Yoga & Writing


I just finished a grueling ninety minutes of hot yoga. After a relaxing shower, I feel much better about writing this blog post. My mind and body is relaxed and calm, and I feel like I did something good for myself. Those tangled plot lines and subplots now feel clearer to me now that I’ve disciplined myself and cleared my mind of all worldly things.

What methods do you use to help clear your mind and prepare for writing?

I’ve found that hot yoga is the perfect exercise to help me get back into my story. The room is heated to about 106 degrees, increasing the difficulty of the exercise. Concentrating on my breathing g helps keep me in the moment and focused on the task at hand. During these poses, my mind is not wandering about or thinking about other things, but clearly on technique. One pose flows naturally to the next, and the instructor walks around the room helping each and every participant to do their best. This is the best time to let everything go and be totally present in the moment.

The poses are difficult, at times nearly impossible. Many of the others in the room are much better at than I am and way more flexible.There are all different age groups in the room, but I make it a point not to compare myself to them. It’s sort of like writing; comparing your own prose to someone else’s is always a bad idea. But the goal in hot yoga is to proceed at your own pace and make incremental progress with each visit. Healthy body and healthy mind go hand in hand. The discipline is the same one uses when writing. Practicing yoga and the practice of writing go hand in hand,

I love the intense, moist heat. It warms up all the muscles and helps you sweat out all the toxins in the body. The mind goes into survival mode as you transition into the next pose. Sweat drips from every part of your body as your muscles stretch to their limit. During the ninety minutes, we will perform twenty-six poses in perfect stillness. Later, feeling refreshed and energized, all  y creatively thoughts will flow more freely into my mind.

I stopped going to hot yoga years ago but just recently returned, and I can’t tell you how much it has helped my mental clarity. It’s one of the few activities where I can clear my mind of all the monkey chatter and self-doubt. Even exercising, walking, lifting weight or using the elliptical machine, I can never totally stop thinking. But after doing yoga, I am eager to get back to the keyboard, my mind fresh and ready to get back to the task of writing. Let’s face it, writing  can be bad for our bodies. We sit for hours at a time, drinking coffee, our postures poor. Yoga he,ps me get everything back in alignment.

If you have any other ideas that help you achieve mental clarity, please let me know.

Have a great Thanksgiving!

Joe

 

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Crime Bake Photos!

I could not resist the temptation to put up this quick Monday night post with some photos of MCW bloggers at Crime Bake last weekend.

Lifetime Achievement honoree (and MCW blog emerita) Barbara Ross at right with her husband Bill and daughter Kate.

Rob Kelley at the book signing table with his just-released novel, RAVEN. The medal on the yellow ribbon is the badge of accomplishment given to each year’s debut authors.

Gabi Stiteler, co-chair of Crime Bake, writes brilliant, gritty short stories. Here we are holding up copies of SNAKEBERRY: BEST NEW ENGLAND CRIME STORIES 2025, which includes her story, MONEY WELL SPENT and mine, CAPE JEWELL.

Me and my pal Dick Cass.

That’s Lori Rader-Day, the 2025 Guest of Honor, with Diane and me at the country-midwestern (Lori’s from Chicago) themed dinner. Lori’s soon to be released novel, WRECK YOUR HEART, is about a country singer tangled up in a mystery.

Matt Cost shows his hand.

As you probably can tell from the photos, a great time was had by all.

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They, Them, Ze, Zir and You Guys

Blog Nov 2025.   Jule Selbo

INFO on FREE BOOKS at the end of the BLOG, you guys!

Hey, you guys. This is a relatively ‘old’ scholarly reflection (the topic became kind of big in the early 2000s), but I still find it interesting to ponder when I trip over it…

Do you guys remember a NY TIMES article by Audrey Bilger, the president of Reed College? She put this debate on the map in 2002 and ended her opinion with an influential WE MUST STOP THIS!!!

She called out against using ‘you guys’ as a term of address for women, writing that calling women ‘guys’ makes femaleness invisible. I paraphrase her opinion a bit: ‘Oprah says it. The cast of Friends say it, my yoga instructor says it, as do my students. But is it a good thing? Should we use ‘you guys’ to refer to a mixed gender group or as a term to refer to a group of women?

