Some Pretty Great Things

I have been traveling a lot for work. Four days of Portland to Newport, a three hour round trip slog. Home for baseball practice and report card conferences. A day of Portland to Old Town. Eleven hours of airport hustling to get to Reno. (No snow-related travel troubles, thankfully!)

I also got pulled over for the first time ever outside at the 65-70 switch by Brunswick, which I probably deserved because I had just finished telling my children that I’d never been pulled over.

Fate has a way of punishing that sort of bravado.

The travel has given me the opportunity to work my way through a few books on my list.

A few recommendations:

I’m absolutely savoring the stories in A WOMAN’S GUIDE TO TRUE CRIME by Mary Thorson. Mary first flagged for me when two of her stories landed in Best American Mystery and Suspense. I had high expectations because both stories I’d read, “The Book of Ruth” and “Casadastraphobia” were outstanding. And friends, this collection doesn’t disappoint. Organized around the idea of historical events seen through the eyes of the victims, killers, or women left behind, it is the sort of collection where each story is a perfectly satisfying bite. It lives in the same space as Portland writer Rebecca Turkewitz’s collection, HERE IN THE NIGHT. Highly, highly recommend.

I finished Henry Wise’s debut novel, HOLY CITY, about a deputy sheriff who returns to his hometown and finds himself looking for evidence to exonerate a man he believes to be innocent. The writing is languid, nostalgic and almost haunted, perfectly fitting with the part of Virginia Wise is writing about. What really struck me was how atmospheric each scene felt. I can’t wait to catch his next book, PROMISED LAND, which is out in September. If you haven’t had a chance to read HOLY CITY, I highly recommend it.

Two upcoming books that should be on your radar:

A VIOLENT MASTERPIECE is out on April 28!!! I first stumbled across Jordan Harper because of his short story “My Savage Year,” which is perfectly told and was included in the Best American Mystery and Suspense of 2024. The story took me to a collection of his short stories (LOVE AND OTHER WOUNDS), which took me to EVERYBODY KNOWS, which took me to SHE RIDES SHOTGUN (which was made into a movie), which took me to LAST KING OF CALIFORNIA (which is probably my favorite). Jordan’s pacing is tight. His characters are fully developed. The systems are always broken but there is also a thread of hope. I think the closest comp I have is Ellroy, so know that going in. You will not be disappointed.

I am so excited about Ryan Lowell, a writer is based in South Portland by way of Bucksport. His debut novel FREIGHT coming out August 11. The blurb reads, “As a lone semi-truck makes its snowy way to the US-Canadian border, a series of vivid characters are inexorably drawn into a desperate, comedic, and murderous scheme to steal its precious cargo.” You can preorder yours HERE. You will definitely be hearing more about Ryan in the months to come, so stay tuned.

 

A few highlights

My story, “The Usual Reasons” (Ellery Queen Mystery Magazine, July/August 2025) won third place for the Ellery Queen Readers Choice Awards. This honor comes with an invitation to the Edgar Awards in NYC later this month. Which is black tie and very fancy.

My first Portland PI story, “The Best and Sweetest Things” will be out in the May/June Ellery Queen Mystery Magazine. And much anticipated Portland little league story is out in the March/April Alfred Hitchcock Mystery Magazine. You should be able to grab a copy at your local Barnes and Noble or Books a Million in the magazine section.

Finally, I found out another piece of news that’s pretty big that I have to sit on a little longer. But hopefully by the May post I’ll be able to share.

A few things going on

I had a blast at the Seacoast Noir at the Bar hosted at the Kittery Dance Hall hosted by Zakariah Johnson. The highlight was when Carolyn Wilkins shared a song about murder that accompanied her historical mystery, MURDER AT THE WHAM BAM CLUB. If you haven’t been to events at the Kittery Dance Hall, I’d really encourage you to check the place out. I heard there is a delightful little bar nearby that serves up literary themed beverages. The event was a hit and Zakariah’s looking to plan another one in October.

The amazing Katie York hosted a Noir at the Bar at Kanù in Old Town to a standing room crowd. Local writers like Katie, Cory Magee, and Anne Britting Olson were there along with EK Sathue, Matt Cost, Zakariah Johnson, and yours truly. All the readers were amazing but Katie’s voice – her combination of dark humor and unexpected content – is always a treat. And the way she reads in front of a crowd. Take note of her name.

Robert Kelly and Jule Selbo are hosting Murder in Mudseason on 4/15 at the Rockport Public Library. Doors at 6:00. If you are in the midcoast area, this promises to be a real experience. Rapid fire readings. Prizes. And an amazing local library hosting.

The Maine Crime Wave is on 5/30. If you haven’t registered, check out the participants. It’s always fun.

