Small Town, Fact or Fiction

Living in a small town while writing about a small town has its challenges.

The questions and concerns about my novel swing from “Am I in it?” to “Where did this take place?” — and the inquiries have been pouring in since its January publication. Most times, it feels like a compliment that my neighbors want to be in my books and truly hope I’m writing about our town. Other times — and this must be when my self-doubt creeps in — it feels like they don’t believe I could actually make up all that I do.

There’s a reason novels and movies have disclaimers stating: “This is entirely fiction. The names, characters, and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events, or localities is entirely coincidental.”

Or is the resemblance truly coincidental?

The old adage “Write what you know” comes from somewhere. Of course we’re influenced by our past, our surroundings, our travels, and our speculations. I walk through life constantly saying “What if?” when I hear information as benign as a boat stranded on the beach or a broken-down car at the bottom of a ravine.

Like many writers, I’m inspired by pieces of my personal journey, news stories “ripped from the headlines,” a possible twist on history, and my own warped imagination.

In my Midcoast Maine series, my mind’s eye sees my version of Maine — my town and the region — as my fingers type. But the map in my head is mine alone, nothing a reader will ever find in the Gazetteer. In Blaze Orange, the only true part of my town that’s exact is one small segment when the protagonist, Raven, walks away from her house, with the cemetery on her right and the Secretly, Maine, Post Office on her left. When I wrote that piece, I was definitely walking beside her on Route 130, going south, reading the tombstones.

New Harbor Cemetery

Readers forget that we also have to create a structure to allow the mystery to unfold and that the landscape has to fit the story more than it fits the real-life area. When Raven and Betty pull over to allow Raven to catch her breath, it’s loosely located by the Rachel Carson Preserve on Route 32. However, I saw the space as much larger, a true scenic turnoff, not just a shoulder on the side of the road. This is partially because of the story’s needs.

Rachel Carson Preserve, Chamberlain, ME

There are characters whose traits are influenced by people in my life, and lines of dialogue lifted from others. Tom, the Deputy, is described to look exactly like my Tom but has his own characteristics. Howard loves his ham radios like our former neighbor in Damariscotta still does. Of course, some of my own philosophy creeps in, and when I’m sitting in the seat, writing, it all meshes together.

When I wrote this novel, it was my seventh. My first six manuscripts — completely different storylines and plots — hadn’t sold. So I wrote Blaze Orange without much thought about the consequences of using a location or a name. Of course I wanted it published, but what were the odds? When my contract surprisingly arrived, I had to face the choices I’d made.

For example, my murder victim’s name is Charles Kearns. That’s the real name of my oldest friend. I’ve known him as long as I’ve been alive, and we grew up next door to each other in a different small town. Over the years, I’ve written other similarly named characters — a Charlie and a female Charley — into many of my stories, especially when the protagonist needs a really good friend. Suddenly, with a book contract in hand, it hit me: the manuscript would become a living, breathing book, and I had a few decisions, and perhaps changes, to make.

I reached out to the real Charles Kearns and asked him if he wanted me to change the victim’s name. He said no but asked if I could make it ‘Charles E. Kearns’ as a nod to his great-uncle. There was one place where a middle initial would work, and thus, the name was no longer about my friend but his long-passed uncle.

I know famous authors auction off the prize to include your name as a character in their books. Perhaps, in that spirit, I shouldn’t worry about names and inspirations or locales in mine. More often than not, it appears to be a compliment to be included. Let’s hope the neighbor I ‘kill off’ in Book Two thinks so too.

***

Allison Keeton’s debut novel is Blaze Orange, Book One in the Midcoast Maine Mystery series. Arctic Green, Book Two, hits the streets (and snowmobile trails) in February 2026. She can be reached at http://www.akeetonbooks.com

 

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DOUBT KILLS CONFIDENCE

Wednesday Writing Tip/Jule Selbo

DOUBT KILLS CONFIDENCE

Maybe someone’s got the provenance on the above observation, it’s often listed with Anger Kills Wisdom and Ego Kills Growth and a few other syllogisms that are bandied about on a ‘kill’ list appearing on self-help sites and Instagram posts (most we ignore, I know).

For lots of reasons of late, this particular ‘kill’ opinion has been plaguing me. I assume many of our brains work alike – some days our gray cells are strong and steady and act as cheerleaders, other times they are determined to make us question our every move, idea, determination, dreams and confidence.

Creative types have a history of falling into the pits that ‘doubt’ creates. Why? We’re building from our imaginations, our intellects, our points of view, our experiences (as we experience them) – plus, we want readers to buy in, enjoy, and consider our work worthy of a steady perusal. So we are, in essence, naked and unmasked and wanting to please.

Which can put us in a precarious, dangerous mindset. Even Stephen King, the beneficent and gentle friend-to-all-writers admits: I’m afraid of failing at whatever story I’m writing… or that I won’t be able to finish it. Another of his admissions: I have spent a good many years—too many, I think—being ashamed about what I write.

How to control that mindset? The ability to do so  is one of the most important parts of our craft.

Sidenote: When I was a prof at Cal State University in the Film Department, as chair of the department and head of the MFA in Screenwriting Program, I walked across campus from our relatively modest building to the huge new shiny Kinesiology Building to talk to the Sports Psychology profs. I wanted to add a course to the MFA in Screenwriting program – similar to the one that the college athletes and wanna-grow-up-to-be-coaches were taking. Basically, a course about how to get out of your doubts and fears of non-success and pave the way to a healthy commitment to doing what you love and enjoying the ups and downs of challenges.

Some of the mantras that the sports pysch profs recommended that their athletes and students use on a daily/hourly basis when workouts or events got tough and doubt crept in: “This is what I came for”“I am comfortable with being uncomfortable” and “I can do hard things”

I wanted to help the MFA writers in our program get over the DOUBT hurdle, the FEAR-of- finishing-hurdle and the THIS (I) SUCKS hurdle and reach the I AM, I CAN, I WILL, I DO bright yellow finish line.