            Why, Audrey Bilger asks, if one guy is clearly ‘male’ and two or more guys are male, why/how does the plural become, for the most part, gender neutral?

What do you prefer? What is preferable when referring to a group or duo of mixed gender?

  1. What are you guys doing over the weekend?
  2. What are you all doing over the weekend?
  3. What are you folks doing over the weekend?
  4. What are you people doing over the weekend?
  5. What are you two (three, four or twelve or…) doing over the weekend?

Why do we care? Do we?

A linguist named Steven Clancy noted (around 2001) that ‘male’ terminology such as ‘you guys’ has a tendency to catch on, whereas ‘female’ terminology doesn’t.  It’s acceptable for us to refer to a group of women as ‘you guys’ but we don’t refer to a group of men as ‘you gals’ (unless it’s a joke or derogatory).

American television has made the use of ‘guys’ to include two or more in all genders acceptable and of normal usage is many foreign countries. Most people around the world now accept it as gender neutral.

And, you guys, as we all know, gender itself is a bit of a hot topic. Referring to gender, we can get dinged, we want to get it right. How we use it, report it, live it —is a hot topic.

A linguist prof in Britain (Emma Moore) wrote that it was from the 18th century onwards that people started using male pronouns when describing someone of a non-specific gender in writing and this marked the time when opinions on what pronouns should be used started to change. The prof explained: “You might have a sentence like ‘if a student comes to see the teacher, he must bring his homework’, where he is supposed to refer generically to males and females…However, there are lots of psychological studies that show when people hear that generically, they don’t hear it as gender neutral – they do just think about men.”

Remember the use of ze/zir? They were neopronouns to be used for he/him and she/her. Ze as the subject and zir as an object or a possessive.  Zeself and Zirself were to be used as reflexive. I have yet to see this in the crime mystery books I read. Has anyone?

So you guys, as we know, the word ‘they’ seems to be doing a lot of heavy work now.

We writers (some of us) spend time (perhaps too much time) thinking about what words we want to use to make our craft/art accessible, clear, and enjoyable.  Who has tried to write using only ‘they’, ‘their’ and ‘them’.  What problems were encountered?

AI search states: The American Dialect Society named the singular “they” the word of the year in 2015 and again in 2019.

So, I guess someone cares. (I didn’t even know there was such a thing as A WORD OF THE YEAR.)

Dictionaries note the prominent role of ‘they’ in modern language. AI Overview states: The use of ‘they’ as a singular, gender-neutral pronoun has not (as some expected) gone out of style; it has become widely accepted in modern English for both generic and personal use. It’s formally accepted as a standard pronoun for referring to individuals whose gender is unknown, irrelevant, or non-binary.

Well, you guys, it is sort of nice (IMO) to be able to use ‘they’ or ‘their’ for singular reference.  “The winner can come collect their prize.”  I tend to find it the awkward to use the  ‘his or her’ or “his or her or their” prize.  It gets harder (IMO) in crime mystery genre if we write: ‘They will arrive at the prison, to serve their time for murder…’ when we need to make it clear it is ONE person. So as an example, some of us will revert to using NAMES of characters and avoid (or drop) possessive pronouns: Bill will arrive at prison, to serve time for the murder…

I am wondering: what publications are using this wordage: Ze arrived at prison, walked by zeself past zir and smiled.

I would expect there are publications with ze and zir are out there but they have never crossed my path.

I have screenwriting students who twist their minds into shredded biscuits trying to make their work clear – after all screenplays are considered ‘blueprints’ for production— thus costumers, make-up departments, casting departments et al are doing quick reads to set out the basic needs for a production. The ‘they’ pronoun doesn’t give them quick reference. I point it out once to my students (understanding it is a bias I have) and then let them choose their own pronouns. The Hollywood industry gives this advice: Prioritize clarity: If using “they” for a character, make sure the context is clear to avoid confusing the reader. For example, instead of writing “They enter,” write “Hazel enters” … “They drink the potion and collapse” write “Jim drinks….” even if it’s been established that Jim is the only person in the room… (then no one has to go back and re-read to get the information.

