Stop Making the Police the Villain: Writing Better Amateur Sleuth Mysteries

I’m back this month still talking about amateur sleuths. This time I want to hone in on one of the biggest challenges in writing an amateur sleuth mystery:

Why isn’t the police department solving the crime?

It may be tempting to solve that problem by making the detective oblivious, lazy, or corrupt. That is taking the easy way out, and unfortunately, readers will notice. Additionally, many mystery fans, including myself, have friends or family in law enforcement. I respect and admire them and do not want to portray them as incompetent.


The strongest amateur sleuths don’t succeed because the police are incapable. They succeed because they have something the police don’t. He or she simply has access to different truths.


—They may know the victim personally.
—They belong to the community and understand decades-old rivalries, family feuds, and secrets outsiders would never recognize.
—Someone may trust them enough to reveal information they would never tell a detective.
—They may bring a professional background to the mystery, like Elizabeth Best in The Thursday Murder Club. Her past as an intelligence operative helps Detective Chris Hudson and PC Donna DeFreitas. It is mutual respect.
— They may have the time to keep asking questions after the official investigation has moved on, like Agatha Christie’s Miss Marple.
—And they have the freedom to notice patterns that don’t fit neatly into a case file, an advantage that the police cannot legally or practically have.


In my own Maine mysteries, setting becomes part of that equation. Small towns have long memories. People remember who dated whom thirty years ago, which family stopped speaking after a land dispute, or why someone suddenly left town after one unforgettable summer. Those relationships create opportunities for an amateur sleuth to uncover pieces of the puzzle that aren’t sitting in an evidence locker.


My protagonist, Raven Ouelette, owns Pine Acres Cabins, knows the people in her community, and is married to the county sheriff. Those relationships naturally give her access to conversations, history, and local dynamics without requiring the sheriff to be incompetent or share too much. As I often say to readers, he does tell her not to get involved, but if she listened to him, I’d have a pamphlet instead of a novel.


I think the best mysteries treat law enforcement with respect while still allowing the amateur sleuth to make meaningful discoveries, as in The Marlow Murder Club, with Judith Potts and DS Tanika Malik. The tension isn’t “good amateur versus bad detective.” Instead, it’s two people approaching the same mystery from different directions, and often with humor.


Readers appreciate that balance because it feels authentic.


Crime fiction asks us to suspend disbelief in all sorts of ways. But when the sheriff misses clues that would be obvious to anyone, or detectives ignore evidence simply so the protagonist can shine, the illusion cracks. Instead of putting down law enforcement, give your sleuth an advantage that’s earned: history, relationships, curiosity, unique access, and a reason to keep asking questions after everyone else has gone home.


That’s when an amateur sleuth becomes believable—and when a mystery becomes impossible to put down (we hope).

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Don’t forget! Leave a comment on any July blog post to be entered into a drawing for free books!

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Allison Keeton writes the Midcoast Maine Mystery series. Lobster Red, Book Three, will launch in February 2027. She can be reached at http://www.akeetonbooks.com.

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Travels With Willow…not exactly Steinbeck, but what is?

At some point when I was a young teenager I read “Travels With Charley,” by John Steinbeck, a rather sour and depressing (in my memory) account of his drive across the U.S. with his poodle, Charley. It didn’t spur my interest in driving across the country. I already had that. Who doesn’t? OK, a lot of poeple. But I did.

My sister and I kind of did one in (I think) 1998, when we drove from where she lived in New Jersey at the time to Glacier National Park, in Montana, then south to our aunt and uncle’s in Phoenix. We camped out most of the time, and saw a lot of national parks. I flew home from Phoenix. It was a fun trip, aside from constantly having to set up a tent during rainstorms. Or at least that’s how I remember it. My sister now lives in Portland, Oregon, and I hate to fly, so I’d been thinking for a few years now that I’d like to do the drive out there.

This summer, the time was right. I have a new-ish car (a hybrid), and figured it was never going to be in better shape than it is now, and neither am I. Liz was visiting the East Coast, so the plan was to drive her back to The Other Portland. In the time since the idea started to germinate, I’d adopted a dog, Willow. I didn’t want to leave her for three weeks, so she joined the trip.

Just like “Travels With Charley” many people remarked to me. More people, actually, than I would have predicted. “Not exactly,” I’d respond. I’d always been bothered by Steinbeck’s makeshift camper, his sour geezer attitude (and gee, he was only 58), and his excessive depressive navel-gazing. Granted, I was 14 or so when I read the book, but I suspect I’d feel the same way now. Sorry-not-sorry to those of you who cherish that book.

Since it’s always good to have a plan, I charted a route through states I hadn’t been to before, as much as possible. I’ve also had an interst in state capitol buildings since I was  young child (yes, I was a weird kid), so to give the trip some structure, we’d stay in state capitals and check out the state houses. The dog limited our visits — we wouldn’t be able to go inside — but we didn’t really have the time anway. While the days were long, they weren’t as long as they would’ve been if we hadn’t had a dog, since she can only tolerate so much car-riding. I also had a time limit, having to be back by July 16 for a medical thing, so we’d see the USA, but in broad strokes for the most part.

And what better way to celebrate America’s 250th than seeing it? I’d given up on expectations of the celebratory frenzy that we had for the Bicentennial in 1976, so we’d have to create our own. I didn’t have any big epiphanies along the way. Sorry. But I did find a lot of smaller, intersting stories that make America what it is. That’s what we do as writers, right? See stories everywhere we go.

I won’t bore you with a blow-by-blow written chronicle, just share some stuff and photos. The photos, I admit, are short on scenery, big on state capitols. If you are interested in the dog aspects of the trip, you can check out the column I wrote for Ink Link, the New Hampshire digital news outlet published by my friend Carol. Because of course I parlayed the trip into a writing opportunity, a road tripping with a dog column, Travels With Willow.

We left Maine on Monday, June 29, with Harrisburg, Pennsylvania our first destination.

Harrisburg, PA, state house.