DOUBT will be around, always, for many of us. It will creep in to snatch CONFIDENCE away. But we can recognize it and – at the best of times – boot it out of our brain. Some signs that sneaky “doubt” creepers are tapping on your shoulder:

  1. Are you  asking yourself: who cares if I write this book?
    1. Maybe the most debilitating thought of all.
    2. ANSWER: YOU DO. That’s enough. YOU DO.
  2. Are you asking yourself: Am I smart enough to work out this mystery… what if the reader is so ahead of me that the book falls out of the mystery genre into the fait accompli genre by page twenty?
    1. Of course you are smart enough. You read and write and think and come up with characters and reasons and only YOU can write this story and create these characters and their motivations because it’s YOUR story. YOUR way of seeing life. It will always be original because it is YOURS.
    2. Sure, you argue. It’s “genre” fiction. Someone gets murdered. Someone is the murderer. Someone figures it out and (usually) the bad person is caught and needs to pay a consequence because a form of justice is part of the genre norm.  Remember, there are nearly 20 million crime mysteries sold every year. And new fans of mysteries that feature Nancy Drew or Holmes or Marple or Reacher or Kinsey Malone are born every year. The book will live on.  The same genre conventions are in work in each tale – but they are wrapped by the WRITER’S ORIGINAL takes and point of views. If you LOVE THE GENRE, WRITE THE HELL OUT OF IT.
  3.  Some of the sports psychology advice that the Kinesiology Department shared with my MFA Writing Students – when you doubt you can finish (hit a a story block), keep telling yourself: “This is what I came for”.“I am comfortable with being uncomfortable” and “I can do hard things”
  4. Do you ever asking yourself: Since I’ve written myself into this hole and can’t see a way out, why shouldn’t I just eat a bag of cookies and watch a Hallmark movie or a baseball game or football game or….
    1. Eat the bag of cookies. Watch the movie or sporting event. Your brain won’t stop. It’ll keep solving the puzzle (and the ah ha moment will come). That’s the mystery writers’ talent and their curse. WE CAN’T LET IT GO!
    2. If this eating and viewing crap binge goes on longer than one day – see a doctor. (Meaning a fellow writer that will give you a kick in your ass.)
    3. Kinesiology profs advice? Keep telling yourself: “Do or do not. There is no ‘try’”.

5. Do you ever asking yourself: Why are I so  hypersensitive to criticism? Why do I always focus on my shortcomings?

    1. Shrinks/science says: The brain has a negativity bias – it’s an evolutionary leftover that prioritizes potential threats, causing us to pay more attention to negative information to ensure survival. To help us prepare for the worst.
      1. Blah blah blah, you say. It looks to me like some people just believe they are great and just race ahead – all the time.
        1. Are they just the better pretenders?
          1. Who’s to say we can’t show every negative neurosis (proudly) and still produce?
              1. No one.
              2. Sport profs advice: 100% effort is just as important at 100% attitude. Embrace the suck. Just keep running/writing.
          2. Ask yourself: Am I more engaged in other-people-pleasing or I am engaged in pleasing myself?
            1. Do you have days when you’re in the pit of people-pleasing and days you are not? (I know, I know, it usually depends on publishing deadlines).
              1. We need to get in the habit of making those “writing to please myself” days grow. Agree? Disagree?
              2. SIDENOTE: Watch the new Martin Scorcese documentary (October 2025). He went through variations of these questions and came to some strong conclusions. (Basically, the movies he made to please others did not ultimately resonate with him or the audience.)
            2. Do you ever ask yourself: Why do I compare my work and my career to others’ working in my field?
              1. No need to. YOUR work is YOURS. Someone else’s success does not diminish yours. Someone else’s creative misstep does not make you any better.
              2. Humility is a good thing. Let others be great too. Keep the head down, enjoy being part of your “genre” group, enjoy all the successes around you.
              3. Sport shrinks will say: Break your own limits. Create your own destiny.
                1. Ask yourself: Do I surround myself with supporters or negators?
                2.  Is it time to shift to a new writing group? Is it time to NOT let Negative Nelly be one of your beta readers?
                3. Curb all career-masochist tendencies.
                4. Focus on surrounding yourself with a solid, supportive peer support.
                    1. Find the people who appreciate your voice and your thought process, your personal quirks and interests. Find those who admire your stick-to-itive-ness and your love of getting a story on paper.
                    2. Sport Psych’s words: “High-quality coach-athlete relationships, characterized by mutual respect, trust, and appreciation, are associated with lower rates of athlete burnout and a reduction in psychological fatigue and depressive symptoms. Supportive coaches contribute to an athlete’s overall mental health. This, in turn, boosts intrinsic motivation and self-confidence, key components of peak performance.”
                5. Take a good look and ask: Am I acting as my own supporter or as my own negator? Am I a good and supportive critic of my own work or am I a Debbie Downer who will never let myself off the hook?
                  1. Rewriting and rewriting and rewriting…??? Is it healthy?  As we age, as we grow, our work will change. FINISH ONE THING and move on before YOU CHANGE. Let each piece reflect who you are AT THE TIME you came up with the idea and characters.
                  2. Celebrate completion.
  • Let it be done. Celebrate starting a NEW book.

According to The Synergy Whisperer, 97% percent of people who start to write a book NEVER finish it. That means that out of every 1,000 people who start a book, only 30 people completed one.  Another statistic that popped up: 81% !!!! of Americans “want” to write a book. We all know these people and love them because we see the respect, the curiosity, the desire to use that part of their brain – but it does not happen for them. What’s missing? Discipline? Inability to get beyond the idea into a story?

REMEMBER: WE ARE DOING IT!  COMPLETING WORK!  LETTING IT BE OUR OWN! KICK DOUBT TO THE CURB TODAY!

 

For those of you who want to comment/share/agree/disagree –  please do so!  You will be automatically entered into a FREE E-BOOK AWARD – book of your choice!  One of mine (or if you have read them (thank you)   –  it can be any crime/mystery you have been wanting to order (your choice). I will be send it to you via this wonderful computer thing we’ve got going!