In the crime mystery genre, getting a review that a book is a page-turner or a fast-read is usually considered a good thing. Does using ‘they’ or ‘them’ to refer to singular entities or ‘the guys’ or ‘you guys’ harm that ability to ‘fast-read’?  Because our brains aren’t used to it? Or because we tend to use genders of our antagonists/protagonists/supporting characters in such a way to make some kind of point or to initiate more conflict?

But, you guys (back to the ‘you guys’ article I happened on that got me thinking about this again) – the reading that started this train of thought: The novelist Alice Walker (The Color Purple, Meridien and more) was also interested in ‘you guys’ usage. She said use of the term to refer to women reflected a “fear of being feminine.” Give this a watch if you have time… it’s short:

https://www.youtube.com/watch?v=yqvHXYcN0xc

Audrey Bilger, the universal linguist and literature professor (as reported before, also President of Reed College in Oregon) that I enjoy reading – after she wrestled with the idea of shrugging off the importance of the use of ‘you guys’ as referral to any gender in a group, came to agree with Alice Walker.  But Alice also wrote, at the end of one of her (their, zir) essays: “From my observation of the speech patterns of girls and young women — including my daughters and students — I think ‘you guys’ is a horse too far out of the barn to be roped back in.”

Yes? No? Who cares?

Would love to hear – and all who comment are eligible for free crime mysteries!

Best to you all –   Jule

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Weekend Update: November 8-9, 2025

Next week at Maine Crime Writers there will be posts by Juli Selbo (Monday), Joe Souza (Tuesday), Gabi Stiteler (Thursday), and Rob Kelley (Friday), with a Writing Tip post on Wednesday.

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

On Thursday, November 13th, Matt Cost will be giving a COST TALK with a focus on Glow Trap and The Not So Merry Adventures of Max Creed at the Scarborough Public Library in Scarborough, Maine, at high NOON. More Info Here. 

The winner of October’s bundle of books is: Ann Hough. Please send your snail mail info to writingaboutcrime@gmail.com.

Don’t miss our newest offering: Writing Tip Wednesdays.

And a reminder: Someone who leaves a comment on one of our posts this month will win a bundle of cozy mysteries. Comfortable reading for the long, cold winter. Comments let us know you are out there and interested. We appreciate them.

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

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Democracy…Some Assembly Still Required

John Clark taking you inside an election. On Tuesday, I served as a ballot clerk for the fifth time. While it was an off-year election, voting was steady and the numbers higher than usual, something I believe was true all across the country.

Here in Waterville, as I expect it is in most places of any size, the process of holding an election starts well before the election. Poll workers need to be recruited in sufficient numbers so things go smoothly, a suitable polling place must be secured, workers need to attend a training session, even if they have worked prior elections. Patti Dubois, our city clerk, does a stellar job of preparing for an election. Her slide presentation during training, is easy to follow, covers everything, and is enhanced by her enthusiasm and sense of humor. We are reminded numerous times that in terms of the election, we’re Switzerland, no matter how we might feel about the issues or candidates.

Our municipal elections are held in the gym at Thomas College. Setup happens the night before and involves tables, polling booths, stanchions with plastic chains to guide voters, as well as revising the assignment list to address changes if people can’t cover their shift. Assignments include the following: traffic control (both in the parking lot and foot traffic inside) booth management, overseeing the ballot machines, check-in of voters, ballot distribution, voter registration, absentee ballot counting on the Friday preceding the election, and specialization tasks (answering unanticipated questions, handling changes of address, and name changes). One young voter who came to our table with a COR (change of registration) card changed their name from one that was female to male.

Every election is a learning experience for me. This time my biggest new bit of knowledge was that write-in candidates must announce their candidacy sixty days before the election in order to have their votes counted. This election had few overtly political comments by voters, but I had to keep a neutral face twice when people getting ballots made reference to how next year we’d be asking them for an ID. Voting results when I got up the next morning validated my faith in Mainers when I saw that The voter ID referendum was soundly defeated and the Red Flag one was soundly passed.

Poll workers can work a full shift-twelve hours, or a half shift. I usually do a full one, but was assigned a six hour shift this time. I welcomed voters whose last name began with letters f through j. Each town prints out an updated list provided by the Secretary of State’s office just before the election to ensure it being as accurate as possible. Once the election is over, name and address changes, as well as new voter registrations are sent to the same office so rolls can be updated.

