Merry Christmas!

By Kait Carson

Elvis 2007

Hi readers and fellow crime writers. I’d planned to write a learned essay about the seduction of editing this month, but hey, it’s the penultimate day before Christmas. Instead of reading about the writing life, no matter how scintillating the topic, what we really want to do is kick back in front of the fire with our favorite libation and light the tree. Or if you have kids, figure out just how to put that toy together. In which case, I hope your libation of choice is an adult beverage. Things have definitely progressed from securing item ‘A’ in slot ‘B’ and tightening the screw with the enclosed Allen wrench to instructions requiring an advanced degree in electronic engineering.

Starlight 2009

We don’t have a tree this year. Haven’t had one since we returned to Maine in 2020 and installed the woodstove in the living room. This is a small house. Pines are flammable. Common sense dictated a choice between a Christmas tree and furniture. Furniture won. That’s not to say we haven’t had trees in the past. Most cut from our property. And as most required some serious surgery to get through the front door, the cuttings made beautiful wreathes. If you’ve ever seen the Griswald Family Christmas Tree, you know what I mean. Once in the woods, the certain knowledge of an eight-foot ceiling morphs into the unshakable belief that a sixteen-foot tree will fit just fine.

I hope you enjoy this retrospective of Christmases past. Complete with cats.

Smokey 2006

2005 Must have been feeding time for the cats

Florida with Fred and Hutch 2012

To all who celebrate, happy holidays, and may 2026 bring everything you desire.

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Yes, books make great gifts; love of books is an even better one

I recently read an article about how high school kids were no longer being assigned full books to read, just snippets. Reasons ranged from “you just can’t get young people to read anything long” to whatever entity that’s dictating curriculum is not putting books on the menu. Whatever the reason, it bothered me. First of all, how are you supposed to appreciate a book by reading one chapter of it, rather than the whole thing? As an author, I find that insulting.

Second of all, of course, is the most obvious thing: Future generations just aren’t going to read books or think reading an entire book is important or necessary.

The more I thought about it, though, the less dire it seemed. I thought back to my old high school days — reading a Dorothy Sayers book in my lap as some poor kid slogged out loud through “The Pearl” or whatever book we were reading at the time. I don’t know whose idea it was to spend entire high school English classes having kids read aloud, but it was a pointless exercise. Listening to other kids stumble through a book wasn’t getting me anywhere. I know that we did more than that in English class, but it’s one of my major memories. I always had a book I was reading for pleasure with me, and that was my go-to when things got dull. Not just in English class, either. I’m not recommending this, by the way. My high school grades could’ve been a lot better.

The point is that, while I did read the assigned books in high school, that’s not where my book-reading habits began. I can probably list many of the books I was assigned to read in high school, but the ones I read on my own those same years made a much bigger impression. If high school is where the latest Gen’s book-reading habits are starting, yeah, they’re probably not going to be reading a lot of books going forward.

My sister Liz, with a book of course, around age 10.

I don’t have to tell you — loving books and reading them is a habit that starts years before high school. If there are books in the house, if the kids are read to, if they see the adults reading books, if it’s business as usual that books are something to value and reading is something to do and enjoy, that’s how it starts. That’s the house I grew up in, and I bet that most of you reading this did, too.

I also don’t remember a lot of vetting what we read. Once we could get to the library ourselves, Mom and Dad weren’t checking what we read or forbidding certain books. Part of it was that they were wicked busy. It was also the 70s, and they just weren’t paying that much attention to the little details of our daily lives. I also don’t think it would’ve occurred to them. That’s big, too. We could decide on our own what to read. It not only makes reading more personal and fun, but it’s a great way to develop critical thinking skills [another thing that’s going by the wayside, and also a blog post for another day]. We read all the time and our books were all over the house. If we were kicked outside becaues it was a nice day [do parents still do that?], books would often go with us. I can remember being a young teen and sitting in a corner reading a book on a hot summer day in one of the cool hallways of the State House in Augusta, a few blocks from where we lived.

By the time I was around 10 and my older sister, Liz, was 11, we were watching the younger ones if my Mom had to go out for some reason. This was before she went back to work full-time. We didn’t get paid, but I do remember her giving us “The Phantom Tollbooth,” by Norton Juster, as compensation one of the first times we had babysitting duty. That book was passed around among us, read by most of my siblings, and referenced frequently. I’m sure that once in a while, one of my siblings or I will still point out that if you try to jump to the Island of Conclusions, you’re going to get wet. There were many books like that, that we’d all read and they’d become part of our kids’ language.

