Henry David Slept Here: Maine’s Wild Economy

  Because my post was published a day or two before the Christmas holiday, I thought I’d offer it again in January when we might have more time to relax, read, and reconsider Henry David.

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(In 2006 I wrote this column for the Bangor Daily News. I’ve edited and updated it, but … wow … almost every word feels current. Now, nearly a decade later, I’m writing a murder mystery that is essentially about the murder of the north woods. My post’s pics are from my wild-feeling, winter archives.)

Henry David Slept Here: Maine’s Wild Economy

For millions of nature and literature lovers, Henry David Thoreau’s rhapsodic prose about living “simply” in nature is part of their outdoor, spiritual creed.

However, often when Thoreau lovers use his prose to justify conservation, many north woods residents (even folks who own dog-eared copies of his work) are more apt to grumble about “outsiders who know nothing about real life, spouting dumb reasons for not cutting trees.”

Thoreau believed there was a “higher law affecting our relation to pines.”  In his (diaries of his travels to Ktaadn (sic), Chesuncook, the Allagash and the East Branch from the years 1846-1957) “The Maine Woods” he asks, “Is it the lumberman, then who is the friend and lover of the pine, stands nearest to it, and understands its nature best?”

And confirming some of the locals’ worst fears, he answers, “No, it is the poet, who loves them as his own shadow in the air, and let’s them stand. … It is the living spirit of the tree, not its sprit of turpentine, with which I sympathize, and which heals my cuts. It is as important as I am, and perchance will go to as high a heaven, there to tower above me still.”

Well, there you have it. Henry David takes ‘tree hugging’ to a new transcendence, anticipating how uncut trees will tower over him in heaven.  (I do like to think Thoreau is chuckling up there. Maine’s forests, now deliver more non-timber jobs and income than timber-related jobs and income.)

His classic volume is actually an early guide to Maine’s “wild economy.” Only one paragraph after Thoreau’s hymn to trees, Henry David rejoins his party, eats a hearty breakfast of moose meat (shot and prepared by his hired guide), walks around Pine Stream Falls collecting flowers (while guide Joe does the heavy work of navigating rapids), and arrives at Chesuncook Village.

There he describes a thriving north woods business that boasted a blacksmith and forge, large barns sheltering cattle and horses, ninety tons of hay cut on cleared fields, a garden of fresh vegetables “worth as much here as in New York,” and lodging for over a hundred men on the property.

There’s a link below for winter trail info here.

Thoreau was surrounded by Maine’s wild economy.  From his first visit to a bateaux factory in Old Town to his final “hot shave” at Joe Polis’ house on the Indian Island reservation, Thoreau’s “Maine Woods” is a primer on the requirements and value of Maine’s nature-based or wild economy.

An inventory of commercial enterprises supporting him as he discovers Maine’s north woods would include, guides, outfitters, restaurants, boarding houses, steamers and their crew, paddle makers, canoe and bateau craftsmen, lumbering operations that offered transportation logistics and remote camps, stores selling provisions and necessities, businesses that made tents, blankets, pots, boots, clothing and camping gear, firearms and ammunition companies, and train and stagecoach operations.

Finally, because his published essays became extremely popular north woods guides, the publishers, printers, and bookstores that disseminated Thoreau’s work also became part of the “wild economy.”

Thoreau’s Indian guides stopped and climbed a tall tree when they could find no points of reference deep in the woods. Maybe we also need to climb a proverbial tree; find some better perspective on how entwined our wild outdoors is with a vital economy.

Make no mistake, we are losing our wild assets. Rapid growth of both nature-based tourism and real estate development in our wild areas is happening, but we might be stumbling in the forest without a clear view. Seems that often we cannot boldly act on conservation as an economic strategy.

Wildlife recreation alone delivers $1.2 billion each year and thousands of jobs to Maine. If we added up the state’s significant recreational businesses (snowmobiling, skiing, rafting, windjammers), wildlife recreation would still … all by itself … be the largest outdoor recreation business sector in Maine.

