Not impressed with that title? Well, you can join the club. I had a bunch of great topics, and was going to choose at least one of them to write about today, but I went for a drive instead.
Don’t judge me.
Summer is almost over and I’ve barely noticed it started. I should have been, today, working on my book that’s in major danger of not making my editor’s deadline, working on the many articles I have due before the month is over for my day job, or if not that stuff, at least figuring out what the smell coming from the kitchen sink drain is.
But it is a lovely perfect summer day in Maine — and we don’t get a ton of those — and so around 9 a.m. I got in the car and drove. My drive took me through Waldo County, up to Frankfort, and back home by another route. By the time I stopped at the Hannaford in China to pick up some stuff (I forgot the cat food!), my head was almost clear.

Frankfort, Maine, and the north branch of the Marsh River on a beautiful August day.
When we talk about writing process and all that stuff, one thing we probably don’t talk about enough is giving everything a break once in a while. You often hear that you HAVE TO write every day, you HAVE TO write so many words, you HAVE TO blah blah blah. Well, the biggest HAVE TO is powering down and giving your brain some time off, even if you’re behind on things.
In fact, driving around aimlessly, besides being really enjoyable, also tends to generate ideas and get my book working in my head in a way that’s also much more productive than typing on a keyboard.
By the way, here are some of the things I was going to write about:
I read an op/ed in the Boston Sunday Globe a couple of weeks ago lamenting the fact that if men aren’t reading as much fiction as they used to, it’s because no one is publishing books men want to read. Yes, that’s a huge generalization of the piece, but it’s my overall takeaway. The author seemed to conflate increased marketing of books for and by people of color and women, and about social issues, as meaning there are no books being published for men anymore. He did suggest that you can still read Hemingway or whoever. I was going to write a thoughtful analysis for this post today, but my brain isn’t there and what little I have in it is reserved for the (non-manly) book I am writing. So all I can say about it is:
Are you efffing kidding me? OF COURSE there are books by and for men, and definitely for men who don’t want to read about social issues. The publishing and reviewing industry has notoriously favored male writers and their books, and if the pendulum is swinging the other way, it’s still not quite there yet. If you aren’t being spoon fed information about books by and for men at the rate you’re used to, do what the rest of us have been doing for centuries. Go to the bookstore or library, look at all the books, and when you find one that you like, take it home to read. Problem solved.
Another topic I’d thought of tackling:
I read an article this morning that people in general are reading less for pleasure than they used to. This includes audio books, digital, etc. There were some theories why (people are working too hard because of the economy. Yeah right). My theory is that we have so many options to stream, who the hell wants to sit down with a book? But the study didn’t ask people why, so we’re left to figure it out for ourselves.
Again, I don’t have the mental power to do any kind of thoughtful analysis. I will say that anecdotally, at almost every event where I have an author table, someone has to announce to me that they don’t read. So my bottom line on this topic is what I always say to those people: That’s too bad.
That’s all I can summon today. Summer in Maine is short. Go out and enjoy it.




Kate Flora: When we’re not at our desks, writers spend a lot of time in bookstores and libraries talking about our books and the writing process. Over the years, there have been some questions that are on repeat and some that are real surprises. I think the topic of this post, when am I going to write a real book, might be the biggest surprise.
One question that I’ve gotten with some frequency over the years was whether, given the tense relationship between Thea and her mother, Thea’s mother was based on my own mother. The first time it was asked, I was shocked. I said no, definitely not, that my mother was one of my heroes. The follow-up question was: then where does she come from? It’s always interesting to hear what readers focus on, isn’t it? Anyway, I pondered on the question and decided that much of Thea’s mother’s difficult character was a blend of my two grandmothers. One was a witch; the other, superficially sweet, was an accomplished manipulator who had to have her way.
Sometimes I wonder whether the questioner would consider Finding Amy: A True Story of Murder in Maine, a real book. What about Death Dealer: How Cops and Cadaver Dogs Brought a Killer to Justice. And certainly my cowritten nonfiction about police shootings from the police point of view, Shots Fired, is a real book, even if it isn’t literary fiction. For those books, there are questions like whether my co-writer, Joe Loughlin, had a thing for Amy’s mother. And my all time favorite (NOT) from a question asked when I was speaking at the Unitarian church about Shots Fired. After explaining that the book was about actual experiences by police officers in tense shooting situations, and the consequent effects on them psychologically as well as on their careers, one woman said, “Wouldn’t the book be better if it included the black point of view?”
One of those moments when I realized I had several great answers a few hours later. And she never did get that some of the officers involved in those shootings were black.
I don’t know why this surprised me. Have you ever noticed how many movies Donald Trump has had cameos in? Strange, for a guy who continually badmouths the liberal leanings of Hollywood. And then, of course, there is the brief appearance of his late ex-wife, Ivana, in The First Wives Club (1996), in which she delivers the immortal line: “Ladies, you have to be strong and independent, and remember, don’t get mad, get everything.”



Next week at Maine Crime Writers there will be posts by Kaitlyn Dunnett/Kathy Lynn Emerson (Monday), Kate Flora (Tuesday), Matt Cost (Thursday), and Maureen Milliken (Friday).
That example (those examples) would be the Parker novels by Richard Stark, a.k.a. Donald E. Westlake. (Huge shoutout to fellow Maine thriller writer Chris Holm for introducing me to Parker in his “Unputdownable” master class!)

Abbott weaves forward and backward timelines from 2008 stretching back to the childhood of the three sisters in Grosse Pointe, MI. While not overtly historical feeling, there is a certain nostalgia and tenderness to an otherwise ugly and complex situation involving a pyramid scheme, betrayal, and ultimately murder. Abbott goes deep and stays there. As with her other writing, she explores the bonds between women, a sense of connectedness and isolation, and a world where nobody comes out ahead.
In Boyle’s story, also set in the near past and stretching forward in time, two sisters commit a murder and spend the rest of the novel trying to keep it buried. Like Abbott, Boyle respects his characters enough to allow them to develop in complex, flawed ways. The setting, time, place felt familiar and the characters fully realized enough to remind me of people I might have known at one point.
On Tuesday, my older son had his last summer ball game. He pitched well had a few solid hits, and really enjoyed himself. For those of you familiar with Portland, his home field is the one at Payson with views of Back Cove. Behind the field, the Friends of Payson Park organized a concert by the FLUKES (Fun-Loving-Ukulelele-Society). High schoolers were playing softball on the adjacent field. The pickleball court was popping. The ultimate frisbee people were making the rounds drinking things in cans with coozees. And the people dressed in medieval armor were sword fighting.
“The Usual Reasons” in Ellery Queen Mystery Magazine (July/August) Available in Barnes and Nobels and Books a Millions and maybe your local bookstores.
“Beautiful, Dangerous Things” in Dark Yonder (available end of August).


