I still have my beloved and battered copy of “The Making of the President 1968,” which I read several times as a teenager.

By the time I was a freshman in high school, my mom was working at Mr. Paperback in Augusta. Between that and Lithgow Library, I had a nonstop source of books. Mysteries were my go-to, but I’d also developed a weird obsession with politics and burned through all of Theodore H. White’s “Making of the President” books. I probably read the 1968 one four or five times.

I was a big fan of NBC News journalist Edwin Newman, who wrote a book “Strictly Speaking: Will America Be the Death of English?” I had a paperback copy of it and when I was 15, actually wrote him a fan letter and included a clipping of a newspaper story in which Gov. James Longley used a tortured metaphor about football to explain something. I don’t have the clipping, and it was 1976, so never had a copy of my letter. But imagine my surprise when a month or so later, I got a return letter from Newman! Completely with his own proofreading correction mark. I had totally forgotten about it until this summer, when I was going through an old box of stuff in a closet and found it.

Yes, I was a weird kid. Books didn’t make me any less weird, but I don’t think they made me any weirder, either. In fact, I can’t think of a better outlet for weird kids everywhere. Weird kids who read books end up becoming authors, or even doing things that can change the world.

Back to the point. It IS disappointing if it’s true that high school kids are so disinterested in reading an entire book that teachers have giving up making them try to. But by the time a kid is in high school, they’re either going to like books or they’re not.

Three generations of my family catch up on their reading while waiting for dinner during a family camping trip at Baxter State Park a few years ago.

Frequently when I’m behind my author table at some event, a person will come up to me and proudly announce, “I don’t read books.” [Why? Who knows. That’s yet another post for another day.] Or, when I launch my pitch opening, “Do you like mysteries?” they’ll shake their head and say “I don’t read.” No matter which it is, my response is always, “That’s too bad.”

It IS too bad. How lucky are we that we love books? I can’t imagine life without them. Books have been a source of joy and comfort for me even before I could read. I feel bad for people who don’t have that.

The same day I read the article about high school teachers not assigning entire books, I had a table at the Bangor Author’s Fair and Literary Festival. For more than five hours, a steady stream of readers, of all ages, fiilled the room I was in. Gee, looks like there are still people who like books enough to come out on a cold day and check out an event that has nothing but authors and their books.

The Maine Crime Writers & Friends tree at this year’s Augusta Elks Festival of Trees.

I also, for the fourth year in a row, had the honor of setting up the Maine Crime Writers tree at the Augusta Elks Festival of Trees earlier this month. We had more than 50 books underneath it, many donated by writers on this blog [thanks guys!] and our other Maine author friends. While I was setting it up, one of the women who runs the event told me how thrilled they are with our tree. How great it is that we do it every year. It’s one of the most  popular trees at the festival! A little while later, her husband found me wandering around, and thanked me, too. Profusely. He couldn’t say enough about how great it is that we gather all these books and do a tree. Seriously! This is an event with a tree that has nothing on it but lottery scratch tickets [my personal favorite]. Yet, they’re so excited about the tree with all the books. I’m just the one who sets it up — it’s the fantastic group of authors and our community who make it happen.

It’s obvious that there are still people who read books and value them.

As we Maine Crime Writers are fond of saying, books make great gifts! Even more than books, though, the love of them and of reading them is one of the best gifts you can give. Happy holidays to all!

Don’t forget! One lucky Maine Crime Writers reader who leaves a comment on the blog this month will win a bag of books!

Posted in Maureen's Posts | 12 Comments

Weekend Update: December 20-21, 2025

Next week at Maine Crime Writers there will be posts by Maureen Milliken (Monday), and Kait Carson (Tuesday), and then we’ll be taking a holiday break until the 29th.

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

Matt Cost, Maureen Milliken and Allison Keeton can be found among other Maine writers from 10 a.m. to 3 p.m. Saturday [December 20] at Merkaba Sol, 223 Water St., Augusta. Signed books make great gifts! Free gift wrapping and free raffles! Downtown Augusta has a lot of great restaurants, fun stores and holiday lights. Come on down and say hi.