Last year on a trip home from Maryland, I’d seen Harrisburg’s state house across the Susquehanna River and it stireed a need to see it it, and the city, up close.

On the first of what ended up being an unbroken three-week string of hot, sunny days, we stopped by the state house on the morning of June 30. It wasn’t the last time on the trip that I realized I’d have to come back some day to check out the interior.

Then we were off, for Frankfort, Kentucky.

Willow in the lobby of the frozen-in-time Capital Plaza Hotel in Frankfort, Kentucky.

In Frankfort, we stayed at the Capital Plaza Hotel. The reviews on Bring Fido, the app I used to find dog-friendly hotels, said it was “under renovation.” This renovatoin had apparently been going on for years. The hotel seemed to have stopped in time — it’s lobby fountain no longer functioning, the bar long-closed. Signs for ballrooms and event spaces that no longer existed.

When we arrived around 6 p.m. on a Tuesday night, it seemed like we were the only guests. It turns out we weren’t, but after the packed-full kid-chaos chain hotel we’d stayed in in Pennsylvania, this one was so…. quiet. The desk clerk was very friendly, recommended a great restaurant, where we DoorDashed what turned out to be probably the best meal I had the entire trip. And memo to Steinbeck enthusiasts: I prefer DoorDash, whose wonders I fully took advantage of during this trip, to cooking beans in a can over a fire a la Steinbeck.

Willow mulls the urban renewal logic that’s now left Frankfort, Kentucky, with a two acre empty lot where its convention center (1969-2018) once stood.

I did a little Googling and found out that the hotel was built as part of an urban renewal project in the late ’60s that also included an office tower and convention center. The office tower had closed in 2016, and it and the convention center were torn down in 2018. There was an empty two-acre lot of very nice grass behind the hotel where the convention center once was. Just this past February, an $11.5 million bond was passed to renovate the hotel and build something in the empty two acres. I couldn’t help wonder about the waste that went along with all of that. Some neighborhood that had probably been there a lot longer was bulldozed in the ’60s to make way for buildings that didn’t even last 50 years. America!

I’ve always been interested in urban renewal, the evolution of cities and communities, and the politics and attitudes that drove that stuff, so the Capital Plaza’s store interested me more than it probably would some other people. In fact, it’s one of the most American of the stories I discovered during our trip. As far as the Kentucky State Houe, that, too, had a story. It’s closed until 2029 for repairs becasue of years of neglect and deferred maintenance. The dome was wrapped in scaffolding, but it was still a nice-looking building.

Even with the scaffolding, Kentucky’s State House is looking good, though Willow’s more interested in the bird that just flew by.

Speaking of urban renewal, one of the podcasts we listened to on our way west was “The Big Dig.” The first season, which I’d listened to a while back, was about Boston’s Big Dig. The second is about cities across the U.S. that are dealing with highway infrastrucutre issues. [Does it horrify you the way it does me that they’re going to expand the interstate that cuts through Austin, Texas, to 20 lanes? Yikes.]. Totally coincidentally, as we left Kentucky for Jefferson City, Missouri, the episode that came up was about Louisville and its struggles with either expanding or getting rid of the interstate that cut the city in half. As we ambled toward Louisville on Interstate 64, the panel on the podcast laughed about the city’s notorious Spagetti Junction, where several highways all merged in a terrifying tangle as cars roared 20 miles above the speed limit from every direction. I’m glad we had the warning, because it made what we encountered — a fairly empty highway system with signs not nearly as confusing as I thought — a total relief. No picture of that! Sorry.

In Missouri, we stayed in a nice inn in the town of Fulton, near the capital, Jefferson City. The state house was the most impressive we’d come across as far as walk-around exterior went. A sidewalk (and drive) circled the building, with a variety of fountains, other water features, statues, little parks, and a walkway down to the Missouri River to the spot where Lewis and Clark… did something. It was very hot out. The fountain, which looked like it was about four feet deep was very inviting. But we did not take a swim, as much as Willow wanted to.

Willow and I take a break at the fountain on the grounds of the Missouri capitol building in Jefferson City. Willow wanted to swim in the fountain.

Lincoln, Nebraska, was a highly anticipated stop on our trip. On Crime & Stuff, the true-crime podcast I’ve been cohosting with my sister Rebecca since 2016, I’d recently done a three-parter on the fate of Darrel Parker. Darrel was wrongly convicted in the 1955 murder of his wife, Nancy, despite a very obvoius alternative suspect. Darrel was done in by lie detectors and the Reid technique. In fact, it’s the case that vaulted Reid and his interrogation methods into the national spotlight, and it’s still used by many law enforcement agencies across the country today, despite it’s propensity to elicit false confessions. Ironic, of course, that it was a case that ended up being a wrongful conviction that vaunted Reid into the national limelight. Fun note: That murder trial cost Lancaster County $3,200, the most a trial had cost the county to that date. Two-thirds of that money went to Reid and his mentor, Fred Inbau, who didn’t testify, but attended every day to “consult” with the prosecution. Another “America 250” story for my list.

The little house in Anteloope Park in LIncoln Nebraska, was even smaller in 1955, when Nancy Parker was murdere there.

I was excited about checking out the little house in Antelope Park where Darrel, who was the city’s forester, lived with Nancy. The house is still there, a little less remote than it was in 1955 because the park has been changed around, but it was still cool to see. As much as we live in our imaginations, seeing the actual place where a crime that had historic impact took place kind of makes my imagination sit up and take notice.

The Nebraska State House, in Lincoln, was the most utilitarian so far of the trip.

Lincoln’s state house, by the way, was the least ornamental and most business-like (so far) of the trip.

In Cheyenne, Wyoming, we hit our first disappointment of the trip. My fault. As a newspaper reporter, I’d covered breaking news on the Fourth of July and other holidays, and knew to make sure I wouldn’t get hung up by a parade. But, the night of July 3, hot and tired, we picked up some Italian food and headed to our nice cool hotel room, with plans to visit the Wyoming state house the next morning. Cheyenne’s not a big city, and the state house was just two miles from the hotel, so we could pop over, see it, and be on our way to Utah. My heart dropped when I saw the first blinking detour sign. Then came the throngs of people with their lawn chairs and coolers. Parked cars lined the streets. With the parade, we wren’t going to get anywhere near the state house.

