It’s summer in Maine and the book will be out… when?

NEWS FROM AWAY, the fifth book in my Bernadette “Bernie” O’Dea mystery series was supposed to be out by now. I’m reminded about that quite often by readers anxious to get their hands on it.

It’s gratifying and flattering that people are excited about my books, and even that they’re disappointed they have to wait for the next one. But I’m not doing it on purpose just to feed my ego. Believe me, I’d like it to be out too. In fact, I can say with confidence that no one wants that book finished mor than I do.

But writing is a hard, long process and sometimes life and other stuff interrupts and slows it down. It can be hard to get back on track once you’re off, and there are many things that go into getting a book out of the laptop and into a reader’s hands that take time and effort.

That said, News From Away will be out… sometime. I wish I could be more definite. The one definite thing I can say is that it will be out. Sometime.

Is this a blog post about why books take longer than expected to be completed? No. It’s a blog post to simply answer the question. The book is coming. At some point. The fact that a cover for it exists is proof!

I won’t go into a whole “how the sausages are made” blah blah blah about the writing process and the mental and physical aspect of it and what happens when that gets interrupted, because even I am not in the mood for it today. I also won’t go into a long elaboration about the publishing process and why that can take longer than anticipated and what slows it down. I’m bore with that topic, too.

I read somewhere in the past couple of days that August feels like “the Sunday of summer.” In that spirit, let’s take a break from all the thinking and boring stuff and just enjoy the nice (ish) weather. Summer will be over soon enough and we’ll be into the figurative Monday of it all. The metphor kind of falls apart if you think about it too hard, since Monday is at the beginning and fall isn’t… never mind. I wasn’t going to do any brain stuff here.

In fact…

If you’re not feeling the spirit of summer, here’s a photo to help you out. My dog on the dock at my sister’s lake place in New Hampshire. The only thing missing is a book and nice beverage. Dog. Lake. Dock. Sun. Summer. Enjoy it while it lasts. Pick up a book that’s available now, settle in, relax, and enjoy August. There’ll always be time to finish writing books, or ask authors when the book will be finished, once summer is gone.

 

 

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The Road Warrior is Burned Out

Kate Flora: Totally fried today after a week on the road doing book promotion. I’ll be back on Wednesday to write a proper blog. For today, all I have are  views from my deck and my new favorite tee shirt.

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Weekend Update: August 15-16, 2026

Next week at Maine Crime Writers there will be posts by Maureen Milliken (Tuesday), Kate Flora (Wednesday), Dick Cass (Thursday), and Vaughn Hardacker (Friday).

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

 

Kathy Lynn Emerson: From August 11 until September 30 all my middle grades and YA fiction will be on sale from Overdrive at 50% off. That includes two mysteries, The Mystery of Hilliard’s Castle and The Mystery of the Missing Bagpipes. The other titles are Shalla, Katie’s Way, Julia’s Mending and Someday. All except the last were written for ages 8-12. Someday is a YA for slightly older readers.

 

 

Matt Cost will be signing books at Sherman’s of Saco today, Saturday, August 15th from 9:30 to 11:30 AM. In the area? Come on by.

 

 

 

On Thursday, August 20th, at 7 PM, Cost will debut his new podcast with BJ Magnani. It is called Pets, Plots, & Poisons, and that is the focus of the show as related to mysteries. It will be on Big Blend Radio and just about every streaming service you can think of. Check it out HERE.

 

 

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

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More on Anachronisms

original cover for the How To

Kaitlyn Dunnett/Kathy Lynn Emerson here, today offering another excerpt from my 2008 Agatha-Award-winning non-fiction book, How to Write Killer Historical Mysteries. Unlike most how-to books, mine isn’t just my take on writing. It also includes numerous anecdotes and bits of advice from other published historical mystery writers and touches on several topics that came up over the course 2005-2007 in the Crime Thru Time (CTT) online discussion group.