Best – Jule

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Those Magic Moments

Kate Flora: When I was a book-loving little girl and imagined what the author’s life must be like, it was full of fabulous events with swooning readers and booksellers and libraries thrilled to be in an author’s presence. It was a fantasy, of course. The reality, which began for me in 1994, was far different. Doing my own PR. Driving for hours to an event only to learn that publisher had failed to send the books or given them away prior to my arrival. Once, driving through a growing snowstorm to Camden only to have the bookseller say, as soon as I arrived, “I’m sorry about that review. I had a chance to stop it but of course I didn’t.” Nothing like learning your newest book has been trashed by a reviewer in the local paper—and that the bookseller was proud of herself for not saying anything.

But that rather harsh and daunting reality has been punctuated along the way with magical moments. Among the best? The night I got to interview Tony Hillerman on stage while he was touring his memoir. I was a huge Hillerman fan…always had been, and it had been made greater by meeting him just before my first book came out, having a private chat, and getting his advice. But this night was truly special. A pair of armchairs, a little coffee table to display his books, and a conversation. At the end, when I was asking him questions the audience had submitted on index cards, I wasn’t even daunted when one of the questions was: What is the name of the woman who is interviewing Mr. Hillerman? I had forgotten to introduce myself and I really didn’t care.

An amazing and illuminating encounter was at the Writer’s Police Academy. I was on a ride along. It was a very quiet night and we were in a rural part of the city. At one point, I asked the officer I was riding with why he had stopped and questioned a lone man walking down the road. He pulled over, told me about another such night when the man he’d stopped to speak with had nearly killed him. Then he showed the dashcam video of the entire event and shared how his supervisor had reacted, how his pregnant wife had, and how the department had supported him after the event. It was one of those special opportunities to get behind the “us vs. them” curtain and understand the huge emotional impact such an event has on everyone involved. Along the way, there have been several times when the officers I was speaking with shared intensely personal information that has made me a better writer of crime fiction.

Full house on Vinalhaven

Another great event was last summer when three of us, myself, Jule Selbo, and Maureen Milliken, were invited to do a “Making a Mystery” presentation at the Vinalhaven Library. They gave us ferry tickets, put us up in a lovely house, treated us to a cocktail party, and provided a full house for our presentation. Later, there was dinner in the fridge, and wine, and we could sit for hours and talk about writing. It was absolutely perfect!!

And then there was this. Back in 2017, I had a story in a collection from Three Rooms Press called The Obama Inheritance. I got an email from the publisher that the book was going to be reviewed by Maureen Corrigan on Fresh Air. This is what she said, and my story, Michelle in Hot Water, was singled out for attention. I stood in my kitchen and listened and it felt like a thousand pats on the back.

Maureen Corrigan: A truly fabulous story kicks off this collection. Remember all those loud whispers, sparked by a fist bump, that Michelle Obama was a covert black power separatist? In “Michelle in Hot Water,” crime writer Kate Flora takes that conspiracy fantasy about the first lady and runs with it. Here’s how the story opens:

The big man with the Russian accent wore an expression somewhere between a smirk and a smile. Not a pleasant smile, but the smile of someone who likes to inflict pain and was about to do just that . … Michelle wasn’t afraid of him; bullies had been common in the part of Chicago where she grew up. Her years in the White House had shown her plenty more, even if they did hide behind expensive suits and artificial courtesies. No. … What scared her was the predicament she had gotten herself into and the trouble it was going to cause for her team: Faiza from State, Leela from the Surgeon General’s office, Charisa from the Pentagon, Lourdes from the FDA, and Alice from Justice.

Michelle, dressed in full combat gear and a Mission Impossible-worthy disguise of fake skin, has gotten caught by that Russian enforcer in the middle of a vigilante mission. It seems as though she and her team of high-level government gal pals have banded together — under cover of being in a women’s book group — to pressure pharmaceutical kingpins to lower the cost of cancer fighting drugs for kids.

When, as always, the drug makers initially refuse, first lady Michelle and her sister Amazons devise ways to inject these fat cats with a drug that temporarily renders them impotent, incontinent and bald. Part of the fun of this story is the repartee that Flora conjures up between Michelle and Barack. Like FDR, Barack realizes that his wayward activist wife can’t be reined in.

https://www.npr.org/2017/10/09/556571413/collection-puts-a-playful-pulpy-twist-on-preposterous-stories-about-obama

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Did You Ever Wish You Owned A Horse?

Kaitlyn Dunnett/Kathy Lynn Emerson here, thinking about horses. I have no idea why, but when I was contemplating possible blog topics the other day, this one popped into my head. First let me say that, no, I never wanted to own a horse. I did, however, for several years in my early teens, very much enjoy going on trail rides run by a family in nearby town. I usually went with friends, most often with my gal pals, Leslie and Lisa. Unfortunately, I don’t have a photo of the three of us. This one shows me with another good friend, Cheryl, and my next-door neighbor, Billy. We were up on the hill where the trail ride made a regular stop. The other tradition was a full gallop for the last stretch back to the barn.

My favorite mount for the trail rides was Shadow. Don’t tell the current Shadow. Cats like to feel they have exclusive rights to their names.

I vaguely remember reading a few “horse books” like Black Beauty but I was much more into girls’ mystery series and biographies of famous women like Clara Barton, Elizabeth I, and Nellie Bly. I think I had a couple of ceramic horse figurines, but I have no idea what happened to them.

Once I found other teenage interests, the horses were pretty much forgotten . . . with two exceptions. When I attended a Novelists Inc. conference in Santa Fe and the resort we stayed at offered trail rides, of course I had to sign up. It was a great way to see the scenery, but a lot harder on creaky old bones.

The other exception came from giving one of the characters in my Face Down Mysteries a love of horses. I fell down a rabbit hole researching horses and riding in the sixteenth century, and found a treasure trove of useful details in one particular book, Anthony Dent’s Horses in Shakespeare’s England. I now know a ridiculous amount of related trivia, including how long it would take to ride between various English towns. And I had the pleasure of vicariously owning and caring for a horse without the cost or the hard work. Win-win, right?

