Thoughts on Beta Readers

Rob Kelley here, thinking about Beta readers.

Recently, Derek Cressman, a fellow participant in the workshop with the amazing Jeff Ford at The Writer’s Hotel conference in June, asked me to be a Beta reader for his next novel. I just returned my notes to him and it had me thinking about how I’ve used Beta readers and what my role should be for friends and fellow writers who ask me to read.

If you aren’t familiar with the term Beta reader, it comes from the technology world (my  former stomping ground!) and it references Beta testers, individuals who test early versions of hardware or software, putting them through their paces in ways that the designers and programmers might not have anticipated. Essentially, they are trying to break the product under use so the designer can make it more robust.

Ideally Beta readers don’t break anything, but they do serve the same purpose. The author has an understanding of what their prose will do, what it will accomplish. The Beta reader tests out that hypothesis.

If it’s early on in the work’s lifecycle, the writer may be looking for a “vibe check”: is this character relatable, is this plot device credible, is the setting realistic? Especially if an author is branching out into something new–a new genre, a new series–it can be extremely helpful to get early feedback.

But I think the highest value you can get from Beta readers is when you share your first solid draft, the characters fleshed out, the story arc complete. That’s what Derek asked me to look at. In that instance I believe my job is to figure out how I can help make it an even better book.

Derek’s new novel is near-future science fiction, set in a very consumerized high tech world. Now, while I’ve read many books in that genre–such as work by Philip K. Dick, William Hertling, Bruce Sterling, and William Gibson–that may not always be the case. So I try to be a “naive reader,” taking the book at face value, asking questions like: is the technology understandable, is it a distraction, or does it enhance the story? Do the characters have a real emotional journey, or are they just vehicles for playing out a technology plot? Does the plot move at a good pace, or does it sag or go too quickly in places? Does it feel like it’s true to the genre it’s in, or, even better, does it expand or challenge it?

What I don’t do is copyedit. Ideally I’m looking at a pretty clean manuscript, but we all have errors in our prose (having recently done a zillion rounds of galley reviews for Ravenfinding errors in every round, I can attest to that). Instead, I think I can provide better guidance as a Beta reader by just being a really good reader.

When I had put Raven in front of Beta readers, I asked very specific questions, questions that only a really good reader could answer:

  • Any scenes/characters/plotlines that you feel weren’t developed enough?
  • Any scenes/characters/plotlines that seems superfluous?
  • Did it ever drag? Were there sections were “page-turners?”
  • Did anything disrupt your engagement with the narrative?

My Beta readers were friends and acquaintances who were interested in my writing, but, importantly, didn’t necessarily read thrillers. I felt that if they found the work compelling, I’d gone the extra mile. What they gave me in return was exceptionally valuable and helped make Raven a far, far better book.

What have you found useful being a Beta reader or having Beta readers for your own writing?

Currently reading: Burn, Peter Heller, 2024.

Next from the TBR list: Departure 37, Scott Carson (Michael Koryta), 2025.

 

Posted in Rob's Posts | 5 Comments

Weekend Update: September 13-14, 2025

Next week at Maine Crime Writers there will be posts by Rob Kelley (Monday), Kaitlyn Dunnett/Kathy Lynn Emerson (Tuesday), Kate Flora (Thursday), and Matt Cost (Friday).

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

Matt Cost had a fantastic time doing a COST TALK about Glow Trap at the Southport Memorial Library on Thursday to a full house. Do you know an organization that would like a COST TALK? Reach out to me.

 

 

 

 

 

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

Posted in Sunday Updates | Tagged , , , , , | Leave a comment

Meet Debut Author Cory Magee

A few months ago, I came across a short story collection by Cory Magee, a crime writer based in Brewer, Maine. I recently finished his debut collection, Chasing Butterflies and Other Stories.

The collection opens with a powerful story about a man who makes a series of self-destructive choices after the loss of a child. It’s a strong, difficult start. The collection ends with a propulsive and violent story of friendship and aging. In between, you’ll find a hitman wrestling with his conscience and a ruthless bounty hunter willing to do whatever it takes to collect his mark.

