The True Joys of a Maine Winter – Redux

This winter truly has been a season of discontent, the most difficult in years. Obviously, one can interpret that sentence in multiple ways, but today my focus is on the weather.

For kicks I looked back at my past February posts to figure out when was the last time I bellyached about the cold and the ice so incessantly. Bingo! It was 2018, when I wrote the below post.

Just like this year, the cold that winter was relentless. It never warmed up enough to melt the snowpack. Ice underfoot threatened to turn every walk into an Emergency Room visit.

Eight years later most cars come with heated seats, but otherwise, the below post feels evergreen. Our dear Barbara Ross still escapes to Key West while most of us remain here, gutting it out in the tundra.

**

FEBRUARY, 2018:  Last month my esteemed colleague Barbara Ross wrote a “what were we thinking?” post about moving her primary home winter from Somerville, Massachusetts to Portland. It started out like this:

Move to Maine they said.

It’s not as cold and snowy as you think, they said.

The ocean mitigates the temperature on the coast, they said.

To which I say, “HA!”

A bunch of us commented, all along the lines of “Oh, Barb, it’s not that bad.”

But as anyone who has been here knows, the weather these past few months has been pretty awful.

The driving has not been easy

Winter started early. Christmas week was marked by bad weather, including a nasty ice storm that had everyone fretting about family members who were traveling in the days around the holiday.

Then the deep freeze set in, a sustained spell of bitter, painful cold that sucked fuel out of tanks, induced car batteries to die and forced us all to bundle ourselves in six layers of clothing before stepping outside.

A typical reading on the thermometer on our porch those two hellish weeks after Christmas

Stuff inside the spare refrigerator in our garage froze, memorably several cans of ginger ale, which exploded like little soda grenades.

It was grim, but we survived it, and now we’re in the first week of February, so things are looking up. I’m writing this on Superbowl Sunday. It’s gray out there, and spitting snow. But if the sun were visible, we would have first seen it at 6:53 a.m. If skies were to clear today (they won’t, I’m using my writer’s imagination here), sunset would occur at 4:58 p.m. This translates to ten hours of daylight, up from slightly less than nine hours at the solstice, and 11 (count ‘em) hours of visible light.

It’s enough to make a woman’s heart sing.

Here comes the sun

But the point of this column is not to say Barb is right, though truth be told, she is right about many, many things. But she’s not wrong either, not exactly. She’s simply unaware of the many joys of winter in Maine, and I know she’s looking forward to experiencing them some day. For example:

There’s no need to spend money on fancy balance classes like Tai Chi when you have a front walk of your own on which to practice balance and mindful motion. The end of January ice was a gift from Mother Nature in this regard, though I prefer the gift of grippers to keep me upright and my limbs and joints intact.

Can’t get through a Maine winter without these babies

All the little joys of life that you miss in the rush of summer are front and center. The pleasure of a finding a mitten you thought you’d lost. Sure, it’s frozen to the driveway, but at least not gone forever.

The ecstasy of the car wash on one of the few-and-far-between warmish days, scouring the salt off not just the car’s exterior, but the filthy floor mats as well.

And the bottom-warming bliss of a car with heated seats, which makes the drive to work a high point of the day.

You can have the table of your choice at some of Portland’s hottest restaurants on Portland’s coldest nights. The summer lines out the door are a distant memory when the mercury is below zero. The staff is delighted to see you, and, you know, reservations, schmezervations.

But for me, the best thing about the cold weather months is having the beach to ourselves.

Slush on the water

Barb might be strolling the soft sand in Key West right now, but I’m getting ready to put on my big boots and cruise the slushy verge where the ocean meets the Maine shoreline, to feel the wind bite my ears through my hat, and savor the relief of hiking back to the car. The one with the heated seats.

Brenda Buchanan sets her novels and short stories in Maine. Her three-book Joe Gale series features a contemporary newspaper reporter with old-school style who covers the courts and crime beat at the fictional Portland Daily Chronicle. Brenda’s short story, “Means, Motive, and Opportunity,” was in the anthology Bloodroot: Best New England Crime Stories 2021 and received an honorable mention in Best American Mystery and Suspense 2022. Her story Assumptions Can Get You Killed appears in Wolfsbane: Best New England Crime Stories 2023 and her newest, “Cape Jewell,” was published in the 2025 edition of the same anthology, Snakeberry.  For more about Brenda go to https://www.brendabuchananwrites.com/

 

 

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Writing Tips: Lists and More Lists

Kaitlyn/Kathy here with your Wednesday writing tip.