Coming in January Portland Stage produced excerpts from four mystery novels!

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

Don’t forget! One lucky Maine Crime Writers reader who leaves a comment on the blog this month will win a bundle of books!

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

 

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2025 By All the Numbers (BAN) by Matt Cost

2025 was a good year for me.

This year, as of tomorrow, I will have completed 62 writing presentations of one sort or another. Let’s break that down into categories.

23 COST TALKS at libraries.

11 PODCAST interviews.

9   Bookstore Signings.

8   Festivals, Fairs, and Sidewalks.

3   Mystery Making Events.

2   Crime Conferences.

2   Television Interviews.

2   Noir at the Bar.

1   Interview for a Book Launch (Jule Selbo & 7 Days).

1   Judge of a writing competition (Joy of the Pen).

It was an off year for publishing, as only two of my books were published. The Not So Merry Adventures of Max Creed was released on April 8th and Glow Trap pubbed on August 13th. The interesting piece of this is that Max Creed is the first book in a new series, The Modern-Day Chronicles of Max Creed and Glow Trap is the final book in the Clay Wolfe Trap series. The truly interesting aspect of these two books is that it is quite possible that they will weave together at some future point in time….I did get a short story into an anthology. Dead Men Don’t Kiss appeared in Celluloid Crimes in August. I wouldn’t rule out the possibilities that Elton Connor, a 1950s Hollywood PI, might just get his own series one of these days.

I wrote three books this year.

Bob Chicago Investigates is looking for an agent with hopes of going to the big dance. Bob is a retired schoolteacher, recently divorced, and struggling mystery writer who gets mistaken as a real PI and takes a case looking for a stolen katana, which turns out to be a priceless Japanese sword originally gone missing at the end of World War II.

Max Creed Takes the Spice Road is the second in the Modern-Day Chronicles of Max Creed slated to come out with Level Best Books in May of 2026. Max and his band take on a social media mogul who has developed a terrifying new algorithm called Triangulation meant to cause anarchy.

1956 is the second book in the Jazz Jones & January Queen Mysteries set in 1950s Raleigh, North Carolina. The first, 1955, is slated for an October of 2026 release, and this one will publish in October of 2027. Jazz Jones, with January Queen, is hired to prove the innocence of a civil rights leader arrested for embezzlement and is filled with shadowy figures, Irish gangsters, and J. Edgar Hoover’s FBI.

I was asked to join the Crime Wave committee this year and helped plan a rousing crime conference in September that incorporated the exciting new feature of Round Tables for conversation about various writing topics to go along with the regular components of panels, speakers, workshops, and networking opportunities for writers and readers.

And most importantly, I met many new friends in the crime writing community, both writers and readers—people who make all the work so special and rewarding in my life.

That is my 2025 in a nutshell. How about you? What did the year hold for you and what makes it all worthwhile?

Write on!

About the Author

Matt Cost was a history major at Trinity College. He owned a mystery bookstore, a video store, and a gym, before serving a ten-year sentence as a junior high school teacher. In 2014 he was released and began writing. And that’s what he does. He writes histories and mysteries.

Cost has published six books in the Mainely Mystery series, starting with Mainely Power. He has also published six books in the Clay Wolfe Trap series, starting with Wolfe Trap. There are two books in the Brooklyn 8 Ballo series, starting with Velma Gone Awry. For historical novels, Cost has published At Every Hazard and its sequel, Love in a Time of Hate, as well as I am Cuba. The Not So Merry Adventures of Max Creed began a new series this past April. Glow Trap is his eighteenth published book.

Cost now lives in Brunswick, Maine, with his wife, Harper. There are four grown children: Brittany, Pearson, Miranda, and Ryan. They have been replaced in the home with four dogs. Cost now spends his days at the computer, writing.

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The Return of Cabot Cove

Hollywood has been teasing that a new Murder, She Wrote is on its way this Christmas. The fandom write-ups have Jamie Lee Curtis playing Jessica Fletcher’s niece. AI-generated material also show Tom Selleck as the sheriff and George Clooney as an FBI profiler. Neither appears to have committed to the project (although both were guests in the original television series). The names of these main characters differ, depending on the post, which is another red flag. There is no release date or outlet to watch. All and all, it sounds like a project that will be scrapped like the 2013 Octavia Spencer reboot proposal. I’m actually disappointed.