“Taken to its logical absurdity,” Kim Malo wrote in CTT, “any historical mystery set more than a hundred years or so back and written in modern English is an anachronism,” but using the exact language of the time isn’t usually a good idea. It is better, as Kim put it, to use “comprehensible modern English” and avoid “clear anachronisms, such as having a pair of cavaliers synchronize their watches.”

Short of checking every single word in your manuscript to be certain it was actually used during the time of your historical mystery, there is no way to avoid ever using an anachronistic word. An alert copy editor may catch some, but more often than not, those are words you’ve already checked for yourself and found to be accurate. Check again. There is no point in letting a foolish error slip through. But there will be other words that escape notice. They sound right for the period and it won’t occur to you or beta readers or a copy editor to make sure they are.

Reviewer Steven Steinbock calls word choice a “tricky matter. All too often, while reading a historical mystery, I come across a term that seems so jarringly anachronistic that I dash off to the Oxford English Dictionary to check. I’m often surprised to find that the author was indeed technically correct. But by that time I’ve lost the momentum of the story. I’ve been distracted away from what the author intended. Shakespeare can and did use the word “punk.” But for the Elizabethan reader, it didn’t mean a rude teenage boy on a skateboard. It didn’t mean a boy at all. An obnoxious person might have been called a ‘jerk’ in the 1920s, but encountering it on the printed page might jerk me in the wrong direction. For the author of historical mysteries, it isn’t enough to use words that are appropriate to the period. The writer must choose words that sound accurate for the period.”

There will always be readers (and reviewers) who are certain they know better than the author. Jeffrey Marks has run into “countless readers who want to tell me what I did wrong about the Civil War. In 99% of the instances, what they think they know is incorrect. Trying to write for what readers think they know . . . can be extremely difficult.”

Margaret Frazer encountered this same phenomenon. “For the one series, the main character is a Benedictine nun in England in the 1400s. I always make the story fit the reality, not the other way around. I even try to keep my vocabulary pre-1500, which helps me stay in the characters’ mindsets. And then I get something like one Amazon.com comment about The Sempster’s Tale—that some of the characters have modern attitudes. The attitudes they have may be modern, yes, but those were attitudes held by some medieval people, too, and I found them in my research.” A review of Frazer’s other series, featuring a traveling player, praised how well she detailed how things were done in medieval theater, but much of that she was making up. There is so much we simply don’t know about that period of history that she had to extrapolate.

The words writers need to be especially aware of, since they are sure to be caught by readers if they are used by mistake, are those derived from people’s names and names of commodities. Mesmerism, for example, comes from Dr. F.A. Mesmer, born in 1734. Tea leaves and the word tea did not appear in England before the mid-seventeenth century. Could a character in the fifteenth century know about a drink called tea (though it would be spelled differently)? Yes . . . but only if he had access to information about China.

In some cases the source word for an English word of a later era was in common usage in another language, such as French or Dutch. If your character has contact with people who speak a language other than English, or has traveled abroad, then he or she may have access to additional vocabulary.

Words we associate with murder investigations also need to be checked. How early could one have an alibi? Or a motive, for that matter? And were those words used in the same sense we mean today?

When I was working on Face Down Among the Winchester Geese, I was unable to turn up any information concerning the disposition of unclaimed, murdered bodies in 1560s England. Was there such a thing as a morgue? The OED told me that the word was not yet in use and indicated that there was unlikely to have been a specific place where murder victims were customarily taken. It only seems logical that some procedure was followed, but lacking specifics, I decided to have my sleuth claim the body at the murder scene by saying it was that of a relative.

Consulting the OED to catch anachronisms is a must for the writer of historicals, but the OED cites only the first occurrence of a word in print and in English. Earlier occurrences may have been lost over time. In addition, when books were rare, many words were in use far earlier than their first appearance in print. In addition to the OED, I consult William Brohaugh’s English Through the Ages (1998), where sections are broken down by decade.

current cover

 

How to Write Killer Historical Novels: The Art and Adventure of Sleuthing Through the Past (2008) was also a finalist for the Anthony and Macavity awards. Reviewer Marv Lachman, in Deadly Pleasures, called it “the best book about writing mysteries that I have ever read.” It is available in a slightly revised and updated 2022 edition in both e-book and trade paperback formats.