I’m a list-maker. To-do lists (such a nice feeling when you cross things off!), lists of books I want to buy as soon as they are published, and to keep this post focused on writing, lists of descriptive character traits.

If you want to create memorable characters, especially the minor ones who may turn out to be important as the mystery develops, it helps to make them distinctive in some way while at the same time avoiding putting a neon sign over their heads that says PAY ATTENTION! I recently found a list I made ten years ago when I was writing historical mysteries. It is a collection of “details to use in describing characters.” The idea was to refer to it on those occasions when I felt a description I’d written in my current work-in-progress was, well, bland.

I broke it into categories like build, eyes, ears, mouth and teeth, nose, voice, complexion, face, fingers, hands, hair, gait, laugh, and smell. For example here’s the list for voice:
soft-spoken
nasal whine
sniffles
sultry
slow, measured speech
repeats everything twice
hoarse smoker’s
raspy
deep baritone
clipped speech
lazy drawl
careful of words

And for noses:
hawklike
broken veins in
bulbous
beak of a
bump on the bridge of a rather long nose as if from a break
large, slightly flattened
Roman
aquiline

My tip: Create your own lists to suit the kind of writing you do. And a warning: Don’t go overboard. Not every minor character needs to stand out.

Kathy Lynn Emerson/Kaitlyn Dunnett has had sixty-four books traditionally published and has self published others. She won the Agatha Award and was an Anthony and Macavity finalist for best mystery nonfiction of 2008 for How to Write Killer Historical Mysteries and was an Agatha Award finalist in 2015 in the best mystery short story category. In 2023 she won the Lea Wait Award for “excellence and achievement” from the Maine Writers and Publishers Alliance. She was the Malice Domestic Guest of Honor in 2014. She is currently working on creating new editions of her backlist titles. Her website is www.KathyLynnEmerson.com.

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The Art of Seduction

By Kait Carson

I’m fighting with myself right now. That title opens a lot of doors. So many possibilities. No, I’ll behave. Gotta grow up sometime. I can hear my blogmates laughing. Perhaps a better title would be The Seduction of Art.

As I write this, I’m hip-deep in edits for No Return, my first novel set in Maine. Wash, rinse, repeat. Yes, that book. Last July I took a deep breath and submitted the novel to several small presses. It was roundly rejected. Almost. One editor kindly responded that they were taking a pass–now. She suggested that the book, written in close third, wasn’t keeping with their editorial style and invited me to edit and resubmit. I popped the cork of the chilled champagne and set to work. Note to future writers. Grow the skin of a hippopotamus and celebrate every victory, even if you have to claw the cover off that cloud to get to the silver lining.

The editor did not suggest a deadline for the edits, nor would I have expected her to. I get to do that myself, and I’ve set January 31st. Now we get to the seductive part of the blog. I love the editing process, and this is a juicy one. Turns out this publishing house prefers books written from the first-person point of view. No Return is undergoing a complete rewrite. And I love it. There’s a cadence to editing that doesn’t exist in the writing process. It’s a full brain activity and very satisfying. The deeper I get into the weeds, the more I like it, and the more I like it, the more that gets re-thought and rewritten. It’s like Christmas every day.

Full disclosure. I am an indie author, and I like the freedom that gives me. So why not pivot and indie publish No Return? That’s a fair question. While I intend to continue self-publishing the Hayden Kent Mysteries, the past five years have taught me something about myself. I need a deadline, and self-imposed ones don’t cut it. Not sure if it’s a hangover from life in the law biz—just try and miss a filing date—or a hangover from Sr. Rita Joseph and her ruler, but either way, I thrive under pressure. Seeking a publishing contract is my way of creating productive pressure.

The good news is that I’m satisfied with the story. The edits are more cosmetic than substantive. I’m two weeks from the deadline, and on track. I’m going to miss it when it’s out of my hands again. Updates will follow. Now, back to Kent 4.

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My Ski Day

Kaitlyn Dunnett/Kathy Lynn Emerson here. Once again I was struggling to come up with a fresh topic and this time my husband, Sanford Emerson, came to the rescue with what follows. I should warn you—he’s been reading a lot of E. B. White lately!