Kathy Lynn Emerson/Kaitlyn Dunnett has had sixty-four books traditionally published and has self published others. She won the Agatha Award and was an Anthony and Macavity finalist for best mystery nonfiction of 2008 for How to Write Killer Historical Mysteries and was an Agatha Award finalist in 2015 in the best mystery short story category. In 2023 she won the Lea Wait Award for “excellence and achievement” from the Maine Writers and Publishers Alliance. She was the Malice Domestic Guest of Honor in 2014. She is currently working on creating new editions of her backlist titles. Her website is www.KathyLynnEmerson.com.

 

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Weekend Update: November 15-16, 2025

Next week at Maine Crime Writers there will be posts by Kaitlyn Dunnett/Kathy Lynn Emerson (Monday), Kate Flora (Tuesday), Allison Keeton (Thursday), and Matt Cost (Friday), with a Writing Tip post on Wednesday.

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

Maureen Milliken will join a variety of Maine authors and other vendors at Thompson Free Library’s Author and Artisan Night Market, 3-7 p.m. Saturday (today!). There’s no admission fee, thre ARE hot food and drinks, authors inside the library and lots of other vendors outside, 186 East Main St., Dover-Foxcroft. The event supports the library and Penquis Youth Hockey.

Maureen will also have a table at the Sidereal Farm Brewery’s Kindlesmarkt from 1 to 4 p.m., Saturday, Dec. 6, in the brewery’s beer garden, 37 Sidereal Way, Vassalboro. It’ll be held snow or shine! A variety of vendors, a bonfire, a special menu and hot drinks featuring Bierstacheln (beer caramelized with a hot poker) and cider. Get in your long johns and get in the holiday spirit with a fun afternoon of food, drink, and shopping.

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

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Who Doesn’t Love a Good Con, Author’s Edition

Rob Kelley here, sharing one of the weirder experiences of becoming a published author. As everyone knows (because I keep telling everyone, repeatedly), my debut novel Raven hit the streets at the end of October. Thanks to all of my fellow Maine Crime Writers for your support in that journey, as well as all of the fine participants at Crime Bake last weekend. So much fun!

With publication came another dubious honor: the almost daily receipt of author scam emails. I don’t know how common this is, but I’m sure I’ve exacerbated it by being very present on social media in the run-up to my book launch. To be fair, maybe not all of them are cons, but most of them definitely are.

They come in two flavors. First is the “marketing consultant” email, gushing with AI-generated enthusiasm for my book including details lifted from my back cover copy. The compliments are fulsome and the promises to generate sales through Amazon, Goodreads, and social media campaigns are impressive. Outliers University Robert T. Kelley I only need to respond to an email like IMakeAuthorsRich@gmail.com. OK, so those are super obvious: no company name, no actual proposal, just a phishing expedition. (Which, by the way, is one of the many computer crimes I recently discussed on the Criminal Mischief series with thriller writer D.P. Lyle for Outliers University!)

What’s kind of sad in all of this is that I think some of the proposals might be real. I’m fortunate to already have a marketing partner, but if I didn’t, I very well might be wasting time trying to figure out who might be legit!

The second flavor is the far more annoying one. In these, the sender promises to promote me in their book club, with hundreds of readers committed to buying and reading my book. I’m actively marketing to book clubs, so this would be awesome, were it real. And yeah, because I’m thinking about book clubs, I fell for this one. An email came in via the contact form on my website (I try not to advertise my direct author email, a decision I am really happy about now!). I responded that I was interested and we exchanged a few innocent emails about how awesome it would be before they dropped the fee schedule on me. I mean, it might be worth it to pay $300 to get a couple of hundred guaranteed purchases, but I knew that wasn’t what was going on here. When I searched for the book club there was no Facebook account or any other result, except one Meetup.com event scheduled with that name. That seemed potentially legitimate until I got the third and fourth “book club” offers from different people who also had only one Meetup.com event scheduled and no other internet presence.

Lesson learned, with no money out of my pocket, fortunately. Though, one of the scammers, obviously annoyed with my unwillingness to fall for their scam, made sure to tell me they dropped a review of the book on Goodreads. One star. Everybody’s a critic, apparently.

Next month I’ll be writing about the process of creating an audiobook version of Raven through Amazon’s ACX platform. The whole thing was a blast. The audiobook is now in the final stages of approval by ACX and should launch in the next week or so!

Currently reading: We Are All Guilty Here, Karin Slaughter, 2025

Next in my TBR list: Signed copy of fellow Crime Bake Debut Author and Maine Crime Writers blogger Allison Keeton’s Blaze Orange, 2025.

 

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A Simple, Hard Truth and A Giveaway

Snakeberry: The Best New England Crime Writing came out earlier this month and I’m going a giveaway to celebrate!

Snakeberry is a great anthology, a labor of love, put out every year in celebration of New England crime writing. This year’s edition has some great Maine representation: Bruce Robert Coffin, Brenda Buchanan, Mo Moeller, and me.

If you write crime stories, be sure to submit next round. Submissions usually open in January.

The collection never disappoints and this year is no exception. To celebrate, I’m going to share my story that was included in the 2023 collection: Wolfsbane.

Read the story and let me know what you think. One lucky commenter will be selected to win a copy of this year’s collection so check back in tomorrow morning to see who it is. And if you don’t get selected, you can purchase a copy HERE. As Dick Cass always says, “Books make great gifts.”

“A Simple, Hard Truth”

By Gabriela Stiteler

Originally Published in Wolfsbane: Best New England Crime Stories (2023) 

You get thirty-six years into teaching and you think you know it all.

And then something happens to disrupt the equilibrium.

For example, fifteen years or so ago I had this kid, a smart kid even though I’m not supposed to say that. She was the sort of kid who, when reading Hamlet, called Queen Gertrude “Trudie.”

She made a compelling case that maybe Trudie knew about the poison. That she, like Ophelia, was trapped and poison was the way out. In our unit on Steinbeck, we talked a lot about loneliness and friendship and the way a person can corrode. She had been offended that Curley’s Wife, who was a not a good person, didn’t have a name. She said it was manipulative. She said, “No wonder she corroded.”