Magee is one of the authors participating in the Night of Noir in Bangor on October 17. He agreed to share a little about his writing journey with our readers today.

Tell us a little about yourself.

I live in Brewer, Maine, with my wife, Jaimie, and our two pitbulls. We lost our daughter, Shaelyn, in 2024. She is a part of every moment we have.

In your collection, you explore loss and grief in the first story, “Chasing Butterflies.” I’ve heard some writers say that they have a “core story” or the idea that certain themes come up over and over again in their work. Do you have central themes that surface in your writing?

I think I write what I read and what I feel. Most of the stories I published were written after we lost our daughter. My hope is to tell a good story, provide some unsettling clarity, and, in the end, maybe find some hope.

I’m wondering if you can share a little with us about some of the things that have influenced your writing?

This is something I could probably talk or write about for days, so I’ll do my best to quantify it fairly quickly. My writing is probably classified as hard-boiled/crime noir. Influences include our daughter Shaelyn, Stephen King, Raymond Carver, Lawrence Block, Charles Bukowski, Richard Stark, George Pelecanos, and many, many more. I’ve also been influenced by musicians like The Lawrence Arms and Queens of the Stone Age and movies, like Once Upon a Time in Hollywood. And the best streaming show I’ve ever seen is The Haunting of Hill House.

Yes! You actually suggested Richard Stark to me when I was dipping my toes into heists. I’ve been working my way through his canon. When did you know you wanted to be a writer?

When I was young, we used to get the paper, and I would read the sports page box scores and copy them down. It was a very simple thing, but it rings true for me today. The idea of taking an event that happened and putting it on paper resonated with me early on and eventually evolved into me wanting to tell my own stories.

Tell us a little about your short story collection.

I was frustrated with getting rejected by short story publications, especially since I thought some of my stories were good. After we had our daughter and she passed, I couldn’t write or do much of anything for a while. Then I wrote a bunch, read a bunch, and decided, these stories are actually good. Or, at least, good enough for somebody. My wife encouraged me to publish on my own, so I invested some money and picked ten of about twenty stories that I thought had both grit and heart. I organized them into the collection, read through them, and thought they were pretty good, so I went with it.

I love learning about how other people decide to get their stories into the world. One thing I’ve figured out is there is no one right way. What are you working on now?

My current goal is to write a book of novellas—maybe four or five in a collection. I had ten short stories in the first book, and I’d like to test my feet with a few stories that are longer in form. My hope is to have the writing done by late next spring and then publish them in some form.

How do you balance writing with the other responsibilities that come with being an adult?

I have a sales job that affords me a little more time to read and write. My goal, on my best days, is to be active, read, make a sale, and write.

What is your writing process? When do you write? Do your plots come first? Or characters?

I typically write when it’s dark. On my best days, I wake up around 5:15 a.m., read for a half hour, write for a half hour, do busy work for my job, then go for a run or lift weights. I also tend to write around 8:00 p.m.

I’d say I’m more character- and dialogue-driven than plot. If I find a character I enjoy or one that makes me feel uncomfortable, I know I’m in business and I press forward.

What is one piece of advice you would give to an aspiring writer?

Read a ton. Write as much as you can. And if you like doing it, make it a priority.

Thank you so much for your time, Cory. I can’t wait to hear what you read at the Night of Noir in Bangor on October 17, and I’m really looking forward to reading whatever comes next.

You can find Cory’s book HERE.


A Few Crime Writing Events

Crime Wave in Portland: A great many amazing crime writers will descend on the city. On Friday, September 26, join us for a tour of the Maine Historical Society’s “Notorious” exhibit, then for a Noir at the Bar at Novel. On Saturday, September 27, register for Crime Wave if you haven’t already! There will be great roundtables, workshops, and speakers. (More info HERE.)