Original TV show

I know it isn’t popular among writers, particularly Maine crime writers, to be a Murder, She Wrote fan. Cabot Cove is obviously fictional—personally, I think it is a smaller Boothbay Harbor with its working waterfront, shops, and restaurants. I’m aware that not everything in the series is accurate in its portrayal of Maine, from its accents to the location of I-95. In fact, a blogger on this very site wrote about these errors many moons ago. Another irony is more people seem to die in Cabot Cove than throughout the entire state. Trust me, Maine’s crime rate is low.

But, I swear, the essence of Cabot Cove is Midcoast Maine. The show speaks nonchalantly of Monhegan Island being ten miles off shore, and the town has sheriffs, not police officers, just like my own Midcoast town, to maintain the law and order. Augusta is mentioned as where the health inspector comes from in the “Keep the Home Fries Burning” episode, and Portland is the destination that Jessica and Sheriff Tupper never get to in “Murder Takes the Bus.”

Those of us who write stories set in Maine, particularly with Maine as its own character, know that readers expect a close reality to both the geography and the culture. However, if we’re writing fiction, and Murder, She Wrote is also fiction, we are all allowed licenses to change the map to fit the story. In watching back-to-back episodes, I think the show gets more things right than it does wrong.

Like it or not, the show is part of Maine. This fall, I attended the Maine Historical Society’s excellent exhibit on crime called Notorious: Maine Crime in the Public Eye, 1690-1940 (still open through December 31, 2025). It’s a fascinating display of the settlement of Maine and how human nature can’t keep itself honest and peaceful. Murderous bad apples are everywhere—look at Cain—and historic Maine was no exception. The exhibit is serious with real murder weapons, photographs and drawings of murder scenes, and a mock-up of a pioneer photojournalist’s desk. At the end of all of the pain and sorrow, however, is a cute little corner: Jessica Fletcher’s kitchen table. Of course, I couldn’t resist role playing, and I love the nod to Maine’s most famous non-detective even if the show took place in the 1980s and 1990s. It’s also good to learn that I’m not the only one in the state obsessed with the show.

Maine Historical Society: Murder, She Wrote corner

The most important part of Murder, She Wrote, however, is that I’m finally living the life that Jessica was….well, I mean, the writing mysteries part, not the solving murders part. I’ll pass on that. She had had a full career as something else (a teacher) before her books took off. I too come from another non-writing, career (human resources) and now also write mysteries. Seeing Jessica Fletcher, living along the coast, making up stories, and being nosey was my school girl dream that has now come true. (Yes, I am nosey. Find a crime writer who isn’t.)

My obsession doesn’t stop with the show, however. In 2009, I had the astounding pleasure of meeting Dame Angela Lansbury back stage at the Broadway production of Blythe Spirit. She was as gracious and delightful as you’d imagine. This is a moment I will always treasure, and it further strengthens my bond to the show.

Meeting Dame Angela Lansbury, 2009

We don’t need a new version of Murder, She Wrote. There are over 260 original episodes plus four movies we can stream in various places. However, if the new version can capture the lightness and wholesome story of a solid cozy mystery set in Maine, what’s the harm?

AI image. Suspected as being false.


And, by the way, if you’re wondering if I had Murder, She Wrote playing in the background as I composed this blog, you’d be wrong. I was watching Columbo.

***

REMINDER: This month we’re giving away a bundle of books. Leave a comment on this or another fellow writer’s post from this month, and you’ll be entered into the drawing. You might even win!

                                                                         ***

Allison Keeton’s debut novel is Blaze Orange, Book One in the Midcoast Maine Mystery series. Arctic Green, Book Two, hits the streets (and snowmobile trails) in February 2026. She can be reached at http://www.akeetonbooks.com

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Dashing Ahead and Perpetually Behind

Kate Flora: My calendar says that it’s my turn to blog today and I wouldn’t want to let you or the calendar down. The trouble is that every year, I write everyone a holiday story and post on my blog at www.kateclarkflora.com Alas, I didn’t have a good idea for a story, and so I’m still only halfway through it. Very embarrassing, right?

One thing I’ve learned over the years is this: If it took me, proportionally, the same amount of time to write a novel as it does to write a short story, I probably wouldn’t have so many published books, never mind all the books in the drawer. Writing short is a challenge. We have to make the words count. To have to, as I believe Poe put it, write stories that tend toward a single result, while our novels often have multiple strands being woven through the narrative.