Several times during my shift, one of the workers came around with a new list of absentee voters and we entered AV(already voted) beside their names to ensure accuracy and integrity of the voting process. When voters come through the line, we ask for their name, find it in the list and verify the address. If there are any changes that need to be made, they’re sent to the person designated to fill out a Change of Registration card. Once that is done, they return to us and we make the necessary changes on the master list. Since we had some municipal races and a city referendum, voters were given two ballots. We had three different local ballots to reflect the races, or lack thereof. Ward three and five got different ballots to reflect races for school board and city council. Everyone else got one that had water district trustees and a charter amendment on it.

The charter amendment reflects a reality that more and more small cities in Maine are facing. It asked voters to approve removing the requirement that a city manager reside in Waterville. We’ve been trying to hire a new one for months without success because the kind of candidate we want usually has a home somewhere else and is reluctant to move.

Secretary of State Shenna Bellows and several members of her staff stopped by around closing time to check on how things were going. They thanked us for helping make the election run smoothly.

Greeting voters is something I really enjoy, especially ones who bring their children. I thank each youngster for coming and watching democracy in action. That action was reinforced by a photo my daughter put on Facebook the day after of the election. It was of five year old Gemma, who was adamant she wanted to go to the polls in Poland and ‘vote’ before going to kindergarten.

Once the polls close, we make a big red X on all remaining ballots to ensure integrity, pack everything up, and issue a big sigh of relief at another job well done. In 2026, we’ll have two extremely important elections, the June primary and the general election in November. I can guarantee your town or city will need more poll workers to handle the number of voters we’ll see. If you’re willing, please volunteer to help keep democracy going.

This little lady threw a fit when she heard we were going to vote after dropping her off at school bc she wanted to go vote too. So we went early and voted before school (she has dance until late so we couldn’t do it after school). She didn’t want to wait until next year to vote!

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Crime Bake Preview: Honoring Barb Ross and Launching Snakeberry

The New England Crime Bake will take place this weekend, and I can’t wait.

The ‘Bake is the annual gathering of crime writers and readers from across the region held each November outside of Boston. This year’s Guest of Honor is Lori Rader-Day, whose newest crime novel, Wreck Your Heart, will be out in January.  Lori’s protagonist is an up-and-coming country western singer named Doll Devine who has provided plenty of inspiration to conference planners. In addition to a full weekend of classes, panels, roundtables and interviews, Crime Bake 2025 will feature some down home socializing that—rumor has it— may involve line dancing at the Saturday night banquet.

Our own Barbara Ross, author of the wonderful Maine Clambake Mystery Series, will honored this year with the Lifetime Achievement Award.

Barbara Ross

Barb has long been a leading light in the New England crime writing community. In addition to writing wonderful novels and novellas, she’s sat on many a board and organizing committee, and is always the first to volunteer to help organize a conference, critique other writers’ manuscripts and participate in group readings.

It will be a joy to celebrate Barb this weekend.

Another highlight will be the launch of SNAKEBERRY: Best New England Crime Stories 2025, the latest edition of the anthology edited by the terrific team of Leslie Wheeler, Susan Oleksiw, Ang Pompano and Christine Bagley. They are gifted and thoughtful editors, and I look forward to the release of their curated collection of short stories every year. The work of five Maine residents included in SNAKEBERRY — Bruce Coffin, Laurel Hanson, Moe Moeller, Gabi Stiteler and me.

 

Bruce’s story, called WRITER’S BLOCK, is about an eccentric writer nursing old resentments.

Laurel’s OUT OF THE REACH is about a man who believes himself to be clever being outwitted by people he’d long underestimated.

Moe’s story, THE LAST STONE FROM THE HOUSE OF USHER, re-imagines Poe’s classic set in rural Maine.

Gabi’s MONEY WELL SPENT is about an unexpected connection between a pair of young women who aren’t sisters but who have been “mothered” by the same woman, who is determined to keep them safe from, well, life.

My story, CAPE JEWELL, tells the tale of Erica Chapman, a 25-year-old woman whose romantic compass is broken, continually leading her into criminally-adjacent situations. Lucky for Erica, her aunt and three cousins, owners of a thriving lobster business Downeast, are supportive and resourceful when she gets into a fix.