A Night of Noir at BookSpace in Bangor: On October 17, join 11 amazing writers as we dive into dark and twisty tales with a motley crew of Maine’s mystery, thriller, and true crime storytellers. The doors open at 6:30 p.m. and readings start at 7:00 p.m. (Email me if you’re interested in learning more using my author website HERE.)

Witches of Eastport Festival: On October 25, join six mystery, horror, and true crime writers at Boatload of Books for “Mystery Making and Ghost Stories.” Be part of an interactive experience as writers build stories with ideas from the audience. The event starts at 7:00 p.m. (Email me if you’re interested in learning more using my author website HERE.)

The New England Crime Bake: November 7-9, join 200+ crime writers for New England’s premier crime writing conference. Crime Bake is a crime-writing conference held outside Boston and co-sponsored by the New England chapters of Mystery Writers of America and Sisters in Crime. With an emphasis on community, connection, and craft, our three-day conference welcomes cozy old and new friends. From querying and pitching books and learning the business of writing to basking in the love of cozy mystery, suspense, procedurals, and thrillers, Crime Bake is for writers at any stage of their journey—and anyone who loves mystery and crime writing.

This year there will be:

  • Master classes taught by acclaimed authors and industry professionals
  • Headshots with a professional photographer
  • An agents and editors track where authors refine, practice, and pitch to acquiring agents and editors
  • Sessions on the business of writing, from indie publishing to marketing
  • Sunday sessions from real-life experts in crime
  • Connections with writers and authors at all levels
  • An interactive crime scene to explore (and solve!) by Dr. James Jabbour
  • And much, much more!
  • More about Crime Bake HERE.

Thanks for reading and I hope I catch you at one of the amazing scheduled events.

-Gabi

 

Posted in Uncategorized | 2 Comments

HOW SEARCH ENGINES WORK

Vaughn

In my last post, I discussed Search Engine Optimization (aka SEO) and why it’s important to us as writers. In this blog, I’d like to dig a bit deeper. In order to fully understand SEO, we need to understand the thing we’re trying to optimize, the Search Engine (aka Google, Bing, Duck, Duck Go, etc.).

Crawlers. Search engines utilize crawlers. You may have heard about them as bots or spiders (going forward, I will call them spiders, which is the term I’m most familiar with). The role of the spider is to crawl pages of sites and serve up the sites that are relevant to the results pages of people who are looking for that information. They do this in seconds and crawl millions of pages at a time. They also follow links on web pages to discover other pages that are relevant and related to a particular topic.

The Search Engine Index. When the spiders discover a page, they compile and add them to an ever-growing index. The index includes all the discovered URLs (Universal Resource Locator) along with several key signals about the contents of each URL, such as:

  1. Keywords. What essential words describe what the spider discovered within the content of the page? What topic(s) does the page cover?
  2. Content. The type of content that is being crawled (using microdata called Schema). What is included on the page?
  3. Freshness. How recently was the page updated?
  4. User engagement. How do people interact with the page?

What exactly is the aim of a search engine algorithm? The job of the search engine algorithm is to present high-quality and relevant pages/search results to a user’s query/question as fast as possible. The user then selects an option from the search results. Subsequent activity then feeds this information into future learnings which can affect search engine rankings going forward.

What happens when a search is performed? Whenever someone makes a search query, all relevant pages are identified in the Search Engine Index and the algorithm creates a hierarchically ranking, the Search Engine Relevant Page (SERP) Listing, of the relevant pages and serves it up to the searcher.

Note. All algorithms are not the same. They differ from one search engine to another. For example, a page that is ranked #1 by Google, may not receive the same ranking by Bing.

Search engines also use other relevant data to return results, including.

  1.  Location. Location dependent ‘cafes near me’ or ‘movie times near me’.
  2.  Language dependent. Return results in the user’s language.
  3. Previous Search History. Will return different results for a query on something they have previously searched.
  4. Device. You may get a different set of results based upon the device from which the query was made. PC, versus iPad, or cell phone.