The author in ski helmet

I went skiing the other day. Born and raised in Maine I’ve enjoyed the sport for over seventy years, give or take. In the morning when I was shuffling half-awake into the kitchen to fix myself a sandwich to take along, the Spanish Don who sits at the apex of the multinational conglomerate which supplies me with the alternating electrical current I use—along with some irreplaceable Arabian oil—to keep my toes from freezing to the floor of my bathroom, decided it would be amusing to reach out and shut down my lights just after dawn.

Standing in front of my electric coffee machine, the half light shining in through my kitchen window, I spoke ten or fifteen ancient Anglo-Saxon words concerning the probable marital status of said Spaniard’s parents. Having no doubt sensed my distress from across the wide ocean, he directed some poor shivering minion to restore my service, for which I was grudgingly grateful, even though it took about an hour. As a result, however, I was delayed in my departure for the slopes by the necessity of lighting off our backup wood stove and therefore unable to brew my customary thermos of Earl Grey, with which I usually regulate my hydration during the exertion of the considerable energy required to avoid collisions with fearless small children and large trees, both often found hanging around at ski resorts.

Arriving slopeside later than usual and after a few warm-up runs, I had worked up an appetite and retired to the lodge to eat my sandwich. Remembering that I would have to purchase some substitute beverage to accompany it, I clutched my slender senior citizen’s wallet and wandered into the cafeteria where I selected a pint container of healthy-looking Vitamin D3 fortified Maine milk and approached the cash register. Seated on a stool was a nice-looking woman who appeared be of an age with my grandniece—early twenties. She looked at me, nodded toward the milk and said something which I did not immediately understand. Looking closer I noticed a name tag pinned to her shirt and, peering at it, learned her name and the fact that she was from Argentina.

It is common knowledge that one of the major hurdles for the service industry these days is obtaining the services of essential workers—those who do the actual labor required to keep the wheels turning. Given the girl’s age and appearance I deduced that she was probably a student spending her southern hemisphere summer vacation filling a slot no local could be convinced to take. I did something similar at that age and thus felt sympathetic.

When I did not immediately open my wallet, she repeated what she had said more loudly and I realized that she was asking for $4.19 for the milk. As I fumbled for a five I greeted her by name and remarked that I had noticed where she was from. She nodded shyly without speaking. In retrospect I may have been wrong in assuming that she had not yet mastered much English but as I have no Spanish I smiled benevolently and asked her, speaking very slowly, if she was enjoying her time in America. She looked up at me with wide, glistening eyes, shook her head quickly and, looking, I suddenly realized, quite frightened, said very softly, “No.”

new cover for WELL, HELL

Sanford Emerson retired from law enforcement and took up Christmas tree farming, woodworking, and writing–sometimes all three at the same time. He is currently working on two novels set in the 1980s and is the author of Well, Hell: The Yarns of Constable Bobby Wing of Skedaddle Gore, Maine.

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Weekend Update: January 31-February 1, 2026

Next week at Maine Crime Writers there will be posts by KaitlynDunnett/Kathy Lynn Emerson (Monday), Kait Carson (Tuesday), Brenda Buchanan (Thursday) and Jule Selbo (Friday) with a writing tip from Kathy Lynn Emerson on Wednesday.

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

Matt Cost submitted the final development edits to his publisher, Level Best Books, for EveryThing vs Max Creed. He was jacked that she was extremely excited about it. The cover should be here any day and the pub date is May 21st. And just this week, Cost started writing the seventh Mainely Mystery, Mainely ICEd. Write on!

Maureen Milliken is still working hard on the fifth Bernadette “Bernie” O’Deay mystery, but because of unforseen circumstances, it will not be released this spring. It WILL be out some time in 2026. I’ll keep you posted.

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

 

AND DON’T FORGET! One lucky Maine Crime Writers reader who leaves a comment on the blog this month will win a bundle of books!

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Did I mention That I Hate Winter?

Vaughn C. Hardacker

Vaughn Hardacker here: It’s January, the longest 31-day month in the year. It is also our coldest month and the one with the most snowfall. There’s another fact about Maine winters that many people experience, but no one seems to talk about. Have you noticed that if anything is going to break down, it happens in winter!