After college, and the damage inflicted by those hateful writing teachers who have discouraged so many writers from continuing, I stopped writing short stories. I felt more comfortable in the long form of a novel, even though my first attempts ended up in the drawer. I returned to in kind of a backwards way. At a point in my writing where I was feeling discouraged, I decided the way out was to start taking chances. One of those chances was to write a police procedural that became my first Joe Burgess book. Another was to say “yes” when Susan Oleksiw invited me to be an editor on a project to take a snapshot of the New England crime writer’s mind through the medium of short stories.

That became a Level Best Books, a great adventure that lasted for seven editions of crime stories by New England writers before we ran out of steam. Part of that adventure was to sit on the editorial side of the desk after years of being edited. Part of that adventure was learning what worked and didn’t work in a story, even if I couldn’t always articulate it. And part of the adventure was that, as editors, Skye Alexander, Susan, and I each had to write a story for the collection, and get edited by the rest of our team.

An important part of the adventure was getting to publish debut authors, and each November, the collection was introduced at the region’s mystery conference, the New England Crime Bake. Watching writers who’d only dreamed of being published sit in a long line with their fellow authors signing copy after the copy of the book was thrilling.

But back to being perpetually behind. I’m a write who doesn’t believe in writer’s block. I believe in discipline and sitting in the chair. I believe in showing up and making it happen. But the folly of saying “yes” to too many tangential things means that I’m six months behind in finishing the next Thea Kozak book and too frazzled to seek out publishers for the two great (I think) potential first books in two new police procedural series, never mind the match-making dog romance that longs to find its readers.

I’m supposed to be a writer, so why am I only reading stacks of books? Why am I waking up to go, not to the keyboard but to the kitchen to make caviar pie, dozens of deviled eggs, chicken wings or a giant taco? How about a ten minute tiramisu for a holiday party? (Let me know if you want the recipe) And are any of the gifts wrapped? Or, for that matter, purchased? At least 2026 is right around the corner and with it, some freedom to return to the keyboard.

So if anyone is looking for me, I’m struggling to write that short story, which WILL be finished before Christmas. Meanwhile, a reminder that this month, once again, we’re giving away a bundle of books. That means if you leave a comment on one of our posts (of course we’d like you to comment on all of them) you could be the lucky winner.

And if you haven’t read them, do hop over to my website.

Posted in Kate's Posts | 11 Comments

Comfort Food

Kaitlyn Dunnett/Kathy Lynn Emerson here, today talking about comfort food. It’s the season for it—shorter days and colder nights always tempt me to hunker down next to the wood stove with a good book, but I still have to eat and there’s something about this time of year that brings out certain cravings. Aside from the traditional Thanksgiving and Christmas goodies, a couple of “comfort foods” become very popular at chez Emerson in December.

Chocolate.

Goes without saying, right?

I have a particular weakness for Dove Promises in their cheerful red wrappers. The trick is to limit myself to one serving (four pieces). Some days, though, my chocolate craving calls for something more substantial. In this part of Maine, that translates into a Whoopie Pie.

I gather other states also claim to have invented this treat, but they can certainly be found just about everywhere desserts are sold around here. Homemade ones are great, too, and our nieces, using my late sister-in-law’s recipe, provide plenty of them for the holidays.

Unfortunately, one cannot live on chocolate alone, so let me tell you about a nourishing winter  favorite. We call it “glop,” but it’s really just a casserole made with whatever leftovers happen to be handy. The best thing about it is that it’s flexible, both in content and in how you heat it up. I like to use my large, round, yellow, two-quart Corning ware baking dish, but a large covered skillet or wok will work, too.

Start with noodles. Leftovers of any kind of pasta will work, or you can make macaroni and cheese from a box mix. Add a heaping handful of shredded cheese. We like a three-cheese blend, but as long as it will melt, any variety will do. To this mixture, I add either tomato sauce or a can of undiluted cream of mushroom soup. You can substitute other “cream of” soups or Alfredo sauce or . . . well, be as creative as you like. If you want to include vegetables, add frozen or fresh chopped onions, frozen or fresh chopped peppers, frozen corn, or frozen broccoli florets. Or whatever you have handy. Last but not least, add leftover cooked meat, chopped or crumbled. Some I’ve used are ground beef, meatloaf, pot roast, chicken,  turkey, pork roast, pork chops, ribs, sausage, and uncooked sliced hot dogs. Season to taste, mix everything together well, and sprinkle a little Parmesan cheese on top, then heat the mixture until it’s hot all the way through. I stick the casserole dish in the oven at 350 degrees for at least a half hour, but heating the ingredients on top of the stove or in the microwave will work, too. So will putting everything in a pot on top of the wood stove if the power is out.