We caught a little bit of a break when Liz caught sight of the dome over some buildings. We double-parked so she could take a photo of Willow and me and a distant silhouette of the state house dome. For the map that charted the trip for my Travels With Willow column, I ended up improvising.

You can barely see the Wyoming State House dome a little to the right above my left shoulder.

Almost like the real thing, right?

We spent the Fourth of July driving across Wyoming to Utah, just one in a string of truly spectacular landscapes. I don’t have photos, because I was driving, but I have them in my head. BTW, there were no photos in “Travels With Charley,” either.

My loyal companion waits by the door after I left the hotel room in Utah to find some soda and ice.

We spent Fourth of July night, America’s 250th birthday, in Midvale, Utah, just outside of Salt Lake City, and were treated to a great fireworks display fully visable from our window. It was one of the few hotels that allowed us to leave dogs alone in the room, so we also enjoyed a very nice meal from Kabob House, just a two-minute walk across the parking lot. It was owned by a friendly and efficient family of Afgahn immigrants, another great American story. The meal was not only delicious, but it was enough for us to save some for lunch the next day.

The Utah State House was impressive. Up on a hill, and visible from all around, it was surrounded by a lush lawn with a nice tree-lined gravel walk (by now on the trip I was desperate for any shade opportunity). It was one of the few state houses at which we encountered a lot of other visitors. There were dog-walkers, tourists, people just walking around. I guess it’s a big draw on a Sunday morning of a holiday weekend. Despite the relentless sun and heat. I don’t know what I expected, but the grounds and atmosphere were a nice surprise.

On our drive from Salt Lake City to Boise, which would be our last night on the road west, we stopped for lunch at Centennial Park in Twin Falls. The park is at the bottom of a spectacular gorge, made less spectacular by the limitations of my iPhone camera. I was hoping for an opportunity to get Willow into the water — I found out after adopting her that swimming is her absolute favorite thing in the world, and she’d been such a good girl that she deserved some fun.

I ventured down the boat ramp into the Snake River with her, but much to her disappointment, wouldn’t let her off the leash to swim freely. All I could picture was her disappearing down the river to wherever it went. That would’ve been a bummer.

Willow takes a swim, more or less, in the Snake River.

The snake river gorge in Twin Falls, Idaho, at CenteAtnnial Park.

Boise, our last night on the road for this leg of the trip, is a cool city. We also stayed at a cool hotel, The Modern, which was a renovated 1950s-era Travelodge. Very mid-century mod, if you like that vibe. Which I do. It was not only a neat place, but the most dog-friendly we stayed at. Dogs were allowed in the breakfast room as well as the restaurant (which was closed since it was a Sunday night, but still).

We visited the state house that evening, since we had time and wanted to get on the road for Portland, Oegon, the next morning. We got ice cream and had a lot of fun. Onc thing I realized with all our state house visits is the attention to native plantings. The Idaho State House in Boise had some beautiful ones, which we admired quickly since it was more than 100 degrees out, even though the sun wsa setting.

We check out eastern Oregon at a rest area right over the Idaho-Oregon line.

As much fun as seven nights on the road had been, seeing the country change from the hilly green of the East Coast to the flat yellows and browns (but such a variety of them) back to the differently hilly and green West Coast, it was a relief to crash at my sister’s in The Other Portland.

Speaking of scenery, if you’ve never driven west on Interstate 84 along the Columbia River in central Oregon, go do it. It’s some of the most spectacular scenery you’ll see. People knock interstate travel, but if you’re crossing the country and don’t have weeks to do it, you have to get on the interstates. Probably 90% of our trip west was on them. That said, we still saw absolutely spectacular scenery in almost every state.

Willow kind of enjoyed a swim in the pool below Multnomah Falls, but then had to police some children playing nearby, so that ended that.

While in Portland, we took a trip along that end of the Columbia River Gorge, on the old Lincoln Highway (Route 30), which until 84 was built, was the main route from the east into town. Hard to believe people driving that narrow, windy road above the river as a matter of course, but they did. We stopped at one of our favorite places, Multonomah Falls. Liz moved to Oregon in 2001, and when I first started visiting her there, the falls were a fun and relaxing spot to visit, one of several waterfalls along that road. Since the pandemic, they’ve become everyone’s Instagram moment and are a little too crowded for me. Also, an aside, carry in, carry out, people! I was bothered by the amount of trash, particulalry large plastic iced-coffee type cups, dumped on the stone walls and every other flat surface at the falls stop. Who does that and feels Ok about it?

We did brave the crowds, and I even took Willow down to the pool at the foot of the falls for a little on-leash swim. She was distracted, though, but some kids splashing nearby. At the same time that I discovered she loves to swim, I also discovered that it’s her job to herd and protect any children in the water. Such a good girl!

Liz, at Cascade Locks, discusses the discover of the missing Martin family’s car.

We also got a chance to visit another scene from our podcast. Liz, who is a history professor [just retired in June], is a frequent guest host, bringing us tales from the Great Northwest. Last year, she presented the case of the mysterious disappearance of the Martin family. They were a family of five who went out to look for Christmas trees one December Sunday in 1958 and never came home. In May 1959, the bodies of two of the girls were found in Cascade Locks, along the Columbia River. But the mystery remained a mystery until late 2024, when a diver found the family’s 1954 Ford Country Squire station wagon, along with human remains, in the river at the locks. It doesn’t totaly solve the mystery, but did answer some questions.

We visited Cascade Locks to take a look at the scene. It was very very very windy, while still being sunny and hot. We tried to film a little video for a planned YouTube page for the podcast (hasn’t happened yet), but the wind may have wrecked that.