For example. When we had our first measurable snowfall, I tried to start my snowblower. It started, but didn’t seem to respond to either the accelerator or choke. It would idle for several minutes and then stall when I tried to use the auger. The gas in it had been left over from last year, and I figured I might have bad gas, so I let it idle until it used up all the old gas. Fortunately, my neighbor had two machines and offered to let me use one until I could get it looked at. After three storms, it was becoming a bit of a hassle to borrow their machine after each one. My decision to take it to the repair shop led to another problem. The machine was too heavy for me to lift into the back of my pickup. I do own a trailer, no problem, right? Wrong. The trailer was behind my storage shed, buried under three feet of snow. I decided to take a chance, engaged the four-wheel-drive in my pickup, backed through the snow, and, after four tries, lined the truck and trailer up. I shoved the snow away from the hitch and cranked the trailer down until it sat on the ball. Then I cawled through the snow and dug out the snow under my truck by hand so I could attach the safety chains and plug in the trailer lights. Finally, I had the trailer out of the snow and into my drive, lowered the tail ramp, and loaded the snowblower.

I had no issue driving the seven miles to the repair shop owned by a fellow named Hewett, called The Stubborn Swede. We got the machine inside, and he started it. The motor was still running like s–t, and he told me that if I wanted to wait, he’d take a look at it. When he took the covers off, we got quite a surprise. The carburetor was the problem … or what was in it was. The carburetor was packed full of bird seed! How it got there is still a mystery. However, my loving partner, Jane, is the greatest animal lover on Earth. Several years back, I hit a moose. It was a glancing blow, and the animal was lying in the ditch on the opposite side of the road. I inspected my truck to see if it was drivable and saw Jane walking toward the moose, which was getting to its feet. “Where are you going?” I asked. She said, “It may need help.” My reply: “You are approaching an 800-pound animal, which is without a doubt not happy. The last thing it wants is our help.” She had no thought of the danger she was in by approaching the moose. All she saw was an animal in need.

Back to my snowblower. Jane feeds every animal in northern Maine. She fills at least a half-dozen bird feeders and two bowls of sunflower seeds for several chipmunks. She stores seeds in our garage. The only thing that we can figure out is that one of her critters (anyone out there recall Ellie Mae Clampett?) was storing food for winter and stuffed the carburetor full. Hewett told me he would have never thought a carburetor could hold that much seed.

The snowblower is now working fine. Next item to crap the bed: One of the headlights on my truck went out. Not a big deal, you remove three screws, and the assembly pulls out, allowing you to insert a new LED. Minor thing, but just one more source of aggravation.

Now that the headlights are functioning. The radio in the truck stopped working. Most people would say, no big deal, you don’t need a radio to drive. Wrong. You could remove every TV in my house, and it wouldn’t bother me. My Sirius Radio is another matter. A bit of history. I grew up in a crazy, dysfunctional house. My only refuge from the craziness was my room, my books, and my radio. In my world, a radio is not just another entertainment device — it is an essential item that helps me maintain my sanity (well, at least fake it). I took the radio to the local dealership to see if they could fix it. They looked at it and said, “The radio is fine. But, your Audio Control Module is bad.” In a Ford F150 truck, the Audio Control Module is the radio, CD, and Satellite Radio combined in a single box! I asked how much it would cost to fix it. $875.00!!! I told them I couldn’t afford that. They charged me $180.00… they did, however, wash the truck. Have you ever paid that much for a car wash? Thank god for YouTube and eBay. I found a company in Virginia that repairs ACMs, and a YouTube video showing how to remove it. I sent it off for repair for just over $100.

Finally. Yesterday Jane and I went to Lowe’s. She tripped in the parking lot and fell face-first onto the pavement. Six hours and eight stitches later, she looked like she’d been in a brawl with a professional wrestler. It didn’t help that she has a sense of humor like mine. In the emergency room, we met a friend of mine all the way back to junior high school. She said, “Look what Vaughn did to me.” I knew he was recalling my reputation back then. All I could do was stand there in my Vietnam Veteran hat and USMC sweatshirt, shrug, and smile. I’d have been convicted in any court in the country.

Did I mention that I hate winter?

Only 56 Days until the Spring Equinox!