If a “wild” economic fact like that could motivate local and state decision makers, would they have more to say about the loss of habitat, access, or wildness as they make decisions about land use and development? Or are local and regional entities mostly focused on advertising wild places without conserving them or adding more protected woods, waters, and wildlife habitat?

Intense pressure to develop the shores and adjacent woods of rivers, ponds, and lakes that surround Greenville and Rockwood, Maine (my home territory) is an excellent example of how development pressures might be stronger than our ability to secure our vital “green” infrastructure.

… forces stronger than our awareness of the wild world as a green asset.

Do we have information about the value of some of these same resources if they are not developed?  Do we have good information about how wild-feeling, north woods assets deliver billions of dollars to our rural economies?

Thoreau camped near these Penobscot River rapids.

The fact that we can still visit some of the same “wild” sites Thoreau immortalizes and have some of the same experiences he had is a small but special privilege. I can feel, see, hear, and smell what Thoreau heard in 1846 as he stood next to the Penobscot River.

“In the night I dreamed of trout fishing… So I arose before dawn to test its truth.  There stood Ktaadn with distinct and cloudless outline in the moonlight and the rippling of the rapids was the only sound to break the stillness. Standing on shore I once more cast my line into the stream and found the dream to be real. The specked trout sped swiftly through the moonlight air, describing bright arcs on the side of Ktaadn, until moonlight, now fading into daylight, brought satiety to my mind …”

Baker Mountain vista during a backcountry ski.

In that passage, the fish, the river, the stillness, the wildness, the sleeping guides, the people who manufactured the canoes, clothing and gear, and the people who fed, housed, guided, and transported Thoreau’s party are all contained in that one exquisite moment of pleasure, stillness, and peace. 

That experience and the wildness that experience requires are the core of our “wild economy” even as we cherish wild Maine in our own lives.

I think Thoreau might, sitting under his towering tree, remind us again about something he saw in his Maine woods travels. He’d probably be much more urgent about it though.

“… the mission of men there seems to be, like so many busy demons, to drive the forest out of the country.”

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That line made it to my current draft.

I shook my head and squinted at a tiny footnote. Word-for-word, he’d penned a line from Thoreau’s The Maine Woods. “The mission of men there seems to be, like so many busy demons, to drive the forest out of the country.”

Oh, yes. Ian was always the clever boy. He knew we could technically have a bit of country without any real forest left in it. He’d chosen those words for a reason, a reason that had to be connected to his Maine mission. He liked missions and he wasn’t afraid of busy demons.

Kate leaned close to my ear. “Mum? Ian? Where’s Ian? You’re scaring me.”

I couldn’t manage an honest answer because no one had made it official.  I could guess though. My friend Ian had to be in a black body bag headed toward a Bangor autopsy.

 “I don’t have a good answer, honey,” I said, “not a good answer at all.”

PS: Share this with your local land trust or planning board. Ed is the country’s (and world’s) expert on the value of place. Here’s the link to Katahdin Woods and Waters Monument’s  winter trails.

Sandy’s debut novel, “Deadly Trespass, A Mystery in Maine” won a national Mystery Writers of America award, was a finalist in the Women’s Fiction Writers Association “Rising Star” contest, and was a finalist for a Maine Literary Award. The second Mystery in Maine, “Deadly Turn,” was published in 2021. Her third “Deadly” is due out in 2025. Find her novels at all Shermans Books (Maine) and on Amazon. Find more info on Sandy’s website.

 

 

 

 

 

 

 

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New Bernie O’Dea audiobook, reader’s companion on their way

Happy 2025 all! And I’ve I said every year since 2000, where the hell is my jetpack? Remember back when the 2000s seemed so far away? And we figured by 2000 we’d all have jetpacks? Anyway, that’s not what I’m writing about today.