The Cascade Locks, by the way, were built by the Army Corps of Engineers between 1878 and 1896 to help boats, particularly steamboats, which were a major method of travel in that area back then, to navigate the Cascade Rapids on the Columbia River. The rapids, by the way, had caused major issues for Lewis and Clark, who kept cropping up during our trip out and my trip back east. When the Bonneville Dam was built just to the east in 1938, the higher river swamped most of the locks, but they’re still visible in some places. Another cool infrastructure American history item!

One of the Cascade Locks, in the Columbia River in Oregon.

Willow and I began our trip home to Maine on July 10, after dropping Liz off at The Other Portland airport so she could go to a family funeral in New Mexico. The trip back was on a more northern route, and only would take in two state capitals.

Our first stop was that morning in Hood River, a town about an hour and a half east of Portland on Interstate 84. Much to our delight, we discovered Waterfront Park, and Willow got to have another on-leash swim, along with a nice walk along the Columbia River.

Our route took us up through Washington State, where we got glimpses of Mount Adams and even Mount Rainier. We stayed just west of Spokane, then continued east through the panhandle of Idaho and into Montana, where we took a detour to Helena, to bag another state capitol building.

Willow grabs some shade under the scaffolding at the Montana State House, in Helena.

The heat was rising, despite the drive through spectacular mountains, and by the time we got to Helena, it was 102. Despite this, there were several people besides us taking photos at the State House. I guess there’s not much else to do in Helena on a Saturday in July?

It was a kind of cool building, particularly with the mountains as a backdrop. The dome was wrapped in scaffolding (we’d had that issue in Frankfort, too), but that didn’t detract much and actually provided

Montana Stae House, 102 degrees and rising.

some shade for Willow, who was not as into visiting another state house as I was. After that, we angled southeast to Interstate 90. Made a quick stop in Belgrade, Montana, just to see it, since I live in Belgrade, Maine, and stayed over night in Billings. At this point, the temperature was 107, and we could smell smoke that turned out to be from the Canada wildfires. That would have a much bigger inpact in a few days.

Our next stop was Bismarck, North Dakota. The scenery driving from central Montana to central North Dakota, was spectacular. Lots of rock formations and badlands. The heat reached 114 as we drove. I got off the highway in Terry, Montana, hoping to find some food that was actual, real food instead of fast food or plastic-wrapped refrigerator sandwiches. I didn’t. But it was interesting to see the little town. The door to the Pioneer County Museum was wide open, and I was tempted to stop, but the temperature gauge in my car said 109, and it was a few hours to Bismarck and I was hungry. So it’s on my list for next time.

Scenery along Interstate 94 in western North Dakota. The iPhone camera doesn’t do it justice.

We also droe through the “newly updated” Theodore Roosevelt National Park in North Dakota, another place I would’ve stopped if we had time and it wasn’t by now 114 degrees out. A $51 million upgrade had fixed roads at the park, which had been closed since damaged by storms in 2019. There was also the addition of the Theordore Roosevelt Presidential Library, which had just opened July 4. Next time!

The North Dakota state capitol building in Bismarck, our last state capitol of the trip, is interesting in that it looks like an office building. No dome, no columns, none of that stuff. The descriptions say it’s Art Deco, but that’s a reach. It’s the tallest building in North Dakota, at 21 stories. I don’t want to make too much fun of it, though, because the original state capitol burned down and this one was built during the depression, with money and labor issues slowing things down. Give North Dakota credit for having a state house that’s built to do business, not to be fancy. It also had a nice shady lawn.

Our next stop was Duluth, Minnesota, which took us off intestate highways. We’d be off them for most of the rest of the trip. I’d been to Duluth before, about 20 years ago, when I ran a marathon and Liz and I, both Bob Dylan fans, visited his hometown of Hibbing. A story for another day.

We check out the Aerial Lift Bridge in Duluth.

Willow and I didn’t have a state capitol to go see, but we did stop in downtown Duluth and checked out the big Aerial Lift Bridge before we left for our next stop. My memory of downtown Duluth had been that it was easy to navigate. The reality was, no, it wasn’t. Adding to the issue was the fact that Interstate 35 cut right through it, along the shore of Lake Superior. Maybe the Big Dig podcast can do an episode about that — because it definitely is a wall of inaccessbility in what should be a nice downtown. I’ll write them a note.

We crossed into Wisconsin from Duluth, and drove along Lake Superior to Michigan, where we crossed the Upper Peninsula, stopping in a little town, Brimley, just west of Sault Ste. Marie. It was a little before 7, and the clerk at our hotel, Willabee’s, suggested we check out the lighthouse on a point about seven miles from the hotel. The bonus was that Willow could get herself into the water.

It was a beautiful spot. Lake Superior looked great, Willow finally got to get off her leash, though the water was too rough for her to actually swim. Instead she ran at the waves, nipping them and jumping around. The sky was hazy, a little yellow. Must be the wildfires, I thought. Other than that, I didn’t give it much more thought.

Willow gets her paws wet in Lake Superior in Brimley, Michigan.

Willow’s a little freaked out by the carved eagle bench at Willabee’s, the motel we stayed at in Brimley, Michigan.

The plan for the next morning was to check out the Soo Locks in Sault Ste. Marie, something I’d wanted to see for a long time. That plan was scuttled by the smoke from the Canada wildfires. Just a haze the night before, by the morning of July 15, it was a thick yellow fog. Not only wouldn’t we be able to see much, I had a head cold and didn’t want to add the smoke to it, and I didn’t think it would be good for the dog, either.

Crossing into Canada was quick and efficient.

Unlike John Steinbeck, I’d done my research and found out that I’d need a rabies certificate to bring Willow into Canada. The nice border crossing guard didn’t even want to see it, but I had it and that’s what counts. [To come back into the U.S., I’d had to fill out a “dog import form” online and have the reciept. Just an FYI if you’re crossing the border with a dog].

The drive on Route 17 in Ontario would’ve been pretty, if it hadn’t been for the smoke, which got thicker as the morning wore on. For a few hours, it was so thick it was hard to see the cars ahead of me. By lunchtime it had cleared up enough that I felt comfortable stopping for a picnic lunch at a rest area on the Spanish River, but it was still enough that we didn’t want to linger.