Why might a page not be indexed? Thus far I have discussed why a search engine might chose to not index your site. There are several reasons for this, they may include but are not limited to:

  1. Robots.txt file exclusions. A file that tells search engines not to visit your site.
  2. Directives on the webpage. telling search engines not to index the page (no index tag) or to search another similar page (canonical tag).
  3. Search engine algorithms judging the page to be of low quality, have thin content or contain duplicate content. I find this to be a key point. It’s no secret that many of us face financial restrictions and try to cut corners when it comes to the marketing part of the business. However, this is an area where it is best to use a professional webpage designer. The main reason that I have posted these SEO posts is to provide a resource for writers to ask questions of a designer to get a feel for their knowledge of web design and search engines.
  4. 404 Not found HTTP response code. I don’t know of anyone who has not experienced this one.

In my next, and final, post on this topic, I will talk about how Google {if you read my earlier post on SEO, you may recall that Google has an almost 90% share of search engine market (in 2024 it was 87.8%) and its closest competitor was Bing at a bit less that 7% (6.7% in 2024)} ranks pages.. Therefore, it only makes sense that we shoot for what Google wants.

Key Conclusions. Understanding SEO gives us a leg up on getting our website on Page 1 of the SERP. Always keep in mind that the vast majority of searchers don’t go past the first page. Does that ring a bell? One of the first things I was taught when I embarked on a writing career (avocation?) was: The most important chapter is chapter one. The most important page is page 1. The most important paragraph is the first paragraph of Chapter 1. The most important sentence is … by now I guess you know where this is going.

Another point to remember. It takes a while for a webpage to grow an audience, so it’s important to give a searcher a reason to stay on your page so pay close attention to content. If you currently have a page, take a close look at it and ask yourself: If I was a first-time visitor, what will make me stay on this page? What will make me return?

The answer is obvious. Quality content and continual addition of new information. I have recently put a new page online. One of the things I spoke with my developer, Melissa Current-Gerety of MCG Creative in Orono, ME, about was that I wanted the ability to personally update my site. Your site designer most likely has more clients than only you and for minor changes, such as events and appearances, the ability to update is important.

Finally. How many members of Maine Crime Writers have websites? How many of your sites have links to other members pages? Here’s a challenge for all of us. Go to three or four member sites. On their contact page send them an email listing your site address and offer them a link on you site if they put one to yours on their page. I’ll start off. my site: https://www.vaughnhardacker.com. BTW: do you have a link to this blog on your site? I just realized I don’t but will contact Melissa in the morning to add a link page to my site.

 

 

 

Posted in Uncategorized, Vaughn's Posts | Tagged , , , , , , , | 3 Comments

Autumnal Writing and Other Things


I know it’s not autumn yet but it feels that way. The temperatures here in Maine are quickly dropping, especially at night. It’s noticeable because this past summer has been one of the hottest on record. So this Sunday after mowing the lawn and hitting the gym, my wife and I headed to the country to get us some apples and blueberries. Having completed two manuscripts this summer, the rest of my day was clear and free. There would be no writing today. It would be all about the apples—and blueberries. Oh, and riding mountain bikes along the country trail.

It was a beautiful day. We climbed in the car and drove the forty-five minutes out to the country. The smells of grass and cow manure filled the air. We arrived at the farm and immediately took in the rolling mountains and greenery. Come October, the colors would be more spectacular than they were now. But it was still quite beautiful. For once it was nice not to have to think about murder and deceit.

We climbed out of the car and got shuttled by golf cart to the main entrance. In the distance I could see rows upon rows of apple and blueberry groves. The day was festive and many people had already showed up. A two-man band played a Van Morrison song inside a tent-covered patio. Little kids danced in front of the two band members, along with their parents. The aroma of fresh beer, apple cider donuts and brick oven pizzas filled the air.

There were sweet varieties of blueberries and tangy blueberries, although we all agreed that the sweet blueberries were the tastiest. Three quarts tasty. Then we proceeded to the apple groves where we filled a large bag with Courtlands, Macs and Golden Delicious.

A great day of family fun. If only our son was home from college it would have been better. But we sent him the pics. Better hurry before they run out.