For the pre-conference on 5/29, Maine writer and professor Elizabeth DeWolfe and the Maine Historical Society are going to host a tour of the Maine Historical Society’s research library and go deeper into how historical research adds depth and authenticity to writing projects. More to come on this soon!

Maine writers will then descend on Belleflower Brewing for an annual tradition of a Noir at the Bar on 5/29 at 7:00. The event is free and open to the public. Come to hear established and emerging authors from Maine, Massachusetts, and New Hampshire read from their works. There will be prizes and trivia. Hosted by Matt Cost and Jule Selbo and featuring Mo Drammeh, Tess Gerritsen, Zakariah Johnson, Allison Keaton, Robert Kelley, Travis Kennedy, Joanna Schaffhausen, Gabriela Stiteler, Rebecca Turkewitz, and James Ziskin.

Posted in Gabi's Posts | 5 Comments

Weekend Update: April 11-12, 2026

Next week at Maine Crime Writers there will be posts by Gabi Stiteler (Monday), Kaitlyn Dunnett/Kathy Lynn Emerson (Tuesday), John Clark (Thursday), and Allison Keeton (Friday), with a writing tip from Matt Cost on Wednesday.

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

Stop by Barnes & Noble in South Portland on Saturday, April 11, from 1:00 p.m. – 3:00 p.m. to say hi to Allison Keeton.

Maureen Milliken, Allison Keeton and Matt Cost are among the mystery writers reading their work at Murder in Mud Season, 6 p.m. Wednesday, April 15, at Rockport Public Library, 1 Limerock Street, Rockport. It’s hosted by Rob Kelley and Jule Selbo. Other authors participating are Bruce Robert Coffin, Paul Doiron, Tess Gerritson, Maureen Anne Jennings,  Jon Lewis, Anne Britting Oleson, and Julia Spencer-Fleming.The event is limited to 75 attendees, who will be admitted on a first-come, first-served basis. Books will be available for purchase from Kelly’s Books to Go. Refreshments will be provided. Learn more at rockportlibrary.net.

Maureen Milliken, Kate Flora, and Matt Cost are among the authors taking part in the Storytime Stroll, 12:30-5 p.m. Thursday, April 23, in downtown Brunswick. Authors will be located in different businesses, and will read from their works at specific times over the course of the afternoon. For a schedule, map and more information, click here.

Sanford Emerson, husband of Kaitlyn Dunnett/Kathy Lynn Emerson has had a new mystery novel published in e-book and paperback formats. Here’s the cover copy:
When Rusty Steele’s troubled college roommate disappeared during Christmas break her freshman year, no one but Rusty even noticed. Years later, in 1987, divorced from her wealthy lawyer husband and needing a job, she partners with Mike Flynt in a struggling private detective agency. When her now homeless and helpless friend is charged with murder on an island off the Maine coast, Rusty and Mike discover there is much more to an “open-and-shut case” than anyone anticipated. Will they acknowledge their mutual attraction? Can they navigate deadly waters, survive unseen dangers and, with the help of the eccentric islanders, bring justice to the victims of a long-buried evil conspiracy?

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

AND DON’T FORGET! One lucky Maine Crime Writers reader who leaves a comment on the blog this month will win a bundle of books!

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Writing Outside The Crime Genre

There are some novels that have crimes in them that are not crime novels. Then there are some novels that have crimes in them that are crime novels. So what’s the difference?

Maybe this isn’t the right blog to do it, but I’ve started writing a different kind of novel, something more family oriented and uplifting, but with a crime being the hub by which all the action revolves around, if you want to call it action. So is it a crime novel? My natural writing instincts are to veer in that familiar path. But my creative side is telling me to go in a completely different direction.

The problem with being an established crime writer is that we get pigeonholed in our genre. Now there’s nothing wrong with that if writing crime is what you aspire to for the rest of your life. Once you land an agent that agent”s interests are narrow in scope, especially if the writer he or she represents has a history of writing in that genre. Only the big time writers get to write in different genres: James Patterson, John Grisham, Colson Whitehead, Thomas Pynchon.

This is not to say that I want to completely abandon writing crime novels. I started my career writing horror and transitioned to crime, which is what I’d always wanted to write. But at this stage of my career I feel the need to try something different. Hey, if I want to win my Pulitzer or National Book Award, I won’t get it writing genre fiction, which to be honest is a bad rap. Because I find that some of the best writers come from the crime family tree. I’ve always believed that George V. Higgins deserved one for his novel THE FRIENDS OF EDDIE COYLE.

Since my agent retired last year, this has put me in a quandary. Do I need two separate agents, one for my crime fiction and one for my other novel? Will I even finish this new novel I’m working on? I can’t think any of those matters right now. If I’m going to do it, now is the time for me to try something different.