I tried to point out that’s what most writing is. Manipulation. A way for us to justify things to ourselves and each other. Things we don’t really understand.

I still think about that kid from time to time.

And again, five years ago I had one kid I didn’t like. Part of me feels bad saying it because I’m not supposed to dislike any of the kids I teach. But he called a girl one of the worst things you can call a girl when she offered up an opinion different from his. And he sprinkled racial slurs into conversations like salt.

He had his reasons.

Abusive dad. Absent mother. And, you know, society. We condition our boys to bottle everything up and then we shake and shake and shake and wait to see what happens.

At the end of the year, he said I was the best teacher he ever had. A statement that kept me up at night. That kid is off in the world now and I try not to think too much about what sort of damage he might be doing.

Then again, he might have turned out just fine.

This past March, I experienced another disruption.

In my third block, the one right after lunch, the kids were preparing for their capstone project, an essay about a life lesson learned. It’s one of those tasks they have to finish in order to get that slip of paper that allows them to walk across the stage and enter the great beyond. In my thirty-six years, I’m proud to say, never once has a kid not earned this credit for my course.

Not even that kid I didn’t like.

Anyway, third block was quiet until Amy, who usually kept to herself, shook things up. She asked, and I still remember because I wrote it down, “Can a life be made less valuable if a person does wrong? Can everything really be forgiven?” It wasn’t where I’d imagined things going, but sometimes it’s worth it to let the train go off the rails. I posed the question to the class and sat back and listened and thought to myself that these kids might just be alright.

But the next day Amy, who asked that question and set us off down a discussion with no clear answer, disappeared from school. Now there are some kids that drop in early spring when they realize they’ve sunk themselves too deep in missing work and low grades. When they realize the year is past the point of salvaging. But not this kid. Until that question in class, she had struck me as the sort that is afraid to breath too loudly, afraid of taking up too much space.

Besides, all her graduation requirements were stacked neatly, waiting. I know because I checked. She was down to a handful of hoops, easy hoops. All she had to do was jump.

Why then, had she disappeared?

I gave it a week before I started asking around. There were two students in particular who could be depended on to be in the know: Jackie Sullivan with a pixie cut and sullen expression and Lauren Reed with pink hair and three nose rings. All it took was two donuts from Tony’s and an invitation to stay after school.

They spilled right away.

“Believe me,” Lauren said, ignoring the donuts. “Amy has her reasons for not coming.”

Jackie nodded and selected a jelly-filled number dusted with powdered sugar.

“Her mom’s sick,” Lauren went on, shooting a quick side-look to the door and lowering her voice. “You know. Real sick. And she’s got her little sisters…”

The way she said it, stretching out the word sick, I picked up quick. Amy’s mom was the sort of sick that looks half-dead and pops pills. The kind of sick that can kill a person. The sort of sick that hit my community hard and showed no signs of relenting.

Lauren watched me with a shrewd expression, making sure the information took root.

“You know?” She repeated.

I nodded.

“It’s too bad about her dad,” Jackie said. She’d taken one delicate bite of the donut and had placed it on a napkin at the center of the desk.

“Stepdad,” Lauren corrected. “Nice guy. He tried to bring them to church sometimes. The Catholic one.”

“Saint Margaret’s,” Jackie murmured, continuing that nod.

Another stretch of silence. The stepfather I knew. A stocky man with meaty hands and dimples. He dropped the kids off and was the one who came for conferences.

A good man, by all accounts.

“He helped us with some plumbing,” Jackie said. “My dad was shocked when he found out.”

What happened to the stepdad was no secret. During the last days of winter, what was left of his body was found in the woods with a hole from a shotgun in his chest, his face picked apart by animals. I’d never touched a gun in my life, but I imagined that shotgun wound to be especially gruesome. The police had looked into it and ended up writing it off as one of those tragic accidents. The man was dressed in dark brown and they figured he was clipped by a hunter.

Amy had shown for school the day after the gruesome discovery, stoic as hell.

Lauren was examining her chipped blue nail polish. “So Amy and her sisters are left with their mom.”

A mom who, according to these two, was slowly dying from those little pills she couldn’t stop taking. Addiction being an illness that can corrode.

Which explained a lot. We live in a small community in central Maine that is slowly dying out. At our center is a half-empty historic downtown surrounded by farmland and crisscrossed by the interstate and a muddy river. We’re bound together by all of the stories we know about a person. By the way we’ve seen similar paths worn down over time. And Amy’s path was clear. Without her stepdad, she would have to stay home and work maybe at the gas station or maybe at the bank.

If she didn’t, her sisters would be taken in by the state.

It was a simple, hard truth.

I made small talk with Lauren and Jackie until they ran out of things to say. At the end of the day, they were good kids. Hardworking and mostly kind. They’d be alright. But that’s what I told myself about most of them. It’s the only way a teacher can sleep at night.

As I watched them make their way down the hallway towards the doors, I couldn’t stop thinking about Amy.

I understood that survival was the most basic of human needs and trumped graduation requirements. But I still believed that a degree, that a piece of paper, might set a person on a different path. Besides, it was my calling, getting kids to tell their stories. Holding space for them to be heard.

It was that misguided optimism that had me showing up at Amy’s address one Saturday morning in early spring when the crocuses were starting to pop, golf ball sized bursts of purple and white. Her trailer was a robin’s egg blue and overlooked the on ramp to 95 going north. The yard was half marsh and half brown patchy grass. The driveway was all mud and the roof was covered in a thin coat of moss.

Before I got out of my car, I popped a Tums from the bottle I kept in my glove compartment. My stomach was churning from too much coffee and not much of anything else.

Dan, who had died six years ago from the sort of cancer that eats a person from the inside, had been big on breakfast. Pancakes on Saturdays with syrup he tapped from woods that ran behind our house or a blueberry compote from the raised bed he tended with the care of a devoted retiree. A raised bed that had grown feral in the time that passed between then and now.

My doctor had been telling me to cut back but old habits were hard to kick.