Just FYI, my character, Liss MacCrimmon, enjoys both glop and whoopie pies as much as I do.

What are your favorite winter comfort foods?

Kathy Lynn Emerson/Kaitlyn Dunnett has had sixty-four books traditionally published and has self published others. She won the Agatha Award and was an Anthony and Macavity finalist for best mystery nonfiction of 2008 for How to Write Killer Historical Mysteries and was an Agatha Award finalist in 2015 in the best mystery short story category. In 2023 she won the Lea Wait Award for “excellence and achievement” from the Maine Writers and Publishers Alliance. She was the Malice Domestic Guest of Honor in 2014. She is currently working on creating new editions of her backlist titles. Her website is www.KathyLynnEmerson.com.

Don’t forget! One lucky Maine Crime Writers reader who leaves a comment on the blog this month will win a bag of books!

 

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Weekend Update: December 13-14, 2025

Next week at Maine Crime Writers there will be posts by Kaitlyn Dunnett/Kathy Lynn Emerson (Monday), Kate Flora (Tuesday), Allison Keeton (Thursday) and Matt Cost (Friday), with a Writing Tip from Kate on Wednesday.

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

 

 

 

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

Don’t forget! One lucky Maine Crime Writers reader who leaves a comment on the blog this month will win a bag of books!

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

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Producing and Publishing the Audiobook of Raven, Part 1

Rob Kelley here, talking this month (and next!) about producing and publishing the Audible audiobook edition of Raven.

Because my contract with High Frequency Press allowed me to keep my audio rights, I had the choice of whether, and how, to produce an audiobook. If they’d kept the rights or I was agented, we might have shopped it around to shops like Trantor Media who will pick up a project and create an audiobook. In that case I might get a very small advance and some royalties. But this was something I wanted to have control over so I went a different route.

It’s a pretty detailed process, so I’m going to break this blog posting into two parts: Part 1 (December 2025) will cover the setup decisions and the process of selecting voice talent to narrate the work. Part 2 (January 2026) will cover the collaboration between myself and my voice actor partner to make the audiobook and send it out into the world.

Setup

Amazon/Audible has created a service called ACX, the Audiobook Creation Exchange. Once you have a Kindle ebook posted (even if it’s still forthcoming) and you can prove you are the “rights holder,” you can claim your title and start the process of creating your project. You have a number of decisions to make about how the audiobook will be sold, how it will be made, and how you might pay your audiobook producer.

Distribution

You have two distribution models you can choose from. If you select exclusive distribution for your audiobook, you will get a 40% royalty from sales on Audible, Amazon, and Apple Books. If you select non-exclusive distribution, you can sell your audiobook through other channels in addition to Audible/Amazon/Apple, including independent ones like Libro.fm  and get a 25% royalty. I went with exclusive for this project.

Deciding How to Produce Your Audiobook

Now you need to create your audio! You can record it yourself if you have those skills, but it will need to meet certain audio quality standards to be accepted by ACX. I’ve talked to authors who have done this, and they tell me that it’s pretty grueling if you’re not used to that kind of voice work. And it’s a lot of work, taking between 5-7 hours of work to produce one finished hour. Since I don’t have those skills or that equipment, and as I have a female main character, I wanted to find a professional a female narrator for the book.

So I chose to work with a “producer,” a professional voice actor who would narrate my book. In order to do that, you upload 3-5 minutes of text, about 2-3 double spaced pages that will serve as an audition. Since this book ultimately has 6 different points of view, I chose small snippets of internal monologue and dialogue to help me judge whether they could differentiate between characters in dialogue exchanges, giving them unique voices that translated my prose into performance.

At this step you have another set of decisions to make. How will you pay your producer partner? You have three choices.