Writing novels and getting published is getting harder and harder, especially in the age of AI. What challenges are you finding as you get older? What new opportunities are you looking to explore? Let me know what you think of my dilemma. Any advice will help.

Oh, and Book 2 of my crime trilogy, CRUEL TO BE KIND is now available.

Best,

Joe

 

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A LOOK AT ANOTHER WRITER’S LIFE

In Los Angeles

I hate to admit it,  but I needed a wake up call. I got stuck in my latest crime/mystery novel and fell a bit into allowing the distraction of the world’s off-kilter, askew-ness, imbalance, WTF-ness, wake-up-and-smell-the-stinky-coffee-ness, kick-in-the-head-realization-that-the-mind-divide-of-my-fellow-human-beings-is-wide-ness to grab my attention. This has made my progress slower than normal. Distraction. I love the “work” of writing and being stuck (and distracted) is not fun and getting jolted out of it is great.

This trip to Los Angeles to see our kid has been a good and healthy thing. Let me tell you why:

My daughter, Lil, has a great sense of humor.  Dry.  Quick. Sometimes silly. Rarely cruel in her observations on life and people. She’s living in the town she was born in – Los Angeles and she has chosen a tough career – comedy. Not the stand-up kind (but I get the feeling she is moving into this (but I don’t pry – as my friend reminds me – the best after-eighteen parenting is benign neglect). In high school (in Los Angeles) she did theater (musicals, dramas, comedies) but she also started going to an IMPROV workshop and continued that in college in Boston.

She moved to Chicago and (in three years) worked her way up to the Main Stage of Second City – one of the premiere comedy sketch venues in USA.

   

Some of these faces above you’ll recognize as Second City former performers that eventually got national/international recognition.

Now, Lil’s back living in LA, she performed at UCB (Upright Citizens Brigade). UCB is ALL improv (not written sketches that you memorize and then might jump off from), so it’s about knowing the technique of how to get a beginning, middle and end and making a cohesive piece of comedy that will hold together just using your chops and thinking on your feet.

Now she is in the Sunday Company at the Groundlings – pretty much all sketches – it’s the other premiere sketch comedy venue in the USA. Some of the faces that have come out of the Groundlings that you might recognize:

 I’ve met a lot of her ‘comedy’ friends and, off-stage, they are a very serious bunch. They work their asses off and commit to an insane writing schedule. They’re writing/observing/working on ideas all the time, ‘cause comedy and sketches can be ephemeral – if they are topical, they may only live in one performance, if they are more based on ebbs and flows and oddities of humankind, they can last longer and be tweaked and repeated. But you always want to give the audience “the new” –

Poster outside theater where our kid and her cohorts are performing now.  Our kid is in the top right in all black.

                  Here’s her schedule at the Groundlings (there are 10 people in the comedy troupe, so each is going through/doing the same thing). You’ll see there is no time for distraction:

  • MONDAY: Each comes up with 3-4 sketches (in the best possible world, sketches that have beginnings, middles and ends, last around 5 minutes and reflect on the vicissitudes and crazy, odd elements of life, ones that will make people laugh, think, hopefully see something in a new way, etc etc.). Each person writes their sketches, character bios, figure out who in the comedy team would be good in the sketch along with them, cast them, list what props/sets/costumes they will need.
    • Do “day job” work too (comedy, at the level she’s at which is quite respected, doesn’t pay well)
    • Specifically for my kid: Work on her “other” comedy show that she is contracted to produce/perform in twice a year at a cool theater near the LA River (this is a two-hour multi-cast “play” called THE BABY: RADIO MYSTERY HOUR.
    • This April trip was planned so we (hubby and I) could see the next installment of this play – it was wild fun with live “foley” (sound effects), a theatre of 200 which was sold-out (which is good because she wrote it with another person and they produced it too and thus get a cut of the house – a mini-mini-mini-ka-ching).
  • TUESDAY: Polish the Groundlings work and write one more sketch in case the Monday ones don’t impress the director.
    • Do “day job” work that pays most of the rent and prepare other performance/comedy stuff.
  • WEDNESDAY: Pitch day.  3 pm to midnight. At the Groundlings theatre, pitch sketches to the director and pitch why they are “worthy”.  Of course, the director (like our publishers/editors) has his/her own taste and the director now is in charge of making a choice that affects their lives and hard work. Cold-read sketches with the other actors/comedians and act in the other members of the company’s sketches.
    • Day job
    • Other comedy stuff/writing
  • THURSDAY: Director (using his/her own taste) chooses the 10-12 sketches that “make the show”. He gives notes to the writers of those sketches. (So the possibility of having your sketch chosen is dear – about one in four?). The unchosen get put into the “maybe next show pile” and that can suck.
    • Day job
    • etc
  • FRIDAY: Rewrite day according to director’s notes and get all the elements needed for the sketch nailed down, get the costumer/musical director (there is an in-house band), stage manager, lighting and sound people all set
    • Day job
    • etc
  • SUNDAY:   ALL DAY. 10 am to 7 pm rehearsal.  Show starts at 7:30 pm and it’s always sold out (really nice theater on Melrose Ave in Hollywood seats about 150 people) and remind self that there’s no wiggle – you have to be on tippy toes of fast comebacks and fun comedy and fulfill the sketch while responding to the audience… (Basically don’t do something stupid like break up with your loved one that morning…)
  • And then MONDAY is there again, and it starts all over.