Then we went rented bikes and pedaled the trails. It’s  fun until you crash. But the scenery is so beautiful. In another month it will be that much better.

Have a great fall, everyone!

Posted in Uncategorized | 5 Comments

Summer Gone? Don’t Stress!?!#%**?/&

Jule Selbo

This summer has gone by quickly and I feel like I wasn’t in the physical or mental shape to keep up with it, so I’m still panting and whining to reach the “ENJOY LIFE” and “DON’T STRESS THE STRESSFUL STUFF” signs at the end of the road. They point the way to hot tubs and massages and piles of wonderful books to read and enlightenment meditations that will activate the glow of peaceful acceptance.  Of everything.

Like

  • Jule, you’ll never accomplish your page count goal everyday
  • You’ll never have every word you want to be there when you want it to type it
  • You’ll never stop worrying that your protagonist is solving the mystery too slowly
  • You’ll never be able to heal all the people you know who are sick

  • You’ll never go to bed at night not trying to figure out a story problem.
  • You’ll never not get snappy when your siblings make wrong voter decisions (IYO, in your opinion)
  • Jule, you’ll never stop getting lost in a deep dive of some research you should’ve already known if you’d paid attention in junior high
  • You’ll never not have a friend point out a typo in your last book
  • You’ll never stop thinking a brain surgeon career might have been a calmer path than being a writer
  • Why can’t you write a book every three to six months like you’ve heard other people do?
  • You’ll never stop wondering about people who put power before kindness and logic
  • Health? Is it like some get dusted with those fairy wand sparkles and some don’t?
  • Jule, you’ll never stop wondering why the jeans you wore in college don’t fit you anymore
  • Why do the words “a” and “an” and “the” somehow fall off the page without you noticing and need to be re-inserted
  • Will you stop kicking yourself when you write a scene with more than four people in it and feel it’s your duty to keep track of all these characters’ thoughts/actions/words and it’s so tiring, isn’t it? So stop writing scenes with so many characters in them!
  • Why you can’t be in two places at once?
  • Why do you allow publishers and editors to sit at the head of the table?
  • How can you bring housing prices down? And medical prices? And food prices?

  • Why is traveling to writing conferences a combo of fun/education/nice social networking but also overwhelming because crime writers are always thinking thinking thinking thinking and all those brains in one place working at top speed is tiring and most of us don’t like to talk that much especially when getting an omelet made at the omelet station at the free breakfast morning.

I wanted to share some of the research I’ve been doing on detectives/investigators from Sherlock to Kinsey Malone to Reacher to Igor Jarinowski and how their non-social/loner proclivities pull us in as readers – but – well I won’t stress about not getting that research (which takes me away from finishing 6 DAYS a DEE ROMMEL MYSTERy).  I’ll share it on my October post.

Posted in Uncategorized | 7 Comments

Weekend Update: September 6-7, 2025

Next week at Maine Crime Writers there will be posts by Jule Selbo (Monday), Joe Souza (Tuesday), Vaughn Hardacker (Thursday), and Gabi Stiteler (Friday).

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

Matt Cost just had a short story published in the anthology, Celluloid Crimes. Dead Men Don’t Kiss is a noir, 1950s gumshoe mystery set in Hollywood and shares space with sixteen other fantastic stories. On Thursday, September 11th, there will be a COST TALK at the Southport Memorial Library with a focus on Glow Trap. Write on.

Vaughn Hardacker will be selling and signing his books at Maine Authors in the Park on September 20th. The event will be from 10 a.m. to 2 p.m. at Old Mill Park, Main Street, Clinton, ME. The event is being hosted by Brown Memorial Library. I have learned they are still looking for authors. If you’re interested, the contact info is Brown Memorial Library, (207) 426-8686, kgiles@clinton-me.gov

Vaughn Hardacker has completed the first draft of the third novel in his Mike Houston/ Anne Bouchard series (Sniper and The Fisherman). Anyone interested in being a first reader?

