb topping. It’s as delightful as it is decadent, and one of my favorite things.

You might have guessed that reading is another of my favorite things. November is the season of new book releases. Two of my very favorite authors have books out this month. Julia Spencer-Fleming’s At Midnight Comes the Cry, the tenth in the Clare Fergusson/Russ Van Alstyen series, releases November 18th. It’s set in the Adirondacks during Christmas, and you won’t want to miss it. The perfect read in front of the fire for the holiday season.

Annette Dashofy’s The Devil Comes Calling released on November 7th. It’s the third of the Detective Honeywell mysteries with the fourth to follow next month. Set on the shores of Lake Erie near the ‘other’ Presque Isle in Pennsylvania, its complex plot will keep you turning the pages. Guaranteed, I read it in one night.

The Friday after Thanksgiving my house will be filled with another of my favorite things. The scent of pine from the boughs I cut before the snow flew. They’ve been hanging in the garage waiting to be turned into wreaths. Last year’s wreathes lasted well into summer.

And feel free to remind me in April, when I’m shaking my shovel to the sky and channeling the language of my sailor ancestors, that I said I didn’t mind shoveling.

Happy holidays. May your home be filled with the joy of friends and family.

 

 

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Fiction is fiction…but it’s all relative

When I’m writing a mystery novel, which seems like all the time now, things that I read about or see on TV often spark ideas. Sometimes I feel compelled to add whatever it is to the book I’m writing. I don’t question this, I go with it. I always figure it’s my writer brain working in the background (like one of those apps on your phone compiling data even when you’re not using the phone). The interesting thing is sometimes later discarded, but more often becomes part of the book and adds to plot.

Some feedback that’s surprised me since the publication a year ago of my latest Bernadette “Bernie” O’Dea mystery novel, Dying For News, concerns one of these things. While I was writing the book, I read an article about ice swimming — the practice of swimming during the winter in freezing water without a wetsuit or any protection. It’s not something I’d ever do, but as I was reading the article it occured to me it’s something Pete, the secondardy protagonist in my books, would do. I plunged into research on ice swimming, because as much as fiction is fiction, I like it to be as accurate as possible.

As with much of the inspiration that comes my way through reading or watching TV, Pete’s ice swimming ended up becoming part of the plot, not just some detail that pops up. It has to, right? Otherwise, it’s like tinsel on the Christmas tree — an annoying distraction that shows up in the cat’s vomit or stuck to the bottom of your sock, but doesn’t do much else.

Another important writing rule — at least one of mine — is to not over-explain or go into super-wonky detail about extras that end up in my book. Action and dialogue should explain how it works. Pete reassured Bernie about the ice swimming — how he wouldn’t freeze to death or have a heart attack — but she still fretted about it. Through their interactions and her anxiety, I figured I’d explained how it worked pretty well and addressed potential reader questions about whether it’s really a thing and if people who do it freeze to death or have a heart attack (most don’t, but some do).

So, imagine my surprise when I began getting pushback from readers about the ice swimming. Much more than anything else in the book. One email expressed disappointment that I’d have something so outrageous in one of my books. Usually, though, it’s gentle probing at author events from people trying to be polite. “Wouldn’t Pete get hypothermia?” people ask, brows furrowed with concern.

I’m always grateful that people read my books and care enough to ask me questions. So, I, too, try to be polite. I explain that ice swimming is a real thing. People do it. I add that the negatives and positives are discussed in the book. After the question kept coming up, though, my writer brain began to question itself. Did I not explain it enough? In walking that line between too much exposition and making sure readers would understand, did I fall off the side of not enough information?

The reason this is coming up now for you, dear reader, is that it came up for me again at a book group I spoke to last week. A very nice group of women who’d obviously discussed the ice swimming issue previously. When I said that yes, it’s a thing, one of the women said triumphantly to the others, “See! I told you!”

After a year of hearing about it from readers, that whole book group scene didn’t throw me off at all. It may have a year ago, but I’ve had plenty of time to acclimate to it. I’ve reread the book several times [something I do when I’m writing the next one to keep the vibe consistent], and am satisfied that I walked the line as well as I could. I’m glad it’s in the book and I’m happy with the way it’s written.

Still, it’s remarkable to me in a book that has so many things going on — some of them that could raise big conversational points — the ice swimming is such an issue. It’s funny — in a ha ha way — that mystery readers will take all sorts of carnage for granted, but they won’t buy that an athletic man struggling with his mental health who’s desperately trying to find a way to feel better would resort to an extreme physical solution.

I’ve had plenty of time to form a theory about it. I believe that readers would not cut a hole in the ice and swim in the lake in the middle of a Maine winter, so the idea of someone else doing it and not dying just doesn’t compute. Of course, they also wouldn’t murder someone, or engage in the other criminal activity in mystery novels, either. At least most of them wouldn’t. The difference is that they expect those things in a mystery novel, so they’re not a problem.

When I first included the ice swimming in the book, part of me wondered if readers would think it was just some bizarre thing I made up. I liked it, though. I wanted it. I figured I’d do the best I could to make it real for them. Writing is fun largely because we’re free to take the stuff in our heads and form it into something that actually interests other people enough that they’ll take time to read it. The bottom line is,  though it’s not fun, or even worthwhile, if the stuff in my head has to be made so generic or sanitized that everyone who reads the book is comfortable with every element.

In the end, as I frequently tell readers, fiction is fiction. Does it matter if ice swimming is real? It is, but that’s not even the point. If you’re reading a book, take the plunge, no matter how icy, and enjoy the experience.

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