So this trip to LA has been great for me. To see how hard these young comedians work, how many ideas they have to generate and commit to and write, to see them work together, and see them always pushing forward and supporting each other and then blowing off steam at local bars or gatherings.

Back to not letting the grass, fertilized by a world I worry about, grow under my feet.

Her writing life is  really a lot like we go through.  Not that week to week “end of a project” (we tend to take 6-12 months  for a full project?) – but it’s the same sort of grind, excitement, generation of ideas and support  –

Speaking of support – MAINE CRIME WAVE is May 30!!!  Saturday!!!!  Mechanics Hall in Portland Maine. 8:30 for coffee/gather and then 9 -4:30 or so.  So many great panels and workshops and chance to talk to fellow authors!  SIGN UP NOW!   And consider starting the “gather days” on Friday night – May 29th  –  NOIR AT THE BAR at Bellflower Brewery (66 Cove Street in Portland)-  Maine Writers reading from their work and prizes and a lot of fun.  Info at the website below!

https://www.mainewriters.org/maine-crime-wave

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“Writing Tip Wednesday”

Welcome to Writing Tip Wednesday!

I’m still on a grammar kick. I was beginning to think I was “old-fashioned” in being a stickler for where the period or the comma went when using quotation marks, especially in seeing modern pieces online.

But, no, it turns out that the American English (Chicago Manual of Style) way to handle quotation marks is the same way I was taught as a kid. Even the Associated Press style that I wrote about last month, which does not use the Oxford comma, follows these same quotation mark rules as “American English.” (See what I did there?)

I think a refresher is in order for those of us writing in the United States.

Periods and commas go INSIDE the quotation mark, even if it isn’t logical.

          She called it “a masterpiece.”
          “I hate that word,” he said.
          “I’m tired of Allison writing about grammar,” moaned the reader.

Question marks and exclamation marks can be on the inside or the outside. They follow logic, depending on what it would do to the context of the sentence.

          Did she really say “I’m leaving”?
          He shouted, “Get out!”
          “When will we talk about something more interesting?” asked the reader.

The same logical punctuation is applied to the dash, the colon, and the semicolon.

The difficult part in remembering all of these quotation mark grammar rules is that we live in a global society. We read more works than ever from around the world. The rules I’m talking about are American English rules.

Even this quotation mark meme doesn’t use proper punctuation!


Heck, they are simply American rules. Even in foreign languages, most follow a different rule than ours. I once had an employee with impeccable English skills but who often made errors with quotation marks because English was not her first language. She was following her mother tongue’s grammar.

Our cousins in Britain use logical punctuation throughout with the use of quotation marks, including commas and periods. To illustrate, let’s revisit the sentence I used above:

          She called it “a masterpiece.” (American English punctuation)

But in England, it would be written this way:

          She called it “a masterpiece”.  (UK-style English punctuation)

There are other uses of quotation marks, such as titles, when italics aren’t available or practical.

          The boat “Luna” will set sail tomorrow at dawn.

They are also used to signify alleged:

          Brutus was a “friend” of Caesar.

And to refer to the word itself:

          “Men” is the plural form of “Man.”

With the sloppiness of today’s writing, including much that is published, even by respectable sites, it is difficult to keep up with proper grammar. Even in looking for graphics and memes to include for this piece, I found many with typos. A grammar meme with a typo. We’re doomed.

Here is a little quiz to test your quotation mark skills!

Test your grammar skills.



                                                                  ###


Don’t forget! Leave a comment on any April blog post to be entered into a drawing for free books!

                                                                    ***

Allison Keeton writes the Midcoast Maine Mystery series. Arctic Green, Book Two, is now available. She can be reached at http://www.akeetonbooks.com. Check out the event tab to see where she’ll show up next!

                                                                   ***
Answers to the quiz:

  1. Jack said, “We’re late.”
  2. “Can I help you?” asked the clerk.
  3. The child said, “My toy is missing.”
  4. “Please stop running!” said the teacher.
  5. “Let’s go to the park,” said Mia.
  6. Tom asked, “Where did you go?”
  7. Dad said, “Clean your room!”