A few weeks ago, we had a group post about what we have coming up in 2025. At the time I mentioned that readers can look for my fifth Bernadette “Bernie” O’Dea mystery, coming out in the fall. Title NEWS FROM AWAY. More info to come.

I wasn’t ready yet to unveil my two other projects, both of which I’m pretty excited about. Now I am!

Number 1 is the DYING FOR NEWS audio book, which is in production and will be out next month. I’ve once again teamed up with awesome narrator Trudi Knoedler, who also narrated the previous three books. When I first auditioned narrators, I asked for someone who sounded like a trusted friend telling a story. Trudi nails it. If you want info on how to turn your books into audio, hit up friend of Maine Crime Writers Dale Phillips. He’s awesome and he got me on my way with mine all those years ago.

The audio version of DYING FOR NEWS will be out in February, with a great cover by Tim Barber of Dissect Designs

I was also thrilled to have Tim Barber, of Dissect Designs, do an audio cover for me. [My previous three audio books still have the covers they were originally published with, when my print books were published by my former publisher.] Tim designed the covers for the reissue of my first three Bernie O’Dea print and ebooks books last year, as well as DYING FOR NEWS, and will, of course be designing NEWS FROM AWAY.

Trudi lives in Oregon and Tim lives in London, England. Equidistant in both directions from my home in Central Maine. Isn’t 2025 awesome? Who needs a jet pack when authors like us can partner with creative people 3,000 miles away that help make our books as good as they can be? Although a jetpack still would be fun.

Project 2 is something that’s been germinating in my brain since summer and has finally burst forth. I do a lot of, well, “busy work” as I write my books. Hand-drawing maps, writing twice as much content as I’ll use, just so I understand where the book is going and what characters are doing.  As a consequence, I have a lot of scenes, bios and all sorts of stuff that will never get before readers’ eyes. Until now.

My map of Redimere, Maine.

In the coming weeks, I’ll be publishing the Bernie O’Dea Reader’s Companion: A Guide for Fans of the Bernadette “Bernie” O’Dea Mystery Series — that’s the working title. I’ve created maps of my fictional town, Redimere, Maine, as well as bigger maps; am buffing up the character bios I’ve created; am doing a brief list of recurring characters; FAQs; timeline; book synopses; and a 60-plus page “vignette” made of outtake scenes and stuff I wrote that also I had no intention of putting in a book, but wrote because I wanted to get to the writing. If that makes sense.

Making a map of a fictional town is a slippery slope. I’ve done some by hand for myself, just so I can figure out where things are in the plot. I wasn’t sure if I wanted to do one that would be publicly available, and paint myself into a corner. But my obsession with doing it won out. I explored online the map-making software that fantasy gamers and people like that use, but it seemed complicated and free trials were few. Then I was like, what the hell, the map doesn’t have to be fancy. I’ll just do it on Word. So I did. I also splurged on a simple Maine map on iStock, so I could do another map where certain things in the books happen. That was fun, too! And I did a third map, a more regional one than the downtown one, to show where fictional things just out of town are.

The book is aimed at people who have read at least the first three books and want to know more, and will also have some spoiler alerts, though I’ve tried to keep specifics that will spoil the books at a minimum. I wanted the outtakes in included to have some structure, and ended up doing kind of a mini-book that is vignette-like. There’s a situation that happens right before my third book that a lot of readers have asked me about. Spoiler alert! When my two main characters, Bernie and Pete are briefly broken up — Bernie thinks it’s permanent and has a fling with Pete’s best friend, Sandy, the fire chief. Since it happens between books, and is only referred to but not detailed in any big way, with only the necessary information included in the books, I get a lot of questions about what exactly happened. Now all will be revealed. Well, not all. It’s probably PG-14 rated. Bernie takes most of the hits from my readers on the whole thing, as she does for most things. Pete tends to get a lot of breaks from readers. I’m hoping this will help Bernie out a little. All three of them are good people. No one was “wrong” or “bad.” Including Sandy, the fire chief, who’s a living doll.

But I digress.