Smoky rest area on Route 17 in Ontario.

By the time we got to Pembroke, Ontario, though, it wsa nice and clear. It was also hot, though not triple-digit hot.

The next day was our final day of the trip. I’d hoped to stop in Ottawa and check out the Parliament building, but after sitting in traffic on the highway through the city, I put it on my “next time” list.

Willow was a good and loyal companion on the road, keeping watch from her special spot in the backseat.

The plan was to enter the U.S. at Coburn Gore, about two hours from home. We did that, but not without some detours. I’d intented to go around Montreal, but missed the exit, so ended up sitting in traffic for an hour in that city. Then took another wrong turn and ended up seeing a lot of southern Quebec farmland, cute towns and dirt roads, before finally getting on the right road that would take me into Maine. It didn’t help that my atlas wasn’t detailed emough and my GPS app kept getting me confused and re-routing me to Vermont.

Anyway, we made it home! It was nice to get back, but we kind of miss the trip, too.

My map for my Travels With Willow column. Hopefully you can enlarge it to actually see what’s on it.

 

 

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Writing Historical Mysteries by Matt Cost

Writing historical mysteries is dressed differently than contemporary mysteries.

The same core principles apply. For me, at least, the protagonist and the antagonist are human beings. Both the good guys and gals and the baddies have flaws, but one crosses a line into the unacceptable, and one is working on growth. Something happens, often a murder, but not always, and my PI is called in to investigate and solve what has happened. In that, Goff Langdon, Clay Wolfe, 8 Ballo, Max Creed, Jazz Jones, and Bob Chicago are all faced with solving the transgression.

The villains commit crimes for a variety of reasons, including power, fear, money, greed, jealousy, angst, to cause mayhem, or just because they are wicked, perhaps stemming from childhood trauma. But this has not changed since the beginning of time. The story is the same. Man steals, kills, assaults, kidnaps, or otherwise breaks the rules of humanity, and others look to exact justice upon them.

I have mysteries set in the 1920s, 1950s, 1990s, and in contemporary times. They are all filled with good and evil, clues and red herrings, struggles with gray issues, desires and lust, and everything else that makes the world go round.

But you need to research more for the historical. I am currently writing the third book in my Brooklyn 8 Ballo series, Kings County Gone Amok, and it is easier because I have laid a solid foundation with the first two. But still countless double-checks. When was the origin of that slang, saying, or word? Did it exist in 1925? The same goes for streets. If something happened on Gold Street in Vinegar Hill, Brooklyn, was it called Gold Street back then, or did the name change?

Not to mention the clothes, hats, and shoes that people wore. What refrigerators were like, who had them, and who still had the old icebox version of keeping things cold? Street vendors, trolleys, yellow cabs, toasters, dishware, telephones, speakeasies, race and segregation—it is all uniquely different.

The one clue that I would share with aspiring historical mystery writers is a site called https://www.newspapers.com. It has most of the newspapers of United States history digitally archived. For Velma Gone Awry, the first in the Brooklyn 8 Ballo Mysteries, I read the Brooklyn Eagle newspaper every day for the year 1923. It gave me tremendous insight into what was going on in New York City and the world at the time, but one of the best facets was the advertisements. Fashion, automobiles, furniture, restaurants, movie theaters—it was all there to see and use as needed.

I continued this process for City Gone Askew, then down to Raleigh, North Carolina, for the October release of 1955: A Jazz Jones & January Queen Raleigh Mystery, by reading the Raleigh Observer for that year, and am now back to the Brooklyn Eagle for 1925.

What tools do you utilize to write, read, or understand mysteries?

 

About the Author

Matt Cost was a history major at Trinity College. He owned a mystery bookstore, a video store, and a gym before serving a ten-year sentence as a junior high school teacher. In 2014, he was released and began writing. And that’s what he does. He writes histories and mysteries.

Cost has published six books in the Mainely Mystery series, starting with Mainely Power. He has also published six books in the Clay Wolfe Trap series, starting with Wolfe Trap. There are two books in the Brooklyn 8 Ballo series, starting with Velma Gone Awry. For historical novels, Cost has published At Every Hazard and its sequel, Love in a Time of Hate, as well as I am Cuba. The Not So Merry Adventures of Max Creed began a new series this past April. The second book in the chronicles, EveryThing vs. Max Creed, is now out.

Cost now lives in Brunswick, Maine, with his wife, Harper. There are four grown children: Brittany, Pearson, Miranda, and Ryan. Cost now spends his days at the computer, writing.

 

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DNF and Not Giving Up

OK, that sounds totally contradictory. DNF, BTW, is the abbreviation for “Did Not Finish.” Goodreads now lets you put those books on their own labelled shelf. Yeah, not doing that, and here’s why.

I’ve stared at the blank page. I’ve edited the bejeezus out of chapters and been dissatisfied with what remained. If we let our very smart writer selves run rampant, we’d never publish anything. So if I encounter a book that I want to like, and don’t, I put it down. Then I remove it from my Goodreads, and remain quiet about it. Because, maybe it wasn’t for me; I’m not the right audience. And because I’m on the other side of it all now as a writer. Crappy reviews sting, and when they are vindictive, they really sting. Let’s face it, if it’s intelligent, it’s a matter of taste; if it’s not, why bother? As an author, I don’t want an uninterested reader spending time savaging me, so why would I do the same?

Related to this is how to keep going when your writing is crap. It has been a journey for me not to criticize myself into paralysis. This is terrible; just stop. Make this perfect then you can do more. But I can’t afford to do that. What I have to do is let the junk pile up on the page. The stupid, cliched scene. The dumb character I know I’ll cut. The totally far-too-technical legal scene that I researched for three days so that the lawsuit would pass muster in Superior Court. Boring. Dumb. But it freed me to find the moment when the character facing that lawsuit is like, oh my god, what am I going to do? That moment is gold. I did the work to know this is catastrophic for the character. Then I can write real fear and dread, hopelessness and helplessness. Cut the legalese later, but the character terror stays.