 

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It’s Spring, and the Crime Writers are Everywhere

It’s finally spring, time to emerge from hibernation and get yourself to a Noir At The Bar or similar event to enjoy local crime writers reading their best stuff.

The Kittery Crew

A gang of us had a rollicking good time in Kittery on a rainy night in mid-March at an evening of readings by crime writers from Maine, New Hampshire and Massachusetts. Hosted by Zakariah Johnson, a Portsmouth-based writer who’s a mainstay at local events, and Sarah Lamagna, owner of the bookstore Literally Kittery, the Kittery Dance Hall rocked with the  words (and music!) of what the promotional materials called “A Dirty Dozen New England Crime Writers Reading their Darkest Stories.”

Some read very dark stuff (I’m looking at you Matt Cost and Zak Johnson) and some read less grisly but still riveting work, and our dear friend from Boston Carolyn Marie Wilkins not only read from her novel Murder at the Wham Bam Club but sat down at the piano and played and sang a catchy tune she’d written about it.

Carolyn Wilkins writes books and music. She read and sang at the Kittery event.

If you missed the Kittery event I’m sorry for you, because it was a blast, but there are three more coming up in short order (including one this Friday!) that you won’t want to miss.

For the uninitiated, Noir At The Bar (whether or not that name is used) is a group reading by ten or a dozen crime writers usually (but not always) held at a bar, sometimes in conjunction with a writing conference, but often for no reason other than that crime writers (a) like to read in public (b) always are keen to hear what everyone else is writing and (c) at least in Maine, really like hanging around with each other and our readers.

First-time attendees at these events often are surprised that the writers seem to be having so much fun. They imagine crime writers are as cutthroat as our characters, but nothing could be further from the truth. We may write about mayhem and murder, but IRL, we’re a fun-loving, mutually supportive bunch.

Here’s the info about upcoming group readings in Maine that the public is invited to attend to hear riveting, short readings from crime writers who plumb our region’s woods and waters for stories that will, we hope, keep you reading deep into the night.

On Friday, APRIL 10 from 7:00 – 9:00 p.m, DOOM AND BLOOM:  AUTHORS AFTER DARK will take place at Karù, a restaurant and nightclub at 238 Main Street in Old Town hosted by the dynamic Katie York.

The terrific tagline?  Celebrate the spring with chills that last into summer.

Among the crime writers who’ll be reading are Rebecca Turkewitz, EK Sathue, Zak Johnson, Anne Britting Oleson, Cory Magee and MCW’s own Gabriela Stiteler and Matt Cost.

On Wednesday, APRIL 15,  MURDER IN MUD SEASON will take place at the Rockport Public Library, on Limerock Street in Rockport.

Hosted by MCW blogmates Rob Kelley and Jule Selbo, the bill features Tess Gerritsen, Paul Doiron, Julia Spencer-Fleming, Maureen Milliken, Bruce Coffin, Matt Cost, Allison Keeton, Maureen Ann Jennings, John Lewis, Ryan Lowell and Anne Britting Oleson.

The night will start at 6 p.m. and the audience is limited to 75 people, so get there early folks!  This evening promises to be a stunner!

On MAY 29, a NOIR AT THE BAR will happen at 7:00 p.m. at Bellflower Brewing Company, 66 Cove Street, Portland.  This NOIR is being held in conjunction with the Maine Crime Wave conference, which takes place at Mechanics’ Hall in Portland the following day.  It will be hosted by the dynamic duo of Jule Selbo and Matt Cost. The lineup is not quite finalized, but what we know is superb: Tess Gerritsen, Allison Keaton, Travis Kennedy, Rob Kelley,  Joanna Schaffhausen, James Ziskin, Zak Johnson and the inimitable Gabriela Stiteler.

As I said, Maine Crime Wave is on MAY 30, and you won’t want to miss that, either! Check out who will be there and sign yourself up for a full day of roundtables, interviews and elbow rubbing with these characters.  The registration link is here: https://mainewriters.app.neoncrm.com/np/clients/mainewriters/eventRegistration.jsp?event=1324&

Brenda Buchanan sets her novels and short stories in Maine. Her three-book Joe Gale series features a contemporary newspaper reporter with old-school style who covers the courts and crime beat at the fictional Portland Daily Chronicle. Brenda’s short story, “Means, Motive, and Opportunity,” was included in the anthology Bloodroot: Best New England Crime Stories 2021 and received an honorable mention in Best American Mystery and Suspense 2022.  A short story called “Cape Jewell,” was published in Snakeberry: Best New England Crime Stories 2025, and another short story “Crime of Devotion” will be published next month in Murder Most Senior, an anthology presented by Jacqueline Winspear in association with the Malice Domestic conference.