1) Pay for Production, in which you pay a flat fee per hour that the finished audiobook runs. For reference, ACX estimates that most producers can narrate 9300 words per hour. Raven is 80,000 words so the finished book was estimated to run 8.6 hours. Per-finished-hour (“PFH”) rates run from $100 to $1000 for professional actors. If you choose PFH you give the producers auditioning a sense of what PFH rate you’re willing to pay.

2) Royalty Share, in which the producer splits royalties with you only when the book actually sells.

3) Royalty Plus, in which you pay some PFH then take a little more than the producer on the subsequent royalty split.

After doing my research, I went with Pay for Production. Yes, that was expensive. But everything I read said that as a debut author without an audiobook sales track record, I’d have a very difficult time attracting quality talent.

Auditions

ACX then lets you open up auditions for your book. This part was pretty cool. Every day for about 10 days I’d get a few new auditions, some from folks early in their career as a producer, some with more experience. Those voice actors who had done a large number of ACX projects had a badge letting me know they had produced a lot of audiobooks. I received over 40 auditions during my open call, and got some really great auditions.

Two things stood out. First, there was a pretty wide range of quality. Some were very professionally recorded, clearly volume mastered and produced in a studio (most of the professionals have home studios they’ve set up), while some sounded like they were recorded on an iPhone. I got a few bids from producers who would bring a cast, dividing up the male- and female-voiced characters. Those, no surprise, were often very expensive.

Second, was whether I wanted any special accents. At my own peril, I let them know that a few characters in the book would have Boston accents, specifically Southie. Here’s the thing about actors doing Boston accents: if you didn’t grow up in Boston, you’re very unlikely to pull it off, and a bad Boston accent is like fingernails on a chalkboard. So I got some whoppers.

In the end, I found several narrators I liked, and then made them offers with my proposed PFH rate and the timeline in which I’d like to complete the book. I was extraordinarily lucky to have my offer accepted by the very talented and extraordinarily professional Nicole Fikes.

Next month I’ll finish the story, describing the process of collaborating with Nicole to produce the book and launch it into the world!

Currently reading: The Proving Ground: A Lincoln Lawyer Novel, Michael Connelly, 2025

Next in my TBR list: The Emergency: A Novel, George Packer, 2025

 

 

Finally, a reminder that once again, in December, one lucky Maine Crime Writers reader who leaves a comment on the blog will win a bag of books!

Posted in Rob's Posts | 11 Comments

Traditions

Hi All —

Gabi here.

My younger son (9) was learning about traditions in school, which has prompted all sorts of memories. I am working on a longer manuscript, it’s funny the way some of these details work their way into stories.

***

Growing up, December and early January were always a busy. Both my brother and I have December birthdays, and my father’s is in early January. We celebrated Christmas two times – once with extended family and once with immediate family. Then we celebrated Three Kings Day thanks to my Mexican heritage, and Russian Orthodox Christmas thanks to my Slovakian heritage. I would put my shoes out and collect chocolate coins and small gifts. For Russian Orthodox Christmas, we’d drive through the mountains to Winder and go to a church service that was in a language that was not English. We would eat pirogies that my aunties made — prune, sauerkraut, potato — and they would send us home with bags of leftovers to be frozen and enjoyed later.

I am very proud of my coal-mining Slovakian relatives, who came to this country with very little. When my grandfather, who lived with Alzheimer’s for a long time, died, it was the language of his childhood that he reverted to. He would sing songs to himself that his mother once sang to him.

I am also very proud of my Mexican relatives, who were born to tell stories and play cards and fold newspapers into toy boats, and to watch old westerns while we ate vanilla ice cream with salted peanuts and, when I got older, sipped tequila. My Abuelita is ninety-seven. The other day, she called me on my birthday and sang “Las Mañanitas.” I let it go to voicemail because there are very few things in this world better than hearing your grandmother sing to you on your birthday and I’d like to make sure I have it for years to come.

I come from a large family and traditions cannot be separated from family coming together. I am grateful for the time I had with my aunties and uncles and grandparents. I am grateful for the time I continue to have here, on this earth, and in this moment. I am grateful for my old and new friends. I am grateful for my loved ones near and far.

It is a gratitude I feel in my bones.

What a gift this all is.

If you are up for sharing, I’d love to hear about your traditions – ones you still celebrate and ones that have slipped away.

See you in 2026,

-Gabi

Posted in Gabi's Posts | 12 Comments