 

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What the Writers are Reading

From time to time, we like to share what we’re reading as well as what we’re writing. We’re always delighted when you chime in with what you are reading as well. We can never get enough book suggestions.

Kate Flora: For my book group, this month we’re reading Margaret Renkl’s The Comfort of CrowsNatural history, country living, a great sense of place. Her writing reminds me of my late mother’s columns for the Camden Herald. I just finished Lily King’s Heart the Lover, a Christmas gift, and really enjoyed it. Now I’m reading Susan Orlean’s memoir, Joyride. As often happens when I read writers who allow themselves to be totally immersed in their projects, I am jealous even as I’m enjoying it.

Matt Cost: I recently read two books that have not yet been published. The first was by amazing fellow Maine Crime Writer, Allison Keeton. The magic of Arctic Green is the rich smorgasbord of inhabitants of the town, the tight bonds of love and friendship, and the rugged but exquisite setting in a winter wonderland of pristine grandeur. Arctic Green is highly recommended and will pub at the end of February. I also read an out-of-my-genre science fiction book by a friend and enjoyed it immensely. Why: Earth 2278 by Leo Hill has action that is fast and furious, the characters pop from the pages like holograms, and the plot drives itself forward at a dizzying pace as it traverses not only human emotions and pain, but the science of a new world. From mother ships to transports to hovercrafts to cities, there are hints of Star Wars, Battlestar Galactica, and the Fifth Element as rebel elements fight to save earth from the corruption of a dictator abusing his power. It will pub at the end of March. I am currently reading Imminent Risk by good friend S. Lee Manning. It is the fourth in the Kolya Petrov/Alex Feinstein series and it doesn’t disappoint, or it hasn’t yet! Filled with action, suspense, fully-fleshed out characters, and a twisting plot, it is something that should be checked out immediately. On audio, I am currently listening to Wreck Your Heart by Lori Radar-Day. The book is about a down and out country singer in Chicago that grabs your heart and pulls you in for a warm embrace from the very first chapter.

Kaitlyn Dunnett/Kathy Lynn Emerson: As usual, I am (slowly) reading more than one book at a time. In nonfiction, I’ve just started Kamala Harris’s 107 Days and am finding it fascinating but also a bit depressing since we know the ending. I’m also reading a biography of Anne of Cleves, fourth wife of Henry VIII. Accounting for Anne looks at her life through the account books for her household. I know that sounds dull, but in fact it is fascinating. Among other things, the records reveal details about members of her household that I’ve not seen elsewhere. In fiction, I’m rereading two favorites, Jo Beverley’s Georgian romance Hazard and Elizabeth Peters’s The Deeds of the Disturber (#4 in her Amelia Peabody Emerson series set in the Victorian era). Both are comfort reads. Next week I’m looking forward to reading a new release, the next in J. D. Robb’s Eve Dallas series, Stolen in Death. I’m not sure I can call it comfort reading, since it is a futuristic police procedural and will inevitably contain both sex and violence, but J. D. Robb (aka Nora Roberts) is a terrific writer and I’ll happily read just about anything she writes.

John Clark: My two most recent reads were a demon fantasy and a YA slasher tale.
Not today, Satan by Samantha Joyce
The Prince of Darkness’s only daughter — a seventeen-year-old born and raised in Hell — falls for one of the damned who claims he’s innocent.
Final cut by Olivia Worley
Eighteen-year-old Hazel Lejeune lands the lead role in a slasher film set in the town where her father, the Pine Springs Slasher, was convicted of a series of murders, but when real killings start occurring on set, she must uncover whether a copycat is at work or if the wrong killer is behind bars.

Rob Kelley: I confess my reading has suffered in the face of needing to get my next manuscript to my publisher (just went out the door!). Right now I’m reading The Emergency: A Novel by George Packer (2025) and really enjoying it. It’s a tough novel to categorize. I guess you would call it SF, though it is more a novel of ideas, exploring class and family after the fall of an empire and the dissolution of stable cultural expectations. If I were to look for comps, I’d say a novel like Invisible Cities by Italo Calvino, or something by Borges.

I had just finished The Proving Ground: A Lincoln Lawyer Novel by Michael Connelly (2025), which I loved. Attorney Mickey Haller is representing the family of a girl killed by her boyfriend who was influenced by a ChatGPT-style AI companion. Since technology is my bag, I really appreciated the detailed (and 100% accurate) research that Connelly brought to this novel, and the moral dilemmas he exposes that all of us are (or will have to be) facing when interacting with AI.