Kathy Lynn Emerson/Kaitlyn Dunnett has had sixty-four books traditionally published and has self published others. She won the Agatha Award and was an Anthony and Macavity finalist for best mystery nonfiction of 2008 for How to Write Killer Historical Mysteries and was an Agatha Award finalist in 2015 in the best mystery short story category. In 2023 she won the Lea Wait Award for “excellence and achievement” from the Maine Writers and Publishers Alliance. She was the Malice Domestic Guest of Honor in 2014. She is currently working on creating new editions of her backlist titles. Her website is www.KathyLynnEmerson.com.

 

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Lively Book Event at Brooklin Library

We’re just back from our annual stay on Allen Cove in Brooklin, where the library is situated at the very center of the village. This is as it should be, because the Friend Memorial Library is a hub for both year-round patrons and summer visitors.

Friend Memorial Library in Brooklin

On July 28, the library hosted Cheryl Head, Rob Kelley and me for an enjoyable conversation about crime writing.  We kicked things off by each reading a brief passage from our work before chatting with the engaged audience about where/how/why we write.

Cheryl chose the opening scene from her work in progress, a historical mystery with the heart of a Western. The passage ended with a hook that made the audience (including Rob and I) gasp with delight.

Rob introduced the audience to Mev Hayes, the intriguing protagonist in RAVEN, his debut novel that was nominated for the 2026 Maine Literary Award.  A skilled techie, Mev can’t quite figure out how she was admitted as a grad student and welcomed into a prestigious MIT computer lab after her proclivity for hacking got her bounced out of an undistinguished undergraduate school in the Midwest.

Here I am with Cheryl Head and Rob Kelley

I read from my short story ASSUMPTIONS CAN GET YOU KILLED, which features a New York novelist who realizes she’s a fish waaaay out of water when on a solo writing retreat at her dead mother’s cottage perched atop a sea cliff in Downeast Maine.

We also talked about what everyone’s reading this summer. When I mentioned my vow to finally read LONESOME DOVE (see my recent summer reads post here: https://mainecrimewriters.com/2026/06/16/books-im-dying-to-read/) library director Catherine Nevin said Friend Memorial and all of the other local libraries have long wait lists for Larry McMurtry’s classic this year. Apparently, I’m on trend reading-wise.

I’m happy to report that last summer’s plan for expansion of the library is fast becoming this summer’s reality. The new addition to Friend Memorial will honor the town’s boatbuilding heritage with a maritime research center. It also will make possible an enlarged collection, more space for children’s programming and more accessible technology.  Here’s the link to last summer’s post:  https://mainecrimewriters.com/2025/08/06/a-maritime-research-center-in-a-boat-building-hub/ and here’s a link to the library’s own website that chronicles the brisk pace of construction to date on what its staff and board rightly call A Library For Us All: https://campaign.friendml.org/blog

Construction of the library’s addition is proceeding apace.

We did more than just hang out at the library, of course. I got a lot of writing done, fueled by my usual summer vacation breakfast of blueberry pie.

We swam most every afternoon, watched the tide rise and fall and listened to Red Sox games on the radio (old school!) as the sunset painted the evening sky over the cove.

I call this one Fire Three Ways. The sunset, the firepit and the Red Sox offense, which ignited night after night when we were in Brooklin.

Happily, my favorite songbird was nearby for the entire two weeks, serenading us from a perch very close to the cottage. For those of you who appreciate the flute-like song of the Hermit Thrush as much as I do, here it is: https://www.allaboutbirds.org/guide/Hermit_Thrush/overview

What did you do on your summer vacation? Let us know in the comments.

Brenda Buchanan sets her novels and short stories in Maine. Her three-book Joe Gale series features a contemporary newspaper reporter with old-school style who covers the courts and crime beat at the fictional Portland Daily Chronicle. Brenda’s short story, “Means, Motive, and Opportunity,” was included in the anthology Bloodroot: Best New England Crime Stories 2021 and received an honorable mention in Best American Mystery and Suspense 2022.  Her story “Cape Jewell,” appeared in Snakeberry: Best New England Crime Stories 2025. “Crime of Devotion” was included in Murder Most Senior, an anthology released this spring at the Malice Domestic conference and her story “Links in the Chain” will be published in the anthology The Lines We Cross, which will launch at Bouchercon this coming October.