**

Here are the first few paragraphs of CAPE JEWELL:

 I holed up at my Aunt Marge’s place because I couldn’t imagine how the assassin would find me there. But less than thirty-six hours after I hotfooted it out of Portland, a gun-metal gray Tesla bumped across the gravel parking area next to the Cape Jewell public wharf. At 5:45 a.m. in late September, its license plate might as well have read CONSPICUOUS.

I stopped prepping bait and ducked into the wheelhouse of Marge’s boat. The sun was just breaking the horizon, making it too early for anyone but locals to be at the pier. From my invisible perch, I watched a man with a lithe build and a receding hairline step into the pre-dawn dusk, stretch his back, and stroll over to the shed where my cousin Vick, Marge’s oldest daughter, carried out her duties as harbormaster. I’d warned her that someone might come nosing around with my name on his lips. She thanked me for the heads-up and told me not to worry.

Not sixty seconds later Tesla man exited the tiny building, feigning nonchalance. He lounged against the hood of his Musk-mobile and tried to pretend he wasn’t studying everything and everybody in sight, including my aunt, who was standing on the dock next to her forty-eight-foot lobster boat. Marge gave no outward sign that she noticed the stranger, but I’m well familiar with her restrained body language. She was on high alert all right.

As gulls shrieked overhead, she hopped over the gunwale of My Four Daughters like she was sixteen rather than sixty-two and stepped into the wheelhouse where I was crouched on a low bench. She didn’t say a word but put a reassuring hand on my shoulder while she checked the gauges and flipped on the radar. Marge went back out on deck as the engine idled, checked the level of bait in two blue plastic barrels, and cast off the line. Then she eased away from the dock and weaved past a clutch of boats still at their moorings.

She throttled down once we were clear of the harbor.

“Safe now,” she said in her gravelly voice. “Guess you were right to fret about someone being on your tail.”

SNAKEBERRY is available from Crime Spell Books (www.crimespellbooks.com) or you can order it through your local independent bookstore. (It’s also available at the big online bookselling sites that shall not be named here.)

If you enjoy short crime fiction, there are some terrific stories in the collection. And as my friend Dick Cass always says, books make wonderful holiday gifts.

And a reminder: Someone who leaves a comment on one of our posts this month will win a bundle of cozy mysteries. Comfortable reading during the long, cold, icy winter ahead.

**

Brenda Buchanan sets her novels and stories in and around Portland. Her three-book Joe Gale series features a contemporary newspaper reporter with old-school style who covers the courts and crime beat at the fictional Portland Daily Chronicle. Brenda’s short story, Means, Motive, and Opportunity, appeared in the anthology Bloodroot: Best New England Crime Stories 2021 and received an honorable mention in Best American Mystery and Suspense 2022. Her story Assumptions Can Get You Killed appeared in Wolfsbane: Best New England Crime Stories 2023.

 

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Writing Tip Wednesday: Putting a dog in the book? Pros & cons

There’s some sage — or not so much — writing advice that if you want to make a character likable, give him a dog.

On the other hand, once you give a character a dog, if it’s not just a one-shot deal.You have to remember there’s a dog and tend to it.

Considering putting a dog in your book? Consider the following tips.

A black and white dog staring at the camera next to an open laptop

My new dog Willow reminds me that it’s impossible to work without a break when you have a dog to remind you that it’s time to do something. What, though, is not always clear.

Putting a dog in a book is a lot like putting one in your life, I’ve been reminded recently. I’ve acquired a dog after being dogless for more than a decade. I wasn’t really looking for one, but she’s here anyway. In the meantime, I’m working hard [way behind] on my fifth Bernadette “Bernie” O’Dea mystery and have to keep remembering to get her friggin’ dog into the book in a way that’s not just a distracting detail.

Dogs are different than cats, both in life and in writing. Cats can be around, doing their thing, without taking up a lot of space or attention for the most part. I never worry about what to do with the cats in my books [Bernie has three].