This is the lesson of DTF for me. If you don’t cut that stuff, then I’m not going to finish. If you lose yourself in the details, I’m going to put your book down. If you wallow in the emotions without consequences, I’m stopping. It’s been freeing in that I don’t have to stick with bad prose or poor plot, but also frees me up to enjoy books that aren’t perfect. I know that sounds contradictory, but I just finished a book that wasn’t perfect. It had many, many great attributes: cool inciting action, a good general premise, some pretty intense, if sometimes unrealistic, action. And here’s the thing that saved it: I really wanted to know what happened in the end.

So a book needn’t be perfect. It can have flaws. The story just has to outweigh them all.

Currently reading: Cloudthief, Nathaniel Rich, 2026

Next in my TBR list: Cool Machine, Colson Whitehead, 2026

 

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Weekend Update: July 25-26, 2026

Next week at Maine Crime Writers there will be posts by Rob Kelley (Monday), Matt Cost (Tuesday), and Allison Keeton (Thursday), and an interview with Ryan Lowell (Friday).

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

From Kathy Lynn Emerson: All my e-book titles written as Kathy Lynn Emerson are still on sale (throughout the month of July) at Smashwords. For the complete list, go to https://www.smashwords.com/profile/view/Kathy_LynnEmerson

 

Today, Saturday, from 1-3 PM, Matt Cost will be signing copies of his latest book, EveryThing vs Max Creed at Shermans Bookshop in Freeport. Wednesday,

On Wednesday, Cost will be moderating a panel of Writers On Writing (WOW) at the Windham Public Library at 6 PM that includes Gabi Stiteler, Tim Queeney, and Travis Kennedy.

On Thursday, Cost will be involved in Mystery Making Mayhem at the Jesup Memorial Library in Bar Harbor at 5:30 PM along with Rob Kelley, Jule Selbo, and Moe Claire.

 

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

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DO RE MI FA SO LA TI DO…….Voice: Don’t Believe What you Heard.

By Kait Carson

Kait’s Florida Voice

Those of you following this blog regularly know that fourteen writers make up our roster of regular posters. Fourteen very different writers. If someone were to blindfold you and force you to listen to our blog posts read aloud—not that anyone would EVER do that—chances are, you’d recognize unmistakable differences among the bloggers. These unique tones and cadences make up our writing voices.

Mine? Easy, light and breezy, I am not above cutting into my own thoughts and picking up the main theme later. Sort of stream-of-consciousness meets, oh, look, something shiny! You get it. That’s my blog voice.

Kait’s Maine Voice

My blog voice is distinct from my book voice, and my book voice further divides among the genres I write. For the Hayden Kent traditional bordering on cozy series, my voice is still light and breezy, but nuanced to reflect the Florida Keys setting and the gravity of the murderous subject matter.

My Maine Lodge series genre is traditional, bordering on suspense. This series features a darker voice as Sassy Tremayne Saunders works to re-establish her life and livelihood, all while solving a murder. Nuances still figure in to define the relationships and the boundaries, but the voice and style are different. The books, dealing with murder in the Allagash forest, have a darker, more serious tone, and the language changes to reflect that. There is an undercurrent that things may not turn out well, and the more somber voice reflects that possibility.

Two series, one writer, different voices.

What happened to those lessons learned in creative writing classes about the important of a consistent voice? Dickens (who needs no first name) differs from Sinclair Lewis (who needs a first name lest he be confused with C.S.). PD James differs from Rita Mae Brown, yet both write mysteries. Two paragraphs into a book by any of these writers and the reader should shout, “I recognize that voice.”

So, what’s a multi-genre writer to do to gain reader recognition? Insert screeching brakes sound here.

Dickens and Lewis wrote standalones. They needed the immediate recognition afforded by a solo voice. James (whom I deeply miss) and Brown write multiple series, and in James’s case, multiple genres. James’s Dalgliesh will never be mistaken for Cordelia Gray just as no one will ever confuse Brown’s Mrs. Murphy books with the Sister Jane Arnold books. Each of these series has its own voice. Separate, distinct, and identifiable as belonging to its own series.

One voice per writer? Bah, humbug! That’s much too limiting for the writer. Writers are by nature shapeshifters. We create worlds, characters, and situations. Voice is craftwork, a weapon in the arsenal. Like setting, structure, and conflict, voice exists to identify and serve the story arc. Limiting a writer to one voice is as pointless as limiting a writer to one theme. There is no need, and it’s a death knell to creativity. Trust us, we’re professionals.

Oh, look, something shiny!

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Unraveling the Mystery of the Alcatraz Eel

Summer up here in the county is way, way too short. Our annual calendar could be described as 9 months of winter, followed by 3 months to get ready for it. Why this opening? Of late, I have been busier than a one-armed wallpaper hanger. This month has been exceptionally crazy. Today, as I write this, I am embarking on my 80th trip around the Sun (aka my 79th birthday). When I checked my calendar, I had a flat-head moment … you know, that one when you slap yourself on the forehead and say: I shoulda known!  To get to the point, rather than miss a blog post, I am posting one from the archives.

I want to revisit an actual crime case once again, this one much closer to home. It is about a man who was born less than five miles from where I live. You may have heard that no one ever escaped from Alcatraz, but that isn’t exactly correct. I want to introduce you to the Alcatraz Eel.

 

Who was the ALCATRAZ EEL?

 
Black and white dual portrait of a man in a bow tie, one side profile and one frontal, on a plain background. Serious expression.