 

-An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

Posted in Sunday Updates | Tagged , , , , | Leave a comment

There Is No Defense Against Styrofoam Gerbils

On a quiet street one morning. Can you tell the story?

John Clark, gearing up for the Maine Crime Wave. I’m part of two round tables (God forbid that they end up square!). One relates to short stories, the other to young adult mysteries. These are areas where I have some experience and plenty of interest. In preparation, I thought it would be useful to sift through the numerous caverns that comprise my brain and round up some coherent thoughts about why I write short stories, where the ideas come from, and what to do with them.

Some twenty years ago, sister Kate encouraged me to try my hand at short stories as she and others had launched the Level Best crime anthologies. I used a recurring nightmare in which I murdered a woman and hid her body, waiting for that knock on the door from the police as the subject of my first attempt. It was accepted and the dream went away. Subsequent short stories were inspired by a Tim Sample routine, the still unsolved theft of an entire stone wall at our late mom’s house, taillights reflecting off tombstones in a rural cemetery, Asian Lady Beetles, a vengeful ghost, and a lot more.

I’ve learned to be a careful observer of life around me as well as a very good listener. When my AA friend Massachusetts Jack qualified many years ago at a meeting, he began by saying “I liked being alone when I was a kid. It was the only time I understood all the rules.” After the meeting, I got his permission to use that as the opening for a short story, Tower Mountain, that was also published in a Level Best Anthology.

If you’re thinking about becoming a short story writer, or are already there and looking for encouragement and motivation, here are some thoughts.

1-Story ideas are all around you. Obituaries reveal interesting stuff almost daily, whether it be an unusual career, hobby, or a list of several ex-wives.

2-People say really interesting stuff if you encourage them to talk. It’s even better when they think they’re alone. I remember a most interesting conversation about what had to be a Bridezilla relative that took place between two women who were picking high bush blueberries up in Athens several years ago. I was a couple rows over and out of sight, but everything they said was clear as a bell. Likewise things kids shared with me when I was the librarian in Hartland made good story material. If some of the parents knew what those kids said, they would have died of mortification.

3-Things and people you see every day can be short story fodder. Stuff you see abandoned by the roadside, signs people put up for sales, or protests can be inspiring. I still marvel at the one a young woman held up at the No Kings protest here in Waterville. It said Support Whores, Not Wars. Along the same lines, you’re likely to see a most interesting person at least once a week. I used a very dignified man I saw walking on Route 27 in Pittston almost daily, as a character in a book. A person I saw at the Maine Mall who could only be described as 360 degrees ugly, became a blacksmith in another tale.

4-I guarantee you’ll have a random thought come through your mind at least once a week that has short story potential. This is also true if you read print newspapers on a regular basis, particularly those covering local news. If it sparks a question, it’s potential story material.

5-Read the work of other short story writers with a curious mind. There’s no reason you can’t come up with a better way, or new slant on a story someone else got published. It’s easy to forget that the New Story Idea Factory doesn’t run regular shifts. I can’t tell you how often I read a book that’s a rehash of a familiar plot. I’ve come to realize that this phenomenon, like recipes, can have uniqueness simply by how the ingredients and preparation are varied.

Now on to the benefits of short story writing.

1-When I’m ON, I can crank out one in a weekend, complete with it being revised and heard by my wife when I read it aloud.

2-There are plenty of short story markets you might not know about (More about that at the round table discussion at Maine Crime Wave)

3-Just because a story gets rejected in one venue, doesn’t mean it won’t be snapped up elsewhere. I had one I wrote for the Flash contest at the Crime Wave several years ago get picked up by an entity that published it on a subscription basis world wide a year later. Thus far I’ve gotten almost $350 in royalties from that one.

4-When you’ve written enough of them, you can put together an anthology. Stories already published elsewhere whose rights have reverted to you can be included. I’ve published Hardscrabble Kids and Dark Maine that way.

5-You can have tons of fun with oddball titles like I did with this blog.

Hope to see you at the Maine Crime Wave later this month.