Dogs are THERE. All the time. They make their presence known. Few decisions can be made without considering how the dog fits in. What to do with her if you go away. How to fit in interruptions if you’re sitting there writing all day, because she just isn’t going to entertain herself, like the cats do. Being sure to put your plate of crackers or even the little thing with milk for the coffee up high if you get up, even for a second, because she’ll be right on it otherwise. Figuring out what she wants, since if you don’t, she’ll keep staring at you until you do. And then start barking. Insistently. While staring at you like you’re the biggest dummy in the world.

A small brown dog staring up at the camera, an open laptop in the foreground.

My dog Emma was a master of the baleful stare while I was trying to write, a job she took seriously even into her 16th year, when this photo was taken.

I hadn’t forgotten that you can’t have that first coffee in the morning without bringing the dog out, no matter what the weather. I hadn’t forgotten that you can’t go to bed at night before bringing the dog out for one last peepee and poopoo, no matter the weather or how tired your are or if you’re in your PJs [which I almost always am]. I HAD forgotten that baleful stare, perfected by my dog Emma, when I was trying to work and she wanted me for something. She was a corgi-sheltie-beagle mix who took her role as supervisor of all I did seriously. Not only watching when I did any kind of task, but also herding me by poking my calves with her nose any time I went into the kitchen. I’m pretty sure she wanted to make sure I found the food all right. Watchfulness would change to baleful stare if she wanted to go outside, or thought I should be preparing some food that she could help with.

In the first book in my series, Cold Hard News, I gave a bad guy a very likeable dog, based on my own dog Dewey. It wasn’t just the old saw that an easy way to make an unlikable character more likeable was to give him a dog. It was also the lesson learned from my long newspaper career — nothing sells papers like a photo of a dog on the front page. Not that my book cover would have a dog, or anyone would even know he was there without reading the book. Still, burned in my brain is DOG=ENGAGED READERS.

A fuzzy white dog sitting on a kitchen table with a happy look on his faceNo dog was more likable than happy, laughing Dewey, my corgi-Australian shepherd mix who never met a person he didn’t like.

At the end of the book, [SPOILER ALERT!] I couldn’t just let the dog go, so I had Bernie acquire him. I vowed though, that the dog would have to be part of the mystery in each book. Not a big part, but would have to carry his weight and not just be some tedious [for readers and for me] detail that Bernie was letting in, letting out, walking, trying to keep her rigatoni from, etc.

Similar to a lot of other things to do with writing mysteries, figuring out how the dog fits in is both fun and a bother. Now on the fifth book in the series, I have a post-it on my book outline whiteboard [a writing tip for another day] that just says “DOG.”

I once read a fantastic Ruth Rendell book in which someone volunteered to take care of someone else’s dog, then seemingly forgot all about it. I wondered if the usually reliable Rendell had, too. It was really distracting. I won’t spoil the book, but it’s yet another lesson about putting a dog in your book.

It was a lesson to me, too. At an author event once, a reader was very concerned that in my second book, No News Is Bad News, when Bernie had to get back home after spending the night somewhere else, she didn’t mention the dog as one of the reasons she had to leave. Nitpicky? Yeah, I guess. But I admit, if I were a reader it would’ve bugged me too. When Dubby “disappeared” for a while in my third book, Bad News Travels Fast, it seemed to bother readers more than the horrific things happening to the book’s humans. At least if emails and comments from readers were any indication.

Dubby began as the “make a character likeable” thing. His name was originally Dubya — dubba ya — a nickname for George W. Bush.  A tangent, so if you want to know more, read the book. Bernie, got tired of explaining how to pronounce it and what it meant as years passed, so in between the third and fourth book she changed it to Dubby. I was having the same issue, so I thought that was a good call.

Including a dog as a way to enhance character doesn’t always have to be simply to add likeability. A secondary dog character, Heidi, popped into my third book because I thought her owner, the fire chief, needed her. He’s already likeable as hell, but it was more a way to show some depth to his character. She’s his therapy dog, but he keeps that to himself more or less,

Don’t forget about the dog’s character, either. I’ve had three dogs as an adult, and they’ve all had wildly different personalities. Your dog-owning readers won’t buy the dog if it’s just a bland barking, sniffing and peeing thing. Dubby is happy-go-lucky, often in contrast to his owners. He’s pretty much my long-gone dog Dewey. Heidi is a German shepherd who looks like she’s fierce and in charge, but is a training school flunk-out with a big and anxious heart. When Bernie’s dog is missing, she asks Sandy if Heidi could track him down. “If he was standing right in front of her with a salami in his mouth,” Sandy answers.