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It’s Mainely a Maine Thing

By Kait Carson

One of the many things I love about Maine is that it’s seasonal. We have a minimum of seven, with variations on each theme: Mud, Spring, Black Fly, Summer, Summer in the desert without the breeze, Autumn, and Winter. I like four of them. Right now, we are in the winter shoulder season. I am not a fan.

I am not exaggerating when I say this has been the coldest, windiest winter I can remember. That’s saying a lot, given that in the 2007-2008 snow season, over 200” of white stuff fell in my backyard. Don’t believe me? Even the squirrels prayed for a respite. We didn’t have much snow this year, enough to keep the snow-dependent industries happy, but the wind! Oh, my. Twice I chased my wheeled garbage bin down Route 11 when the wind whipped it from my hand. Another time, the wind took my shovel and sent it flying like a kite into the woods when I was on the upswing. Note to self -next life, have kids. Let them handle these tasks. I’m not complaining, though. It’s the price we pay for the clear blue skies that complement our snowy landscape. That’s winter.

March in Maine is the cruelest month. Doesn’t matter if it comes in like a lion or a lamb, it’s going to hurt you. Big time. The entire month is a plot hatched by Mother Nature to make us earn the soft breezes of spring. Temperatures range from 50 above to 10 below zero, often in one day. Morning snow turns to rain in the afternoon and ice overnight. We live on a hill. I’ve worn the back out of more than one pair of jeans by losing my footing with the first step into the dooryard and scooting halfway down the driveway and finding a landing site. Getting back up the hill is even more amusing. It’s the time of year when I long for any colors other than white and gray.

By this time of year, my soul craves color, and we’re a long way from it in my part of Maine. The green shoots of daffodils and crocuses are at least two weeks away. Forsythia, lupines, peonies, and columbines are even further off. So, I turn to memories of my Florida life in self-defense. Join me on a trip to the tropics.

The previous owners planted bougainvillea around the pool fence. The colors are magnificent, but the plants have long, sharp thorns, and no one ever included our house on the annual senior graduation pool walk bacchanal.

 

 

Angel’s trumpets are hands down my favorite flowering color. There’s a purple variety, too, known as devil’s trumpet. When I lived in suburban Miami, I had to destroy mine. It was a glorious six feet tall, and it flowered all at once for a month or more. Stunning. But kids made psychedelics from the plant, and even though mine was behind a fence, an ordinance is an ordinance. Rural areas had no such restrictions, but the tree never thrived.

The previous owners also planted the oleander. Gotta wonder what they were thinking. The entire plant, from roots to leaves to flowers, is toxic. In the 1950s, Florida planted them on highway medians. Pretty, but deadly.

 

 

We think the birds planted the honeysuckle in the live oak. It blooms in January. This one was right outside our bedroom, and the scent was amazing. I’m deathly allergic to bees, and bees flock to honeysuckle, but honeybees don’t sting so we got along quite well.

Do I miss the tropics? People ask me that often. The answer is no, but I do enjoy a brief visit.

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Weekend Update: April 4-5, 2026

Next week at Maine Crime Writers there will be posts by Kait Carson (Monday), Brenda Buchanan (Tuesday), Jule Selbo (Thursday), and Joe Souza (Friday), with a writing tip from Allison Keeton on Wednesday.

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

Kate Flora: On Saturday, April 14th, I’ll be at the Limerick Library at 11:00 a.m. for an author talk. Looking forward to visiting a library I’ve never been to before.

 

Matt Cost will be participating in the Bloom & Doom Noir at the bar at Kanù in Old Town, Maine, on April 10th at 7:00 PM with a murder of other great Maine authors.

 

 

 

 

 

 

On April 11th, at 1:00 PM, Cost will be giving a COST TALK about his latest and last Clay Wolfe Trap mystery at the Brown Memorial Library in Clinton, Maine.

 

On April 24th, Brunswick Downtown will be having authors reading at various stores. I’ll be at Nest at 2:30…and hope I don’t buy more than I sell, and Matt Cost will be at Elevenses at 1:00 p.m.

 Did you miss another great week of blog posts? You can always go back and read them. This week, some of us focused on reader feedback, which we always like to hear.

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

 

AND DON’T FORGET! One lucky Maine Crime Writers reader who leaves a comment on the blog this month will win a bundle of books!

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The Voices that Keep Us Going

Kate Flora: I enjoyed reading Kathy’s post about reader feedback so much yesterday that I decided to share some of my own. Those reader cards and letters are much rarer these days, but when I was in my early writing years, they were so important in helping me to keep writing when the publishing world was so unsupportive and I debated whether to stop writing and do something else.

When I look back through an old file, I wonder if those writers are still reading my books. Do they look for a new Thea? If they liked Thea, did they also try the Burgess books, and was the change pleasing or did they want me to stick to the characters they liked?