The mom, who might have been named Donna, was sitting on a rusted metal glider with a pressed glass ashtray on her knee. She was wearing a faded yellow terry cloth bathrobe and a menthol cigarette was hanging out of her mouth.

“Morning,” I said, waving.

She blinked at me a few times before nodding.

“Amy here?” I asked in my friendliest voice.

She continued to stare at me as she took a long drag of the cigarette. In that bright morning light, she was almost beautiful, faded and soft at the edges like the petals of a daffodil.

“I’m Mrs. Murphy. Her English teacher.”

She took another drag. “I know who you are. What do you want?”

She swallowed her rs, like true Mainers do and eyed me with red-rimmed, tired eyes filled with distrust.

I shoved my hands into my pocket and pulled out the folded paper I’d brought. “I wanted to give Amy her last assignment. The one that’ll get her the credit for the class.” I unfolded the paper and held it out to her. She stared at it and it trembled in a slight breeze.

After a minute, I pulled it back.

“Look,” I tried again. “She’s a good kid and I wanted to see how she’s doing.”

The woman’s eyes narrowed slightly but that answer seemed more palatable. “If you ask her, she says fine. I don’t think she is. Christ knows I wish she would cry sometimes. Didn’t do it after they found his body. And she’s not doing it now. Just stands there and takes it all in.”

I didn’t move, waiting. What for, I don’t know.

She went on, in what sounded like a rehearsed litany, “Even as a baby she didn’t cry. Not when she was hungry. Not when she was tired.” She took another long drag, still staring at me. “I told her to go back to school. I told her to finish. I never did and look where it got me. That’s what I said to her. But she won’t.”

She laughed then, unexpectedly. It had a brittle, fragile quality, her laughter. She stopped abruptly, her eyes flicking to some point beyond my shoulder.

“I’m here,” Amy said. She was standing at the door on the side porch, clutching a paper towel, staring at her mother, expressionless. She was small with dark hair and pale skin. She was the sort of kid who was good at slipping through the cracks.

I cleared my throat and forced a smile. “Hi, Amy.”

Her brow furrowed for a second, the way it did when she was deciding between two options. I’d seen it enough in class. Which essay topic. Whether or not to raise her hand. If she wanted to take half of my sandwich that day she came in during lunch. In the end she did, eating the thing in silence. Not meeting my eye.

Teachers, the good ones, know to read nonverbal cues like stage directions. What kids don’t say can be just as revealing as what comes out of their mouths.

And Amy, standing there on that porch with the filtered sunlight from a tall, untrimmed elm, had a look of resignation to her that just about broke my heart.

“Come inside,” she finally said before turning and letting the screen door swing shut.

Her mom went right to staring at the highway ramp. I was already forgotten.

Out back, a small shed was rotted away at the bottom and padlocked shut and the stepdad’s truck with a hitch and a flat sat next to it, surrounded in about an inch of water.

I tried to remember the last time it rained.

I followed up the sagging porch was sinking into the marshy lawn, the steps held up but cinder blocks that were half-sunk. Inside, the galley kitchen was spotless but tired, with peeled linoleum floors and cabinet doors that hung crooked. It smelled like bleach and coffee.

I stood on the rug near the door, worried about leaving muddy traces. The water had soaked through to my socks. “I came because…” I began.

“I know,” she interrupted, gesturing to an open window surrounded by busted vinyl blinds. “Can I get you some coffee?”

Christ, and my doctor, knew I didn’t need coffee. My stomach was rebelling against chalky tablets I’d swallowed. But I nodded.

She turned on the electric stove, the coiled burner turning red, before placing a kettle on it. She took two chipped mugs from a shelf, scooped three tablespoons of generic instant coffee into each mug, slid the powdered creamer over, and then turned to stare at me, waiting for the water to boil.

I unfolded the paper again and put it on the counter next to her, pressing down the little creases.

“It’s our last essay,” I said. “I want to hear what you have to say.”

It wasn’t the way I planned to pitch it. I think until the moment I saw her on the porch I really believed I’d get her back in the classroom. That I’d get her to walk across the stage. But looking at her, I knew I was too late for any of that.

She stared at me, chewing on her bottom lip. Not speaking.

The kettle whistled and she poured the water over the grounds and stirred. Three times to the left. Three times to the right. She sprinkled creamer in her cup and stirred again.

“Do you really?” She asked, sounding almost angry.

“I do,” I said. My voice scratched and I felt suddenly and unexpectedly vulnerable. I couldn’t say why this paper felt so crucial. But it was apparent that it was. Call it a teacher’s intuition. Sometimes I could see things kids needed, things they didn’t know. And right then, I could tell she needed to write that essay.

Not that I could put any of it into words.

She lifted her mug and leaned against the wall behind her.

I forced myself to take a sip of the coffee she made, swallowing a bitter mouthful. I could make out the sound of the television down the hall and two little voices. There was a box of cereal on the counter and two bowls and two spoons. Waiting to be filled.

She stared at the paper and nodded slowly. “I’ll get it to you.”

I put the cup back on the counter and smiled.

She nodded again and I took it as a dismissal and left, not entirely sure how I felt.

Two weeks later, the school was mostly empty when I arrived and I made my copies and got a cup of coffee I knew I shouldn’t drink. I said hello to Dennis, a math teacher, a man I’d known for twenty-six years who was wearing a bowtie, like he always did. And I waved at Joe, who was armed with a spray bottle of Krud Kutter and doing the rounds to make sure the bathrooms had been cleaned. He was vigilant about graffiti.

I cracked my classroom windows and looked out over the football fields. My classroom was prime real estate. Thirty-six years will get you that much. The morning sky was gray and rainy and it smelled like wet earth. I left the fluorescent lights off.

I wrote the date on the whiteboard and started wiping my desks down with cleaner. Usually I spent my mornings thinking through my lessons, through the laundry list of kids I want to check in with, through any loose ends from the day before. I heard Amy coming before I saw her. The squeak of wet sneakers on linoleum. The tentative knock at the door. I don’t know how, but I knew it was her.

“Come in,” I said.

She came in, her dark hair damp and pulled back into a tight ponytail. She was wearing a red polo tucked into wrinkled black pants, her nametag askew gripping a folder.