I know this is a long “tip,” but, to sum up:

  • Yes, if you think it’ll help with character development, give a character a dog. I know people I meet when I’m out and about seem to like me better when I have one with me. But it doesn’t just have to be for “likeability.” Just be sure you understand and fully develop the reason the dog’s there.
  • If you put a dog in your book, be sure to give it a job to do beyond the character development. Don’t just leave it there wanting its walkies. Dogs, both in books and real life, can cause problems when they’re left to their own devices. The more thought that goes into the dog’s role in your book, the more useful it is, the better.
  • Give the dog a personality, or it won’t ring true.
  • Don’t forget about the dog! Readers won’t.
  • Finally, and probably the most important: It’s a mystery novel. Kill all the people you want. But never ever ever ever ever kill off a dog [or cat] in your book.

A dog can be a very good thing, both in life and in a book. A dog that’s ignored or not given a role, though, won’t be happy in real life. In a fictional world, it’s the book istelf, and its readers, who won’t be happy. Write one in, but for the sake of all that’s important, don’t ignore the dog.

a black and white dog sleeping with a fire in the background

A happy dog.

And a reminder: Someone who leaves a comment on one of our posts this month will win a bundle of cozy mysteries. Comfortable reading the long, cold winter.

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Introducing the Big Book of Romance

Kate Flora: I’m excited to have a story in this collection. Here’s the cover and an interview the editor did. Actually, she gave a list of about 30 questions, said answer five, and I, in a hurry, missed that and answered all of them. Not all the answers are below.

The Big Book of Romance anthology is getting ready to launch! Thirteen established romance authors show us a tantalising glimpse into their book worlds with some compelling and enchanting short stories.

Today we interview one of those authors of contemporary romance – Kate Flora. Her story in the anthology is a lovely tale of a second chance at love.

Who are your favorite fictional couple and why?
Lord Peter Whimsey and Harriet Vane. Why? Because she’s such a strong, clever woman and he respects that.

What’s the craziest thing you have googled in the name of research?
Too many to list. In my most recently published book, Those Who Choose Evil, I was looking for a rare plant that might be a clue to where some captive children were being held.

What authors influenced your writing?
For my first book, Chosen for Death, I gave my protagonist, Thea Kozak, “literary godparents.” They were Sara Paretsky and Dick Francis. Earlier influences were the iconic romantic suspense writers Victoria Holt, Phyllis Whitney, and Mary Stewart.

If you could go anywhere for your next holiday, where would it be and why?
I fantasize about taking a trip on the Royal Scotsman. The train looks so amazing. But I will never be able to afford it.

What is the next project?
Next project, once I finish the series mystery I’m writing currently, is a romance involving a widowed librarian and the wandering neighborhood cat who connects people. She is Emily and he is Mister Rogers. So Emily and Mister Rogers. I can’t wait to see what happens.

Do you belong to any groups that you find helpful?
I am a former international president of Sisters in Crime, the mystery writing organization founded to give greater visibility to women’s work. So I’m a great advocate for Sisters in Crime. I also belong to Mystery Writers of America, also a great organization. I run a blog called Maine Crime Writers, so I have my blogmates to turn to when I need advice or a beta reader.

What’s the scariest thing you have ever done, and did it end up in a story?
Two possible candidates. First, in order to make a character’s arrest feel authentic, I asked my local chief to arrest me. It was only when I was sitting in a cell that I realized I hadn’t asked him what happened next. It absolutely is in a domestic thriller called Teach Her a Lesson, the story of a young, dedicated teacher who becomes the obsession of a disturbed teen. He says they had an affair. They didn’t, but no one will believe her.
The other? Working on a true crime set up in New Brunswick, Canada, I had to drive a four-wheeler deep into the forest to visit the spot where the victim’s body was found.
Thanks Kate! Check out more of Kate’s writing
www.kateclarkflora.com

 

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A Few Thoughts

Kaitlyn Dunnett/Kathy Lynn Emerson here. Fair warning—I’m in a grumpy mood.