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Booking A Trip, or Vice-Versa

About half my haul shown here

John Clark recounting our annual trip Down East in a slightly different way. Many readers of this blog know that one way I keep active is as a used bookseller, mostly stuff I buy at library book sales. Over the years, I have discovered some favorites, the Ten Cent Sales at the Thompson Free Library, our own annual sale here at the Waterville Public Library, The Lithgow Library sale (coming up this week), and three in Washington County I look forward to as part of our vacation. We missed the sale over the 4th in Lubec, but hit the one in Eastport at the Peavey Memorial Library. Their sale is more or less ongoing during the summer months, with an entry way filled with goodies, plus on sunny days, boxes on tables outside. Calais Free Library also has an ongoing sale in a room downstairs, as well as an array of music CDs and DVDs in the entry as you come in.

Beth and I have reached an agreement on my purchasing. For every box/bag that comes in, one must go out. This was, at first, painful, but I have adjusted, and Ebay, where I sell, makes triaging a simple process. I can sort my listings in numerous ways, including by how long an item has been for sale. If something has been listed for more than a year without any interest, that’s generally one I remove. If one has been up for that long with some interest, I drop the price to encourage buyers.

At one recent book sale, I found a huge number of Maine town histories that had been weeded. Those have turned out to be hot sellers. One aspect of selling, aside from making some money, is seeing how books go to what I would call ‘perfect users.’ On example was a town history from a small place in Penobscot County that I sold to the niece of the author. She made an offer and told me who she was and that she was on a fixed income, so I dropped the price and made her day.

Our younger daughter, Lisa had me looking for new/like new kids books that could be used in a prize machine rewarding achievement and good behavior at the Poland Elementary School where granddaughter Gemma goes. I found 25 at one recent sale that fit the bill.

I’m a big music lover (more about that next month), so I’m always on the lookout for CDs by groups I like, or am curious about. After hitting recent sales, I’m armed with an abundance of great tunes, and even some comedy albums.

Below are some examples of my finds, some odd, eclectic, or just plain interesting. What luck have you had at library book sales?

Brand new reprints of a mystery series

Love this cover

Another really funky title

British mystery series

Great science fiction story. I read it in one sitting

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What I’ve Got Going On (Summer 2026 edition)

My mind is pinging in about a thousand directions right now. I have a teenager in the house officially. Kid grew four and a half inches this year and is taller than me and now I’m looking at my younger son and realizing I’m counting down the days before I’m the shortest one in the house. I am emotionally preparing.


What I’m Up To

I’ve been traveling a lot for work and for family reasons. Which means I’ve had lots of time for audiobooks and podcasts and, for better or worse, my own thoughts. Had a great conversation with Matt Cost, Travis Kennedy, and Tim Queeney about writing at the Windham Public Library at the end of July and am looking forward to connecting with all three again. Hopefully sometime soon.

I have another story out in Alfred Hitchcock Mystery Magazine for the Sept/Oct edition. “We, the Aging” is my third Sloane story (which was actually the first that I wrote, but submission timelines are a funny thing). Her stories are set in and around Portland and feature some of my favorite spots. Sammy Scoops! Payson Park!

Because Ellery Queen and Alfred Hitchcock Mystery Magazines have undergone a change in their printer, physical copies have been held up. But the good news is you can access any of the stories I’ve published in both publications this year for free.

  • “Generous Strike Zone” in the March/April Alfred Hitchcock
  • “Best and Sweetest Things” in the May/June Ellery Queen
  • “A Well-Worn Path” in the July/August Ellery Queen
  • “We, the Aging” in the Sept/Oct Alfred Hitchcock

More information about how to access digital copies for free can be found on HERE for Ellery Queen and HERE for Alfred Hitchcock.