 

Stadig
John Millage Stadig – a young man from northern Maine – who, through his genius and daring, became a folk hero and legend in a decade of criminals comprising the likes of Al Capone, John Dillinger, Ma Barker, Bonnie and Clyde, Roy Gardner, and Machine Gun Kelly.
John Stadig was born in Jemptland, Maine (now a part of New Sweden, Maine – scene of the nationally reported church coffee poisonings – but that’s a topic for another blog) near Caribou in northern Maine in December 1908. Stadig moved to St. Francis, Maine, with his family and later crossed the St. John River to St. Francis, New Brunswick. In his relatively short life, he had also taken up residence in Bradbury and Bangor, Maine, as well as Boston, Massachusetts; Indianapolis, Indiana; Las Vegas, Nevada; Washington state; and Kansas.
Stadig came from a long line of mechanically inclined people. He also worked on log drives, keeping motors going on boats, and worked the shore, where somebody carved his name in a rock at “The Ledge” along the St. John River. He tinkered with electricity and worked as a store clerk, but never stayed at one job for too long. Dead at 28, he spent many years in prison.
Criminal History
John Stadig’s early life was calm. From an affluent family, he could have been educated or gone on to do anything he wanted, but during the Depression years, he found a way to make money, using plates and printing presses to print counterfeit money. That part of his life brought him to several federal prisons, including McNeil Island in Washington state, Alcatraz in San Francisco Bay, and Leavenworth, Kansas.
 

His early crimes included motor vehicle crimes, petty larceny, larceny, and violation of the Dyer Act, the national motor vehicle act that made interstate transportation of stolen vehicles a federal crime. His first prison term began in Boston in June 1927 when he was 19 years old.

Stadig’s first arrest for counterfeiting was in New Brunswick, Canada, in June 1930. He served time in Canadian jails, but his notoriety increased with his November 1931 arrest in Las Vegas, Nevada, where he began his first term in a federal prison. He, along with four other men, was arrested for making $100,000 in $5, $10, and $20 bills. He testified against the others and only served 18 months in the Nevada State Prison.
Within 10 months, he was arrested again for counterfeiting, this time in Chicago. On his way to court, he escaped from federal marshals only to be arrested again two months later for counterfeiting in San Francisco.
Prison Life
Stadig did time in several federal prisons, including McNeil Island in Washington, Alcatraz in San Francisco Bay, and Leavenworth, Kansas, where he ended his life by cutting his jugular vein. He was sentenced to six years in prison and sent to McNeil Island, from which he escaped within one month. Recaptured, he received an additional two years in prison.
 

Alcatraz Dungeon Cell

 
Dimly lit, abandoned brick basement with crumbling pillars and walls. The mood is eerie and neglected, with no signs of people or text.

 

A dungeon cell at Alcatraz
Stadig was among the first 50 civilians jailed at Alcatraz, which was built as a military fortress in 1853 and used as a Civil War prison in 1861. Closed by the military in 1934, it became a notorious jail. Stadig arrived in Alcatraz in August 1934. Two months later, he was in Oregon for trial on additional counterfeiting charges. Convicted again, he escaped from federal marshals by jumping from a moving train while returning to Alcatraz. Having slipped by his guards on two different occasions, he earned his nickname: The Alcatraz Eel.
Recaptured seven days later, he returned to Alcatraz. Prison authorities placed him in the dungeon cells below the prison’s main cell blocks. The conditions in the dungeon cells were deplorable. Prisoners assigned there who were considered problems lived in darkness and solitary confinement. Dungeon prisoners have described their time there: “There’s no light. It’s wet. You’re in shackles. You’re naked. It’s very cold. There are rats and bugs.” One prisoner, Henri Young (portrayed by Kevin Bacon in the movie Murder in the First), whose original arrest was for stealing $ 5.00 from a store that also served as a post office — making it a federal offense—spent three years in the dungeons. Stadig spent nowhere near that much time in the dungeon, but still went mad. During the ensuing two years, he attempted suicide four times. In September 1936, he transferred to the federal prison in Leavenworth, Kansas, where three days later, on September 24, 1936, he slashed his throat, killing himself.
His body was returned to Fort Kent, Maine, by train. John Stadig’s final resting place is in the Congregational Cemetery in St. Francis, Maine.
Mugshot of a bald man in profile and front view. He wears a collared shirt. Text reads: "M.C.F.P. Springfield, Mo." Neutral expression.

 

Henry “Henri” Young
‡ A March 16, 1994 letter to The New York Times from the Federal Bureau of Prisons points out that Henri Young went to Alcatraz after serving time in two state prisons for burglary and robbery. His subsequent Federal crime was bank robbery, not theft from a post office. He did not commit suicide at Alcatraz in the 1940s; he completed his sentence there in 1954, then served a term in Washington State Penitentiary for murder. He was paroled there in 1972. Whether he is alive or where he is is unknown.
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Crime Writers suggest some beach reads

Yessiree, it’s summer time, when people are supposed to be vacationing and reading on the beach or the porch. For your reading enjoyment, today we’re sharing some of the books we’ve read and enjoyed. Try some. You might like them, too. (And admire us for restraining ourselves and not suggesting our own books. You should read them, too.)

Kate Flora: We have a little library outside our house, a gift from niece Sara Beth and her husband Russ. Mostly, it’s to share books we want to get out of the house that others might enjoy, and for the neighbors to do the same. Sometimes, though, I find books that sound like fun. One of these was a book called Lunch in Paris: A Love Story with recipes by Elizabeth Bard. Really fun read about a young American in Paris who falls in love, stays, and learns the culture. And yes, with recipes, many of which you might want to try. Then there’s The Comfort of Crows by Margaret Renkl. Many of you may be familiar with her columns in the New York Times. I frequently blog about the important of observation and noticing the world around us. She does this beautifully in this collection.

Kaitlyn Dunnett/Kathy Lynn Emerson: I have two recommendations this time around, one futuristic and one historical and both full of interesting characters and plot twists. The first is Jayne Castle’s Enter the Nightmare, a title that might sound off-putting but which combines mystery, adventure, a dollop of paranormal, a setting the the distant future on another planet, and . . .  dust bunnies. They are a bit hard to describe, but let’s just say Castle goes above and beyond having a cat or a dog as a character’s companion. Second is the new Patricia Rice historical, The Killer’s Dastardly Intrigue. Set in England in the nineteenth century and just out today, it is the latest in a series set in a rural village that is all but deserted but comes back to life a little more with each book. It’s probably best to began with The Secrets of Wycliffe Manor  but if you enjoy seeing characters develop and interact (and solve mysteries and hunt for treasure) through numerous volumes, you’ll soon be reading all of them.