I smiled. “Good morning,” I said and gestured for her to sit down.

She came and sat and she placed the folder on my desk and stared at it.

“Have you eaten yet?” I asked. They never ate breakfast, these kids.

She shook her head.

I opened the top left drawer and took out an orange and a granola bar and a small plastic bottle of water. I placed each in front of Amy in a tidy row.

“How are your sisters?” I asked.

The fat in the cream I’d put in my coffee was beginning to harden at the top, like a delicate sheet of ice. I forced myself to take a sip and waited. I understood kids in the morning. I knew how to hold silences, to create space for whatever they needed to say, to not say.

“Managing,” Amy said, never taking her eyes from the folder.

“And your mother?” I asked, though I wasn’t really interested.

She shrugged, a quick jerk of the shoulders. “Look, I’ve got to go to work. I did that essay. You wanted to hear what I had to say.” She pushed the folder towards me. “Go ahead,” she said. “Read it.”

The way she said it, was forceful and unexpected. It almost sounded like a challenge.

By this point, the smell of the coffee had crawled into my nostrils and I felt like I might be sick. My palms were damp from sweat and too much caffeine. Very few students liked to watch while I read something they’d written. “Now?”

She nodded and I put the cup down and carefully opened the folder, taking a neatly typed paper out. Four pages double-spaced. About two thousand words. No title. No name. No date.

I slid my glasses on and gave myself a minute to adjust. And then, I leaned back and read, swallowing the lump in my throat. The lump that wouldn’t go away. I’m sure my hands were shaking by the end of it. One or two words had been misspelled and my eyes traced back to them, in need of a distraction, in need of more time. When I looked up, Amy was staring at me. Waiting. And that clock behind her head, was like a metronome.

“Is that what you wanted to hear?” She asked after a minute.

I took off my glasses and rubbed my eyes, thinking. What to say. What not to say.

“The man, the one who died at the end,” I twisted my clumsy tongue around the words. “…He was not a good man.”

She said nothing.

I stumbled on, “What I mean to say is I was glad of the ending. I was glad he died.”

She fixed her eyes on my face, as if to make sure I understood. Really understood what she was saying.

“Look,” I tried again, “I understand why the girl did what she did.” I went on, flailing. “It makes me think about that conversation in class. About the questions you were asking about the value of a life. About goodness and badness.”

Amy was still staring at me, still as the granite breakwaters that jutted out into the ocean, trying to protect what they could against those relentless, beating waves.

I straightened the folder and glanced at the clock.

The hall lights turned on and I could hear kids arriving.

I slid the paper towards her and closed the folder. “And how are your sisters doing?” I asked again.

“They’ll survive.”

“And you, Amy? How are you doing?” I asked at last.

“I’m fine.” She said it like she was trying to convince herself of its truth. “Just fine.”

I wanted to say more but didn’t.

The morning bell rang and with it, voices and lockers and shoes echoed down the hallway.

“So you understand?” Amy asked. She might have been asking for absolution, for forgiveness, for a moment of compassion.

I stared at the folder and then at Amy and thought about that endless series of tomorrows that stretched out before her. I thought about my own life, too. Had I ever been so young and so desperate and so brave?

“I do,” I said and maybe I lied.

Amy nodded again and took the water and the granola bar, tucked them into her bag along with the essay she’d written. And she slipped out of the room, down the hallway, and into the world.

I sat at my desk staring at the coffee I knew I wouldn’t finish and the empty folder and the orange. My students began coming into the room. Some laughing. Some quiet.

END

Remember – Leave a comment about the story and check back in the comments tomorrow morning for the lucky winner.

Posted in Gabi's Posts | 34 Comments

Writing Tip Wednesday: It’s All About Theme

Writing Tip Wednesday: It’s All About Theme

Hello and happy Writing Tip Wednesday!

I’m fresh off Crime Bake 2025 — and I’ll wax poetic about that tomorrow. But for today, I want to talk about theme.

On Saturday, I moderated “What It Means: Choosing a Theme” with Lori Rader-Day, Edwin Hill, and Carolyn Wilkins. Their bios and links are at the end of this post, but this one’s dedicated to that conversation.

What is a theme, anyway?

When I used to teach 8th grade, I once fell flat on my face with a lesson.
I wrote the daily question on the board:

“What is a theme?”

Crickets.

I was frustrated because I knew my students were into the book. I knew they had things to say. My coach looked at the question and said, “That’s boring. What if you asked, Which is more powerful: hope or despair? Why? Do you think the author agrees with you?

Game changer.

That day, I learned two things:

  1. Good questions matter.

  2. Themes live in the universal questions we can’t stop asking.

Writing is about expression — but it’s also about connection. Reading, then, is a conversation between writer and reader about what it means to be human.

When I taught, my students would read Paul Laurence Dunbar’s “We Wear the Mask.” I wouldn’t tell them who wrote it. We’d just read the poem and discuss what it mean to them.

And they got it. Nobody wears a mask better than a middle schooler trying to figure out who they are, how others see them, and where they fit.

Then I’d share Dunbar’s biography — a late-19th-century Black writer, the son of formerly enslaved parents — and we’d read it again.

“Oh,” they’d say. “Wow.”

Then we’d listen to Maya Angelou’s “The Mask.” Same conversation, but deeper now — about identity, performance, and survival.

That’s what theme is: both deeply personal and deeply universal. The thread that makes us who we are and binds us to others. Literature is uniquely human because it’s always about the individual and the collective.

Where themes really come from

During the panel, Lori, Edwin, and Carolyn all agreed: You don’t start a story thinking, This is my message.

As Carolyn said, “We write mysteries, not manifestos.”
Lori added that her stories often orbit around powerful men behaving badly.
Carolyn’s focus: characters who struggle and overcome.

Stories, Edwin said, come from an idea, a character, a person, a moment, a snapshot in time.

“A girl on stage, the shadow from the spotlight stretching behind her,” Lori added.