I have a few events I’m looking forward to:

  • 8/11: Talking to Ryan Lowell about his book Freight tomorrow at Longfellow Books in Portland. 6:00. If you are in the area, please come by. It’s a great read and Ryan is a really thoughtful writer. Going to plug this one again because I really enjoyed it. You can read his interview HERE.
  • 8/27: attending a library event in Tenant’s Harbor with Margot Anne Kelley and fellow Maine Crime writer Robert Kelley. We are going to talk craft.

What I’m Reading (or just finished)

SMALL MERCIES by Dennis Lehane

Oh man oh man. Mary Pat is a really complicated person. I was thoroughly pulled in from page one. Her voice. *Chef’s kiss* Probably what I ought to expect from a writer like Lehane. He grew up in Dorchester and watched Boston’s integrated bussing play out as a nine year old. When he talks about this story, he says it poured out of him. Some of the scenes are based on his memories. I wouldn’t call it an easy read. But it’s worth it.

THE SLIP by Lucas Schaefer *DEBUT*

A real delight of a debut so far (*Full disclosure* I’m not done yet). The writing is like watching a boxing match which makes sense because the story is set against the backdrop of 1998 boxing clubs in Texas and is about the disappearance of a boy. Schaefer offers up a nuanced take on identity. I usually like writing that is tight and clean and this one meanders more. But the meandering feels necessary to the story Schaefer is telling.

THE SWEET FOREVER by George Pelecanos

I took a trip to DC. Had to read some Pelecanos to go with it. I lived and worked there for about ten years, made some great friends, and taught some great kids. The Sweet Forever is the third book in his DC Quartet published in 1998. The atmosphere of this book stands up. And man oh man can Pelecanos weave POVs and subplots like a tapestry. I just missed him at Politics and Prose for the release of his latest, The Blue Flame. Adding this to my TBR list now.

Other Summer Reading Highlights

  • Waves of Burden by Curtis Ippolito *GREAT SMALL PRESS READ*
  • The God of the Woods by Liz Moore
  • Crooks by Lou Berney
  • Serpico by Peter Maas

What I’m Watching (or just watched)

  • Antiques Roadshow #alwaysandforever
  • Serpico (1973)
  • The Kid Detective (2020)
  • Out of the Past (1947)
  • The Lowdown (2025-??)

All of these are delightful for different reasons. Highly recommend.

Let me know what you have going on. Anything I need to add to my list?

 

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Weekend Update: August 8-9, 2026

Next week at Maine Crime Writers there will be posts by Gabi Stiteler (Monday), John Clark (Tuesday), Brenda Buchanan (Thursday), and Kaitlyn Dunnett/Kathy Lynn Emerson (Friday).

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

 

Kathy Lynn Emerson: From August 11 until September 30 all my middle grades and YA fiction will be on sale from Overdrive at 50% off. That includes two mysteries, The Mystery of Hilliard’s Castle and The Mystery of the Missing Bagpipes. The other titles are Shalla, Katie’s Way, Julia’s Mending and Someday. All except the last were written for ages 8-12. Someday is a YA for slightly older readers.

 

Matt Cost: Will be signing books at the Sherman’s Books in Boothbay Harbor today, Saturday, August 8, from 1-3 PM.

On August 11th, Cost will be interviewing Travis Kennedy about writing and his debut novel, The Whyte Python World Tour, as part of the Topsham Public Library Author Series at 6 PM.

 

 

On Thursday, August 13th, Cost will be participating in Mystery Making Mayhem at the Southport Memorial Library at 6:30 PM along with Kate Flora, Allison Keeton, and Anne Britting-Oleson.

 

 

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

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AUGUST 2026

A Dee Rommel Mystery

Is out, available and so far, so good!

We all know it’s an incredible feeling, holding that book in your hand. Or hearing that someone is reading the book or ebook of your story.  When you start getting notes from people about how they “read it in two days, couldn’t put it down.”  “Best one yet!” Loved it!” (THANKS for all those texts and notes – and keep them coming!) and positive reviews start coming in – you feel yourself calming down.