Matt Cost: What are beach reads? As far as I can tell, all you need is a beach and a book. Here are some of my recommendations for doing just that.

Antihero by Gregg Hurwitz takes us from the East Coast to the West Coast, so I suppose that qualifies as beach reading. At the center of it is a brutal rape (beware) that makes it so much more satisfying as Evan Smoak, known as Orphan X and the Nowhere Man (he has more aliases than Max Creed), saves the woman and tries to exact justice while following her strict instructions on forgiveness. It is a pulse-pounding read that twists your insides and then unravels you piece by piece.

 

Those Who Choose Evil by Kate Flora is book 9 in the Joe Burgess series and follows a similar script of Joe finding an abused teenage girl, which sets him off to find the perpetrators and others potentially in grave danger. As always, the characters are rich, flawed, and multi-layered. The action is fast and dizzying, the relationships ebb and flow like the tide, and there is even a hero dog.

6 Days by Jule Selbo takes place up the coast of Maine, mostly, as it follows Dee Rommel as she investigates a maternity suit against a wealthy heiress that may or may not be bogus, but quickly traps the reader into turning the pages faster and faster to find out. The Maine setting is as rich as a double-chocolate cheesecake, the characters are as complex as DNA, and the plot weaves a tapestry of beauty and precision.

 

What Happened Next by Edwin Hill takes us to a lake in New Hampshire, where Charlie Kilgore bounces between the past and the present as he tries to solve the current mysterious happenings by understanding why, twenty-five years earlier, his father killed another man and left his mother badly wounded. Focused on creating a true crime podcast about that incident, he is reminded that many people don’t want the past dredged up.

John Clark: How about some mind candy in series. I discovered J.B. Turner’s books by accident and have read most of them since, while they’re a bit formulaic, there’s lots of action, they read fast, and the protagonist has a place in Rockland. There are three series in all, with the Hard books being predominant.

Rob Kelley: My favorite beach reads aren’t crime or thrillers usually. I read those fairly consistently throughout the year. What I turn to is the genre that was my childhood love: SF. Over one vacation a few years ago, I devoured the entire Lois McMaster Bujold Miles Vorkosigan series. It’s a well-written swashbuckling space opera and I absolutely burned through those books (and have reread them).

Another series in a similar vein is David Webber’s Honor Harrington series. They are, quite intentionally, a space opera rewrite of C.S. Forrester’s Napoleanic-era Horatio Hornblower books.

I deeply enjoyed the Expanse series by the duo writing under the pen name James S. A. Corey. It’s another wide-ranging space opera, though one far more focused on power and politics. (Set in much the same thematic direction as Ian Banks’ Culture novels.)

Finally I’ll give a hearty shout-out to one of the most innovative and hysterically funny writers working in SF today: John Scalzi. His Old Man’s War series not infrequently had me laughing out loud while reading. The books are great space adventure stories but with very personal and poignant portrayals of characters who have to face existential dangers. Can’t recommend his work highly enough if you read in this genre, or just need a good laugh.

 

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HBD2ME

Launching, September 1, 6PM at Longfellow Books: Hard as a Headstone and the reissue of The Last Altruist

And so on  . .

Celebrating a big-number birthday this year and I’m strangely calm about it, though there are many days when I feel like I’m like careening down the back side of Mt. Monadnock on a bike with no brakes. Things going way too fast.

Mostly, though, another birthday is a number.

For some reason, twenty-five (which is not this year’s big number . .) was the most difficult birthday for me. I hadn’t made much progress on the grandiose plans for my life and that worried me. I was convinced that opportunity, success, had already passed me. What I didn’t realize what that I was writing the first draft of what my life would be.

Fiction-writing graduate school at forty only made things worse. I studied with, read with, wrote with people decades younger who were better writers and had had more publication success. Generally I was encouraged to believe my time had passed. Second draft? Third draft?

When I do events now, especially if the crowd skews older (which readers often are), I make it a point to tell people my first book wasn’t published until I was sixty-five. Decades of sad stories and blind alleys contributed to that fact but when I say it, I will see some eyes light up. I hope it helps.

More recently, I’ve noticed people at events looking at my aging countenance and, I think, wondering at the fact that I’m past retirement age—whatever that means to a writer—and still writing books and publishing and promoting them. I’ve had at least two people ask me explicitly how long I’m going to keep doing this. As if I had a choice. They seem to think a book, a creative life, ever gets finished.

But this year I have a new publisher, whose people are busting their asses to make me and their other authors successful, people as engaged as I am in bringing the news that stories carry. Two books are coming out in September, one new and one a reissue.  It’s invigorating as all hell and I’m here to tell you that seventy-five doesn’t look too damn bad.

Leonardo said that art is never finished, only abandoned. Good work is the same way. I’m giving up nothing.

Posted in Dick's Posts, Uncategorized | 10 Comments

Weekend Update: July 18-19, 2026

Next week at Maine Crime Writers there will be posts by Dick Cass (Monday), Vaughn Hardacker (Thursday), and Kait Carson (Friday) with a group post on Tuesday.In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

Matt Cost will interview Jule Selbo about her latest book, 6 Days, on Thursday, July 23rd, at 6 PM, in Topsham, as part of the Topsham Public Library Author Series running this summer.

Matt Cost is also excited to announce that he has been given a new three-book contract from Level Best Books for a series debuting on August 3rd, 2027 with Bob Chicago Investigates, a humorous PI story set in a fictional town in Maine with hints of history and mystery woven throughout.

 

 

Dead Men Don’t Kiss, a Cost short that appeared in Celluloid Crimes, was recognized as one of the top 30 short mysteries by The Best Private Eye Stories of 2026. Give Elton Connor a go. I could see him getting his own series at some point.

 

 

 

 

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

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