Elopement gone awry…Or worse. What does your creative muse tell you?

Tagged , , , | 3 Comments

Murder, and All That Jazz

Carolyn Marie Wilkins’ newest novel, Murder At The Wham Bam Club, was released at the end of July. It’s her fourth mystery and her seventh book overall, the other three being non-fiction. Murder At The Wham Bam Club, set in the Roaring Twenties, features Nola Ann Jackson, a young widow, World War I having claimed the life of her husband, Harlem Hellfighter William Bartholomew Jackson. Nola has returned to her hometown of Agate, Illinois, where she lives with her psychic aunt, who helps her learn how to tap into her own inherited abilities.

Nola loves jazz, and in Agate, the premiere place to hear it is the Wham Bam Club, where rules—not only those about Prohibition—are broken all the time. One night a fire breaks out at the Wham Bam Club, and a showy trumpeter is shot to death. Nola’s new friend Lilly Davidson dated Eddie Smooth, but Nola is certain she didn’t kill him. To clear Lilly’s name she uses her natural detective skills and her  psychic gifts, a valuable combination when it comes to solving crime.

Carolyn and I had a conversation last week about Murder At The Wham Bam Club and the fact that she’ll be a featured author at Maine Crime Wave on September 27. Here’s what we talked about:

Q.      Murder At The Wham Bam Club, your newest novel, is a tale of music, murder and supernatural happenings set in small-town Illinois during the Roaring Twenties. What kind of reactions have you had since you launched it on July 29 and what’s made you happiest about the response?

A.   What a great question, Brenda! It has been wonderful to see my book, five years in the making, out in the world at last. The thing that has most pleased me is that readers seem to get my spunky psychic protagonist and enjoy spending time in her world.

Q.   What parts of Murder At The Wham Bam Club were most enjoyable to write? How did the experience of writing it differ from your earlier novels?

A.   The most enjoyable parts to write were the parts where I was able to fold real-life people and events from African American history into the story. I made the decision to include more history in this book than in my previous novels

Q.   Like all of your mystery novels, Murder At The Wham Bam Club revolves around a murder, set in a milieu of fine jazz music, Black culture and psychic healing arts. To my knowledge you don’t solve murders in real life, but you’re an accomplished jazz pianist and vocalist, you hold dear the traditions of Black Americans and work tirelessly for racial justice, and you’re also a gifted psychic healer.  Does it feel as organic as it looks to bring those important parts of yourself into your crime novels?

A.  The writing process was not easy, but it was definitely organic. You know what they say – “write what you know.”

Q.   Where did you grow up?  What did you see yourself being when you were a child – a musician, a teacher, a writer or a healer?

A.   I was born and raised on the South Side of Chicago, in the bosom of the black middle class. As a little kid, I wanted to be a cowboy. Since I could not persuade my family to move to Montana, I opted instead for music. My mother was a music teacher, and started me on the piano when I was four.

Q.    When did you realize you could (or needed to be) all four simultaneously?

A.   Not until late in life, about 3 years ago. When I was going to college, the expectation was that students would pick one discipline, major in it, then pursue it exclusively for the rest of their lives. It took me a while to understand that I could use a more wholistic approach.

Q.  Given that you write books, teach and make music, and actively practice as a Reikki healer and a medium, how do you maintain balance in your life?  What do you do for fun?

A.  Such a great question! In the striving, success-oriented culture in which I grew up, fun was given short shrift! As I age, I’ve learned how important it is to savor every minute, especially the mundane, quotidian things – taking a walk, eating breakfast, laughing with friends and family etc. I’m a big fan of walking on the beach when I can. I am also a huge Celtics fan. Big fun to sit in a stadium full of like-minded people and scream myself hoarse. Go, C’s!!

Q.  And go Red Sox until the Celtics season starts!  You’ll be at Maine Crime Wave on September 27, hosting a roundtable discussion about bringing paranormal and supernatural elements into mystery novels. Can you give MCW blog readers some hints about how those conversations might unfold?