Maureen Milliken: I have a lot of trouble reading fiction — particularly my favorite genre, mystery fiction — when I’m writing, which is almost all the time now. That said, I have an urge to revisit some fiction I really love that is nothing like anything I write. On my to-read list are a few Anthony Trollope books, which I first read when The Pallisers was on Masterpiece Theater. I figure 50 years is enough of a gap to revisit books I read more than once. I still have the copies I bought at Mr. Paperback in Augusta way back then. So, on my shelf for this year are “Can You Forgive Her?,” “Phineas Finn,” and “The Eustace Diamonds.”

Some of what I’m reading. Or will be soon.

In case you think I’m just trying to seem high-brow, I’m always reading some nonfiction. And I’m not talking the kind that poeple say they’re reading so they sound smart when they’re really not reading them at all. No, with me it’s true crime all the time. Right now I’m reading “The Phillip Island Murder,” by Vikki Petraitis, after hearing her talk about the topic — a 1986 Australian murder — on a podcat. Next on my nonfiction list is “Barbarous Souls,” by David Strauss, about Darrel Parker’s 1956 wrongful conviction for the murder of his wife. My sister and I just did a three-episode set on our podcast, Crime & Stuff, about it, using newsapper accounts from the time, accessed on newspapers.com. But you can only get so much information that way, and I now want to know more. Parker’s case launched John Reid of the infamous Reid interrogation technique to national fame, and Parker’s “confession” at Reid’s hands was the only “evidence” against him, ignoring evidence from a known violent criminal who “passed” a lie detector and went on to kill at least one more person. The irony of it being the case that Reid hung his hat on seems to be lost to time.

I got myself a Kindle as a Christmas gift — It was on sale! — which makes reading on the go and in bed a lot easier and less expensive. I was using the Kindle app on my iPad, but the actual Kindle is more versatile and makes piling up books to read easier. This is not to say I don’t read print books as well. My sister Liz, who lives in [the other] Portland, always gives me a gift card from Powell’s Books. I usually buy some northwest-themed books with it, and also waiting on my shelf is “Murderland,” by Caroline Fraser, with looks at why the Pacific Northwest was such a hotbed of serial killers in the 1970s-1990s.

Sometimes when I’m at my author table someone will feel the need to tell me they don’t read. My response is always, “That’s too bad.” And I don’t mean that it’s too bad that they won’t be buying one of my books, but rather too bad that their life is missing such a vital piece. I can’t imagine life without reading, no matter what else I have going on.

Gabriela Stiteler – Late December / January Reading

  •  Wind-Up Bird Chronicles by Haruki Murakami – a little surreal and meandering but unlike anything I’ve read. Really has me thinking about Japanese crime writing.
  • Crooks by Lou Berney – If you like Lou’s other stuff, you’ll enjoy this. Family crime saga where you are really rooting for a bunch of grifters.
  • Are You Happy? by Lori Ostend – Lori was in Portland for an MWPA class. I caught her speak at Print and wanted to check out the book. It is absolutely beautiful. Definitely not crime writing but definitely worth the read.
  • Wreck Your Heart by Lori Rader-Day – Lori was the Guest of Honor at Crime Bake and I couldn’t wait to get my hands on this book. As always, her plotting is amazing. And the voice is delightful. Lori also did a deep dive into all things country music for this, which I really appreciate.
  • God of the Woods by Liz Moore – This was dense but did not meander. Told from multiple character POV, Liz tiptoes around a tragic secret buried and rotting under a girls camp in the Adirondacks. Gave of Maine summer camp vibes with absolutely compelling tension.
  • The Baseball 100 by Joe Posnaski – My older son recommended this. I’m working my way through it. There is a lot I don’t know about baseball.
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Writing Tip Wednesday: Make an Outline

I make an outline for every book that I write. The kicker is that most of it gets filled in after I write.

I base the outline on the idea that my chapters usually average around 2,000 words each. My goal is to have my first draft be around 80,000 words. I am the rare breed of writer who adds content when I edit more than I cut content. In other words, my final version will usually come in around 85,000-88,000 words. This is what I have determined to be the sweet spot for mysteries and thrillers.