Did you ever have one of those days when nothing goes right? They seem to happen more and more often as I age, and the culprit, much of the time, is the anonymous know-it-all who decided to make consumer products difficult (sometimes impossible) to open for our protection.

First let me say that, for a 78 year old, I’m in pretty good shape. None of my ailments are life-threatening. They are all relatively minor. I just have a lot of them. So, here are a few of the items with which I’ve had recent battles.

I wear hearing aids. It used to be that you peeled back the cardboard on a packages of batteries and there was a handy little wheel that allowed you to pop out one at a time at an easy-to-lift flap. Not anymore. First you have to cut through cardboard and plastic, a challenge for me, since I have arthritis in both hands and three fingers that don’t have full sensitivity thanks to failed carpal tunnel surgery. I turned this job over to my husband of fifty-six years and he had almost as hard a time as I did. Problem solved? Nope. The next instruction was to separate the two halves of the plastic, lifting it up to let one battery out. We both ended up slicing fingertips trying to do that. Success came at length, but with a cost in lost blood and tempers. I keep trying to find a brand that isn’t as hard to get into, but no company’s packaging of hearing aid batteries lets you get a proper look until after you buy.

To keep my eye pressure good and avoid developing glaucoma, I use eye-doctor-prescribed eye drops. The first challenge is getting the hard plastic wrap (for my protection) off the tiny bottle. This requires a paring knife and usually results in a nick or two. Then, of course, the top doesn’t just twist off easily. I need another tool to actually open the darn thing.

 

Stop smiling. It isn’t all that funny.

Okay, on to something else. As regular readers of this blog know, we have a cat, Shadow. Once upon a time, we had an electric can opener to open cat food cans, but then lift tops came along. For our safety, they don’t come off easily. For the last six months or so, my process has been to pry the pop top upright using a table knife and then insert the claw end of this useful tool (actually called a catspaw), to pry the lid up and off. I’m sure I look ridiculous doing this, but it’s easier than damaging a finger (assuming I can even get one of my arthritic fingers into the ring on the lift top). This also works for cans of soup and canned mushrooms. Canned corned beef requires a totally different technique!

I owe a big thank you to every writer at a writers conference who gave away the promotional items like the ones shown below. These are lifesavers for opening bottles and jars. Unfortunately, they don’t help with the ones that want you to squeeze the sides and turn while pushing down on the top, or the ones that make you line up arrows and then cause you to break your fingernails when you try to “pull up to open.”

More helpful hints, anyone? After all, none of us are getting any younger.

Kathy Lynn Emerson/Kaitlyn Dunnett has had sixty-four books traditionally published and has self published others. She won the Agatha Award and was an Anthony and Macavity finalist for best mystery nonfiction of 2008 for How to Write Killer Historical Mysteries and was an Agatha Award finalist in 2015 in the best mystery short story category. In 2023 she won the Lea Wait Award for “excellence and achievement” from the Maine Writers and Publishers Alliance. She was the Malice Domestic Guest of Honor in 2014. She is currently working on creating new editions of her backlist titles. Her website is www.KathyLynnEmerson.com.

 

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Weekend Update: November 1-2, 2025

Next week at Maine Crime Writers there will be posts by Kaitlyn Dunnett/Kathy Lynn Emerson (Monday), Kait Flora (Tuesday), Brenda Buchanan (Thursday), and John Clark (Friday), with a Writing Tip post on Wednesday.

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

JULE SELBO is in the cold/rainy/windy Wild Atlantic Way of Ireland and has gotten a few short stories written reflecting the inclement beauty and Irish personalities there.  Her short story “TRI-COUNTY PAGEANT” will be featured in THRILLER MAGAZINE, Winter 2025 issue.

Attending the awesome New England Crime Bake the weekend of Nov. 7-9? Be sure to check out Trivia Night on Friday! MAUREEN MILLIKEN will be the host,  and you don’t have to be an aspiring “Jeopardy!” contestant to take part. It’s all about having fun.

On Saturday, Nov. 15, Maureen will be participating in the Authors & Artisans Night Market, 3-7 p.m., Thompson Free Library, 186 East Main St., Dover-Foxcroft, Maine. There will be many authors and other vendors. It’s a fundraiser for the library and community youth programs, so all for a good cause!

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

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