Who wouldn’t love to get a note from a librarian in Ontario that reads: I’m eagerly waiting for your new book to come out. The chapters that you had on your website were great and I’m sure that all the readers are waiting to find out what happens. I work in a public library and I’ve recommended your name to many of the patrons who ask for good authors.”

Or how about this one from Tiffany in New Orleans? Hi! I just finished reading Death in Paradise. Like Steal Away, I was unable to put it down. That was the first Thea book that I have read, and I can’t wait to read the other others. You were blessed with a great gift.

I’ve often joked that when someone called up and says, “I hate you,” I’m pleased. It means they’ve been up all night reading one of my books. So when a reader named Ethel whose reread Chosen for Death and just finished Steal Away, says, I mostly like to read to take myself away from “whatever”, not to be touched or involved. Steal Away did not allow me to do that. You are an excellent writer . . . thanks for the experience.

And there’s this, from a reader in Michigan. I just met Thea a couple of months ago when my ‘book supplier’ gave me a bag of books and said, “Sherri, I have a new favorite author/heroine–you’re going to love her.  . . well, my friend Kathie was right. I LOVE your books and Thea is absolutely GREAT. We have books 205 but cannot find the first one, Chosen for Death. Of course I sent her a copy. (first edition)

My response to this reader was: Your note couldn’t have come on a better day. I was in

Thea Kozak series book 2

such a vile mood about publishing and publishers and agents I was ready to spit. Naturally, it was a great treat to get a message reminding me people do like and care about the Thea books. This exchange happened just as my publisher had rejected book six in the series and was dropping me as an author.

Because notes like this really make such a huge difference when those who SHOULD be supporting authors–their agents and publishers–are not. And so I love it when I get a note like this: I picked up your book, Death in a Funhouse Mirror” at some time in the past and it got buried under books, ignored and unread. I am packing to move to VT and in the process of sorting out books, came across the poor neglected book. This happened last night around 2 am . . . I started reading it and read til 5:30 a.m., at which time I made myself put it down and go to sleep. I woke up at 8:30 and the first thing I did was pick it up and start reading again. So . . . . thanks a lot!!! <grin>

A writer with a sense of humor

And, as Kathy noted, they get very invested and give advice. So I loved it when someone said I hope you expand the roles of the other characters because I feel like they are old friends and I want to know what happens to them. By the way, that’s a sign of a good author if you can hook us into wanting to know what happens next.

Of course readers tell you if you’ve got it wrong. I mixed up Gladys Knight and Tina Turner. Of course I heard about that!

So . . . what’s the point of all this? Write to authors. Send them email. Let us know we have readers and that like what we’re doing. Tell us what you wonder about. Ask us questions. Share our books with your friends and ask your library to buy them. You make a difference.

A reminder: If you’d like to be on my mailing list, go to the website and send me a message, or email me at writingaboutcrime@gmail.com

Are you missing a Thea or a Burgess? I might have a copy…

And finally, every month we give away a bundle of books to one person who leaves a comment on the blog. That person could be you.

 

 

 

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Fun With Fan Mail

Kaitlyn Dunnett here, today sharing some bits and pieces of “helpful” fan mail I’ve received over the years about my Liss MacCrimmon Mysteries and my reactions to them.

I am interested in your Liss MacCrimmon mystery series and would like to know how many books will be in the series when it is completed.

My response: So would I!! [There ended up being thirteen books in the series]

Thank you so much for your books. I am a big fan of Cozy Mysteries. I began reading the Lisa MacCrimmon mysteries in order and noticed a change in the book A Wee Christmas Homicide. In the previous books, there was romance with hints of intimacy. However, in Christmas Homicide, Sherri asks Lisa bluntly if she can imagine having sex with one of the men in her life. I ask you, was that blunt wording really necessary? Additionally, Lisa has started swearing in the book. These changes were not needed. I would ask that you consider seriously the Cozy Mystery genre. We are people who appreciate subtlety, who have books in the house that we’re not concerned if the kids or grandchildren open up. We work stressful jobs with ugliness day-to-day. When we relax with a Cozy Mystery book, we look for tastefulness. There are plenty of blunt and classless books available. Please stick to the true Cozy Mystery genre.

My reaction? I went through the first three books in the series searching for cuss words. There is actually more swearing, by Liss (not Lisa) and others, in the first two books in the series than there is in #3, A Wee Christmas Homicide! Picture me smiling and shaking my head at this “fan’s” outrage.

I received A Wee Christmas Homicide free for my kindle and now I have to say I’m hooked!!!  So much so that I purchased some of your other books in the series! I am also a fan of the Earlene Fowler Bennie Harper mysteries . . . . These stories of yours follow along the same type of story line where the heroine stumbles upon a dead body and sticks her nose in where it doesn’t belong to solve the case.