The math calculation determines that the first draft of my book will be forty chapters long. Through many a year of analyzing the writing process, I have decided a system that works for me. This most likely does not hold true for most writers, as we are unique, like snowflakes, and that is why AI will never replace us.

 

My personal system dictates that something important must go down every 12.5% of the book. This creates a landing atop each set of stairs for me to climb. It is an eight-story building and I knock it off one story at a time.  Some of these checkpoints are standard in the industry. At the midpoint of the novel, at 50% or 40,000 words, the protagonist gains a better understanding of what is really going on. Other important events are my own creation but made from others as I process processes to create what works for me.

Now my book is broken into eight parts and the math indicates that those parts will be five chapters long each. Often, what goes into the outline first is what is going to happen in chapter five, which, for me, is the revelation of what the novel is all about. Then I start writing, building chapter by chapter to reach that important event in the book. After I write each of those chapters, I then fill in what occurred, usually three things, date, word count, location, and chapter number.

Then? I fill out what is going to happen in chapter ten and begin building to that important event. Word by word. Chapter by chapter. Important event by important event. Brick by brick. Bird by bird.

The moral of the tip? Writing is a unique and solitary exercise. Take advice with a grain of salt and mold what you like to work for you and discard what you don’t like. Write on.

Screenshot

About the Author

Matt Cost was a history major at Trinity College. He owned a mystery bookstore, a video store, and a gym, before serving a ten-year sentence as a junior high school teacher. In 2014 he was released and began writing. And that’s what he does. He writes histories and mysteries.

Cost has published six books in the Mainely Mystery series, starting with Mainely Power. He has also published six books in the Clay Wolfe Trap series, starting with Wolfe Trap. There are two books in the Brooklyn 8 Ballo series, starting with Velma Gone Awry. For historical novels, Cost has published At Every Hazard and its sequel, Love in a Time of Hate, as well as I am Cuba. The Not So Merry Adventures of Max Creed began a new series this past April. Glow Trap is his eighteenth published book.

Cost now lives in Brunswick, Maine, with his wife, Harper. There are four grown children: Brittany, Pearson, Miranda, and Ryan. They have been replaced in the home with four dogs. Cost now spends his days at the computer, writing.

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Look at Your Fish

Thanks for the good wishes and other support for my current recovery—knee rehab is going well, if slowly, and I have an excellent pile of books to keep me company.

I’m also reading a posthumous collection of short pieces by David McCullough, the historian, called History Matters. One piece in particular delighted me because it reminded me of a story I’d heard back in high school and forgotten.

The 19th century  Harvard naturalist, Louis Agassiz, set a test for every new student of his. He’d procure an old dead fish from a pail of them. Set it in front of the student, and tell him or her: “look at your fish.”

When he came back to ask the students what they saw, the usual answer was “not much.” Agassiz’s usual response was “look at your fish.”

This might go on for weeks, until the student observed something and was able to articulate what it was. McCullough used the anecdote to illustrate his belief that seeing, looking deeply, is as important to a historian as to a writer.

Much writing advice is made of “show don’t tell,” that hoary proverb. But the essence of being able to show you reader something is to be able to imagine a scene, to see it in full detail, through all the sense. Good writing immerses you, makes you see. The telling is only important as connective tissue for the scenes—the seeing.

This kind of imagination—seeing—takes time and mental effort. And patience. Often we don’t like to slow down. We want our story to flow, to carry us forward on the fastest highway we can manage. But it is in the slowing down—in the looking at your fish—that you can see what needs to be told, what detail will make your readers see.

That slowing down is no fun when you’re hot on the trail of your story, but patience is, as John Dewey said, an expenditure of energy. Before you can make your reader believe your story, you have to make them see. And to make them see, you have to look at your fish: observe, categorize, connect. The fish may be dead, but your story will live.

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Weekend Update: January 24-25, 2026

Next week at Maine Crime Writers there will be posts by Dick Cass (Monday) John Clark (Tuesday), and Vaughn Hardacker (Friday)  with a writing tip on Wednesday from Matt Cost and a group post on Thursday.

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

 

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

 

AND DON’T FORGET! One lucky Maine Crime Writers reader who leaves a comment on the blog this month will win a bundle of books!

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