A.   I’m super excited about having the opportunity to share this side of myself with my writing community! I have studied mediumship and the psychic arts for over ten years. In this round table, I’ll share some tips on how to write credible psychic characters. I’m also really looking forward to hearing from others about their ideas and  experiences. It’s going to be a great conversation!!

Carolyn Marie Wilkins describes herself as “a multifaceted entrepreneur working at the intersection of spirituality and creativity.”

In addition to her writing, she’s an accomplished Jazz pianist and vocalist who is a Professor at Berklee College of Music Online. A graduate of Oberlin Conservatory and the Eastman School of Music, Carolyn has performed with the Pittsburgh Symphony and represented her country as a Jazz Ambassador for the U.S. State Department. She’s also a Reiki master and a psychic medium who maintains a private practice in healing and mediumship.

Murder At The Wham Bam Club is available from your favorite bookseller. Carolyn will be signing copies at Maine Crime Wave, to be held at Mechanics Hall in Portland on Saturday, September 27 from 8:30 – 4:30, with special events (including a Noir At The Bar) to be held the previous evening, Friday, September 26.

FMI and to register: https://www.mainewriters.org/maine-crime-wave

 

Posted in Brenda's Posts | Tagged , , | 4 Comments

Not Writer’s Block but Story Block

Kate Flora: I have always insisted that I don’t suffer from writer’s block. Indeed, I often think that writer’s block is more of an excuse not to engage with the work, wrestle with the challenges, and find a way forward, than a genuine dilemma. But that’s for me. I understand that some people truly do get blocked.  I do, however, believe in story block, in those stories that sometimes refuse to be written. Usually there’s a way around this. Taking a walk, baking, cleaning out a closet, setting myself a difficult task in the garden. Anything, in short, that creates a break from staring at the screen and agonizing over what comes next. Frequently, when I’m done and return to the desk, I’ve found my way forward.

Not this time.

I expect this is a problem that the compulsive outliner does not suffer from, but I’m not sure.

 

Sometimes the path forward looks like this

Right now, I am 63K words into a book that will not flow. The kind of story that requires many of the words, paragraphs, and scenes to be dragged, kicking and screaming, to the page and forced to stay there. It’s odd, because I’m interested in the book. I want the story to go forward and I need to know what’s finally going to happen to solve the mystery of who killed Leo Furstenberg and whether it was the same person who later killed Elliot England, the headmaster of the prestigious Grimley School.

I’ve tried the usual tricks I described above, but how much blueberry cake can we eat? How many paths can I carve through the jungle of my garden? How many contemplative walks can I take? I’m reduced to reading illustrated cookbooks as the usual last resort dive into fiction isn’t working.

Years ago, I devised a method for outlining a book when you’re a writer who hates outlining, perhaps someone traumatized by having had to do too much of it in school. It’s having a conversation with yourself in which the questions and answers lead to a form of outline that may also lead to successfully finishing the book. The conversation usually begins with asking these questions:

What is this book about?

Who is this book about?

Who else needs to be in the book, and why?

Who was killed and what do we know about the crime scene?

How is that information going to be revealed, and by whom?

Who wanted that person dead and why? And what do we know about them, their character, their whereabouts, their motive, their opportunity to commit the crime?

Which of those people is the actual killer?

What are going to be the obstacles that keep the protagonist/detective from reaching a solution?

How will the protagonist overcome those obstacles and what strengths and abilities does he or she have that will let them solve the crime?

Will there be danger and how will it be overcome?

And then, once this form of outline is created (and it can be created at any point in the writing process) will it impel the writing forward?

Oh dear. Are writers supposed to give away our secrets? Are we allowed to confess to getting stuck or other weaknesses?

Fingers crossed that by writing this for MCW readers, I may have helped myself over the hump.

Do you have tricks or techniques to keep the books moving forward?

Don’t forget to visit me and Maureen Milliken at the Maine Book Fest this coming Saturday and Sunday in Waterville. There’s nothing like a park filled with writers.

Posted in Kate's Posts | 4 Comments