6 DAYS was over a year’s worth of work. I had prided myself in getting out a Dee Rommel book once a year. I know this schedule is not fast by many of my fellow Maine author’s standards but it seemed to be what it takes for me to get one done. (10 DAYS, 9 DAYS, 8 DAYS, 7 DAYS and now 6… five more to go in the 10-part series!)  I was kicking myself royally on 6 DAYS because it took 14 months to get done.  I kept telling myself that having to deal with (accept) deaths of a few close friends, my family’s various health problems, days of misery watching the America I had been so proud of diminish in my eyes and in the eyes of the world, obsession with making my own sourdough bread, avoiding exercising by gossiping with my neighbors, reading a thousand short stories and friends’ novels and trying like hell to figure out why all the Instagram videos about Oprah’s and Kelly Clarkson’s magic weight loss drinks showed pictures of baking soda when baking soda is not even one of the ingredients in that famous (bogus) magic elixir – and wanting to sleep a lot kept getting in the way on long stretches of writing and revising.

Those things above and a 6 DAYS story problem  (thank goodness it got fixed) got me into a state I had never experienced before. Could it be? Was I experiencing this? (Starts with a D and ends with an N.) Didn’t even know I could have been close until one day I said out loud: “Who Cares?”

I had spent most of my mothering days (one daughter, she’s great) making sure that thought did not become a recurring idea in her head.  “Gotta care about what we do. Where we live. About our friends. About being curious. About being productive.”

That’s the word I began to trip on.  “Productive.”  It was something drummed into me as a kid. How do I add to the universe, not just take from it.  I have a great older friend who I admire and secretly wish I could be sometimes (or could grow up to be) who retired relatively young from a high stress corporate job and took to taking long walks on the beach, attending yoga classes, making mimosas, chatting up neighbors, and making a good all-over body tan a priority (she’s a Californian).  I asked her (because as a Midwestern the call to “productivity” was part of my identity) what else she planned to do. Her answer has always stayed with me:

“Nothing,” she said. “Jule, doing nothing can be very fulfilling.”

It was, to me, like saying, I’m happy just being a tick just sucking on the blood of others.

Time passed. This friend who recommended “nothing” still fills her life enjoying her walks the beach, napping and making mimosas, but she also heads up the Beach Activist Board for Clean Waters, she’s become a docent/guide at a Nature Park and teaches kids about the birds and insects in the Park, she interacts with Hospice and chats up the house-bound in her community. She’s become an avid Crime/Mystery reader, and she’s been one of my most helpful beta readers.

From high-stressed corporate job to “nothing”.  I finally saw what “nothing” got her. Her literal dedication to doing  “nothing” led her to the new “somethings” in her life.  Her nothings led to a big life change. But she’ll still tell me, “Jule, doing nothing can be very important.”

In other words, time is needed sometimes. So take time.

So don’t sweat the difference between 11 or 12 months and 14 months.  And 6 DAYS took the time that it needed.

That was a digression, but what are blogs for? Sometimes.  Mmmhhhmm.

All to say that I am so glad 6 DAYS, A Dee Rommel Mystery is out and if it took me two extra months to find the crux of what I wanted to do with the story – so be it.  The “nothing” feeling I experienced while learning to make a good sourdough, or getting sick of social media’s lies, or reading till my eyes hurt was needed.

If you get a chance to read 6 DAYS – let me know. And leave a Goodreads or Amazon review!  You know how much they help! Thanks!

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Writing Now Makes Me Revisit Summers Past

Kate Flora: I’ve been in a terribly fallow period this summer. Not writing much, just reviewing and revising and trying to decide what to do with some of those “books in the drawer” that I’d like to find homes for. This week, I started writing a short story. I didn’t get far but it reminded me about process. About how when a book or story idea starts cooking, there’s as much pondering and wondering as writing in those early days. Who is this story about and why? Why are we meeting this character is this situation? What’s the backstory and where will that lead? I’d forgotten how much I like those early days when I’m more discovering for myself than disclosing the story to the reader.