I wouldn’t have worded praise in quite that way, but I thanked her.

I just finished reading A Wee Christmas Homicide and had a lot of fun with it–though I have to say that if you build a book around a Christmas carol, you should probably get the lyrics right!  It’s 10 lords a-leaping and 9 ladies dancing, not the other way around! . . . By the way, a good editor would have caught that!

I thought this was hysterical. This lady, writing in the March following an October pub date, is apparently the only one who caught it. So in Scotched, the book I was working on by that point, I inserted a scene where Liss is trying to remember the words to another song and recalls that no one at the village’s twelve days of Christmas pageant, herself included, noticed that they’d reversed two of the lines until after it was over.

In The Corpse Wore Tartan (certainly an enjoyable & ‘fair-play’ mystery), there was a repeated jarring note—the use of “skean dhu” as the Gaelic term for the small knife worn in the stocking in traditional Highland dress (for men). You need a new adviser on your Gaelic. . . .  The correct term is sgian dubh.  Accept no substitutes. Hard to pronounce, you say?  Well, as in other languages, the attribution of sounds to Latin letters is arbitrary, but usually fairly consistent.  (English is notoriously INconsistent, of course.)  In the context of conventional Gaelic spelling, sgian dubh is perfectly logical. I’m sure that you’ve heard it pronounced. It’s a doubtful proposition to try to reproduce sounds of one language in the spelling patterns of another.  If I HAD to try giving a simple English version of sgian dhu, I’d write “Ski-un doo”. But better to stick to the spelling of the relevant language. Maybe (if Kensington will allow), put Gaelic expressions in italics. Aside from this, the book was enjoyable, & a far cut above so many of the “cozies” that one sees these days.

This “fan” identified himself under his signature as a member of the Gaelic Education Committee. I answered, explaining why I made the choice I did. I never heard from him again, which is probably just as well.

I’ve received numerous comments about what Scots do or don’t wear under their kilts. I stick by what I’ve personally observed in Maine. There have also been plenty of comments on scones, both recipes and pronunciation. Since scone works as a pun for the title of #2, Scone Cold Dead, I’m sticking with that one. But then there was this e-mail:

As I am reading The Corpse Wore Tartan I come to a screeching halt  every time “whiskey” is mentioned. The preferred spelling in Scotland is whisky! Since the people who are gathered for the Burns Night Supper are enamored of all things Scottish, and since Liss is of Scottish descent, I feel that the characters in the book would also be repelled by the insertion of an “e” into the word whisky. (I am assuming that this spelling was chosen by an over-zealous non-Scottish editor.) To my ear, reading the word “whiskey” in a Scottish setting is just a jarring as reading “him and me are . . .” or  “They doesn’t . . .” It ruins the rhythmic cadence of the prose, and after seeing that spelling many times, I was irritated enough to put down the book and write to you.

Since the two spellings are pronounced exactly the same way, I wasn’t impressed by this logic, but I wrote back to say that I chose American spelling because Liss is American, as I am, and I am writing for an American audience.

Love your plots and writing style. Cannot put your books down until I read who done it. However your Liss is the biggest spoiled brat. She thinks she has the right to ignore the law and everyone else. 

This e-mail didn’t specify a title, but I suspect this was in response to Liss sneaking into a suspect’s hotel room to search for clues—not exactly legal, but a pretty standard action by amateur sleuths.

I certainly am enjoying your books–please keep them coming! I did notice a strange thing on page 79 of Scotched: “Liss filled a measuring cup with water, pushed a cat off the counter three times, put the water in the microwave, measured scoops of coffee into her French press, and popped two slices of bread into her toaster”—ALL before feeding her cats! WOW! No self-respecting cat would allow all that activity before being fed. What were you thinking?

What was I thinking? Shadow would be appalled!

I’d love to hear about fan mail, amusing or otherwise, that any of you have either written or received. And yes, Kait Carson, I do remember the email exchange we had years ago over Liss’s father’s inheritance in Florida.

Kathy Lynn Emerson/Kaitlyn Dunnett has had sixty-four books traditionally published and has self published others. She won the Agatha Award and was an Anthony and Macavity finalist for best mystery nonfiction of 2008 for How to Write Killer Historical Mysteries and was an Agatha Award finalist in 2015 in the best mystery short story category. In 2023 she won the Lea Wait Award for “excellence and achievement” from the Maine Writers and Publishers Alliance. She was the Malice Domestic Guest of Honor in 2014. She is currently working on creating new editions of her backlist titles. Her website is www.KathyLynnEmerson.com.

 

DON’T FORGET! One lucky Maine Crime Writers reader who leaves a comment on the blog this month will win a bundle of books!

 

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