Writers start with curiosity — not answers. The themes emerge after the story is told. Sometimes, as Edwin shared, a reader articulates a theme better than the writer ever could. “Yes,” he said, “that’s exactly what I meant.”

When you’re stuck on what you’re “saying”

If you’ve ever hit that wall — What am I even trying to say here? — you’re not alone.
I hit it constantly. Always around 25,000 words.

Carolyn and Alison McMahan once told me, “That’s the end of the first act.”
Of course it was.

Lori said the same thing happens to her — especially when her sleuth is an amateur. (“Why wouldn’t she just call the police and go home?”)

Here are a few tricks that came up during our panel:

  • Drop an XXX instead of Googling. Research can wait. It isn’t worth interrupting the flow to add the tempting details that will take you down rabbit holes.

  • Skip the stuck scene. Write a placeholder: [Something big happens here.] You’ll fill it in later.

  • Embrace the ugly draft. Lori calls her first drafts a “massacre.” Edwin calls it “culling.” I call it necessary. Get it done. Fix it later.

The heart of it

During the Maine Literary Awards this year, Morgan Talty said,  “It isn’t about the questions we’re answering as writers — it’s about the questions we’re asking.”

Writing and reading are conversations — about who we are, how we see the world, and what it means to be human. The themes that emerge are the threads that bind us together.

Back to when I was teaching, we’d read Shakespeare’s “Sonnet 18.” My student Chloe said, “It’s not about her. It’s about him — his writing. His words giving her immortality.” There was a pause, then she added, “That’s pretty dope.”

And I think I agree.

Lori Rader‑Day
Lori is an Edgar®-nominated and Agatha, Anthony, & Mary Higgins Clark award-winning crime fiction author. Her novels include The Death of Us, The Lucky One, Under a Dark Sky, and Little Pretty Things. She lives in Chicago, teaches creative writing for the MFA program at Northwestern University’s School of Professional Studies, co-chairs the Midwest Mystery Conference, and served as national president of Sisters in Crime in 2019-20. Lori Rader-Day

Edwin Hill
Edwin is a crime and suspense novelist known for his Hester Thursby series (Little Comfort, The Missing Ones, Watch Her) as well as stand-alone thrillers The Secrets We Share and Who to Believe. He’s been nominated for Edgar and Agatha Awards, and holds a background in academic publishing and teaching. He lives in Roslindale, Massachusetts with his partner Michael and their dog Edith Ann. EDWIN HILL

Carolyn Wilkins
Carolyn is a professor at the Ensemble Department of Berklee College of Music, an accomplished jazz pianist, composer, and vocalist who toured as a U.S. Jazz Ambassador. She is also a multifaceted entrepreneur working at the intersection of spirituality and creativity and a psychic medium, Reiki sound healer, and the author of six books. Including her latest Murder at the Wham Bam Club. Carolyn Wilkins.

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Yoga & Writing


I just finished a grueling ninety minutes of hot yoga. After a relaxing shower, I feel much better about writing this blog post. My mind and body is relaxed and calm, and I feel like I did something good for myself. Those tangled plot lines and subplots now feel clearer to me now that I’ve disciplined myself and cleared my mind of all worldly things.

What methods do you use to help clear your mind and prepare for writing?

I’ve found that hot yoga is the perfect exercise to help me get back into my story. The room is heated to about 106 degrees, increasing the difficulty of the exercise. Concentrating on my breathing g helps keep me in the moment and focused on the task at hand. During these poses, my mind is not wandering about or thinking about other things, but clearly on technique. One pose flows naturally to the next, and the instructor walks around the room helping each and every participant to do their best. This is the best time to let everything go and be totally present in the moment.

The poses are difficult, at times nearly impossible. Many of the others in the room are much better at than I am and way more flexible.There are all different age groups in the room, but I make it a point not to compare myself to them. It’s sort of like writing; comparing your own prose to someone else’s is always a bad idea. But the goal in hot yoga is to proceed at your own pace and make incremental progress with each visit. Healthy body and healthy mind go hand in hand. The discipline is the same one uses when writing. Practicing yoga and the practice of writing go hand in hand,

I love the intense, moist heat. It warms up all the muscles and helps you sweat out all the toxins in the body. The mind goes into survival mode as you transition into the next pose. Sweat drips from every part of your body as your muscles stretch to their limit. During the ninety minutes, we will perform twenty-six poses in perfect stillness. Later, feeling refreshed and energized, all  y creatively thoughts will flow more freely into my mind.

I stopped going to hot yoga years ago but just recently returned, and I can’t tell you how much it has helped my mental clarity. It’s one of the few activities where I can clear my mind of all the monkey chatter and self-doubt. Even exercising, walking, lifting weight or using the elliptical machine, I can never totally stop thinking. But after doing yoga, I am eager to get back to the keyboard, my mind fresh and ready to get back to the task of writing. Let’s face it, writing  can be bad for our bodies. We sit for hours at a time, drinking coffee, our postures poor. Yoga he,ps me get everything back in alignment.

If you have any other ideas that help you achieve mental clarity, please let me know.

Have a great Thanksgiving!

Joe

 

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Crime Bake Photos!

I could not resist the temptation to put up this quick Monday night post with some photos of MCW bloggers at Crime Bake last weekend.

Lifetime Achievement honoree (and MCW blog emerita) Barbara Ross at right with her husband Bill and daughter Kate.

Rob Kelley at the book signing table with his just-released novel, RAVEN. The medal on the yellow ribbon is the badge of accomplishment given to each year’s debut authors.

Gabi Stiteler, co-chair of Crime Bake, writes brilliant, gritty short stories. Here we are holding up copies of SNAKEBERRY: BEST NEW ENGLAND CRIME STORIES 2025, which includes her story, MONEY WELL SPENT and mine, CAPE JEWELL.

Me and my pal Dick Cass.

That’s Lori Rader-Day, the 2025 Guest of Honor, with Diane and me at the country-midwestern (Lori’s from Chicago) themed dinner. Lori’s soon to be released novel, WRECK YOUR HEART, is about a country singer tangled up in a mystery.

Matt Cost shows his hand.

As you probably can tell from the photos, a great time was had by all.

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