This morning it is raining, something of a rarity of this summer. The world I’m looking out on is not the gorgeous and inviting blue skies and shining blue ocean of most days but gray sky and gray sea. As I was having my coffee, a kingfisher landed on the dock and lingered there. Farther out above the cove, an osprey battled the winds to bring a fish home to the nest.

I lacked inspiration for a blog post this week, so I went back to the early days of the blog, and read through what I had written in other Augusts. What had piqued my imagination in other years? Where had my mind been? Here’s a bit of those earlier ponderings.

Kate Flora. I’m amazed that suddenly it is August and there is already an unwanted nip in morning air. As I’m sinking into a new book, and feeling like I need a tune-up, I’ve been trying to do some of the exercises I assign to my students to tune up their awareness of the world around them. While we all have many senses to choose from, in August, it is the scents that capture my imagination and send me back through decades of Maine summers.

Last week, I was in Union, picking berries in my blueberry field. I’ve been picking berries in that field probably since I was old enough to walk, and bending down to grab some berries, I was assailed by the blended scents of drying plants, crushed vegetation, and the hot, sweet ferment of berries cooked by the sun. August plants have a rich, slightly tired smell, making themselves known before the sun finishes cooking them or the cold weather comes to put them to be for another year.

If you don’t think August has its own set of smells, take yourself to three or four different familiar places, close your eyes, and inhale. Don’t rush things. Take your time to notice what is coming at you, what the wind currents bring. What your moving feet disturbs. Sage. Beach roses. Hot seaweed baking in the sun. Go to a farmer’s market and don’t just take in the visuals. There are stargazer lilies and cinnamon bread, the first early scents of apples. Close up, the enticements of ripe melon and the almost irresistible sweetness of ripe peaches. The nip of fresh, young onions.

The other day, driving through Portland, the air was suddenly thick with the happy grease smell of fried clams.  I was reminded of years ago, when I was driving behind a man who filled the entire front seat of his car, and the whole vehicle dipped on the driver’s side. He wore a white chef’s jacket and had a bumper sticker: Warning: I Brake for Food. When I caught a whiff of that fried clam smell, I would have braked, too, if I’d only known where to go.

I grew up on a lake, and so my water memory is of the vegetative smell of lake water and the slight tannins of decaying leaves. Twelve years ago, when we got a place on the ocean, I acquired a new set of Maine smells. Walking down the steps to the cottage, I would take deep lungfuls of briny air and feel like I’d been given a tonic. Mackerel Cove is a working lobster harbor and so yes, there is also sometimes the smell of lobster bait.

At night, as a child, I would swing under the old apple tree in the back yard, watching the sun setting behind the hills, while a cacophony of insects screamed out their night songs and, spooky in the growing darkness, the demented sound of the loons echoed around the pond. Now, on Bailey Island, I can hear the changing of the tide by the way the waves suck around the rocks, and the new metal ramp on the dock creaks and groans like a giant trying to throw off its chains. Around sunrise, the lobster boats start chugging out of the cove. Overhead, the osprey give their childlike cries and the crows announce the world belongs to them.

When I forget to be attentive, my characters will remind me. While I’m working on a new Thea Kozak mystery, I’m attuned to Thea’s voice. Her world view. What she notices. When I’m living in Joe’s head instead of Thea’s, I’m aware of how observant he is, particularly about the natural world. He may be what a Portland detective once referred to as “a bricks and mortar” cop, but his mother taught him to look and listen, just as mine did, and I need to be attuned to how he sees the world. Burgess will notice the family of skunks beside the road, the bright tail of a disappearing fox, the way the salt marsh changes through the seasons.

Baba Ram Das tells us to “be here now.” In Beyond Your Doorstep, the nature writer Hal Borland talks about encountering the natural world, starting “…in a country dooryard and working out from there, down the road, into the meadow, up into the woods, down along the riverbank and beside the swamp.”

In August, in particular, I am reminded to be here now, and smell, and hear, and see the wonders of the world around me.

Back from the Farmer’s Market

What you see if you look down

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