One thing I discovered this year when my fourth book came out, is how very very many people there are out there who read my books and are invested in my characters and who want to talk to me about them and know more. That was another motivation for the reader’s companion.

For now, at least, it’s only going to be a print publication. I don’t want to deal with the ebook issues with the maps. That doesn’t mean, though, I won’t do an ebook version int the future.

An author acquaintance I was talking to about this project recently said, “Gee, seems like a lot of work. Are you going to make any money on it?” [Don’t worry! He is NOT a Maine Crime Writer]. My response is the same one I have whenever the M word comes up in author discussions. Money is great. I love it. I sure would love more so I didn’t have to drive a car with 245,000 miles and clutch that’s about to go. But that’s not why I write or do projects like my reader’s companion or audio books. I’m not saying I’d turn down any money anyone wanted to give me. What I’m saying is, though, I love to write. I love my books. I love the world I’ve created and I love being immersed in it. I really love the fact other people do, too. I feel compelled to share it. It is a joy in life to be doing this stuff. I can’t imagine what life would be like without it. So, yeah, it is worth it.

For all my sarcasm and everything else, I’m an optimistic person. I always feel like something good is going to happen if we just stay persistent and do what we can. That just doesn’t go for books, but the world around us. At the end of your life, you want to be able to say you did what you could, right? My character, Bernie O’Dea, frequently says, when the chips are down, “Let’s move forward, like a shark.” I couldn’t have said it better myself. Whether it’s writing books and getting them to readers, or saving democracy, let’s do it, folks. We can, even without jetpacks.

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Thanks to Amazon, Confusion Reigns

Kathy Lynn Emerson/Kaitlyn Dunnett here. As regular Maine Crime Writers blog readers know, I am spending my retirement re-editing and reissuing backlist titles. The process goes pretty smoothly, if not at all rapidly, until the books are actually released. Then, thanks to good old Amazon, where most people these days do tend to look first at books they are thinking of buying, things get confusing. It’s hard enough for a writer to let people know when there’s a new book out. We don’t need a “bookseller” making it harder.

The new trade paperback edition of the tenth and final mystery in my Face Down series, Face Down O’er the Border, was released on January 9th. At present, Amazon also lists a Kindle version (shortly to be taken down and replaced with the updated version) and used copies of the original trade paperback edition. These come up first. To get to the new edition, you have to click on the Kindle version and then go to the $15.99 paperback. That’s annoying enough, but what is far more irritating is that when you find the new one and click on “read sample” the text that comes up is from the old version. In some of the other nine books, it’s from the original print edition and in some it’s the Kindle version, but either way, it isn’t the revised text that I worked so long and hard to produce! The note at the top claims the text of the new edition isn’t available.

What they mean is that there isn’t yet an e-book edition of this particular paperback, so they are taking the lazy way and assuming the text is identical to that in earlier versions. Since the decision is being made by an algorithm, or a bot, or AI (take your pick) no human intelligence is involved. The real irony is that the electronic text for each of these novels is readily available. It appears in the e-book omnibus editions. For The Face Down Collection Three (there are three volumes in all, containing all the novels and short stories), which includes the same text as the new trade paperback of Face Down O’er the Border, Amazon had no trouble finding a sample.

That’s good, right? Well, it would be if Amazon hadn’t also decided that Volume Three was the same as the fifth novel in the series, Face Down Under the Wych Elm. That one, incidentally, is included in the second collection, not the third. In their infinite wisdom, Amazon gets the sample and the product details and book description right, but offers (as if they were the same) links to the hardcover, mass market paperback, new paperback, and old Kindle versions of Wych Elm and includes editorial reviews and customer reviews for that single title (which, again, is not included in Collection Three). Since the reviews are good ones, I am tempted not to complain about that. Then again . . .

actual new Wych Elm edition

Confused yet? Meanwhile, I’m trying to get the current Kindle editions, published through Belgrave House, taken down. I’m not sure what the delay is. They hold no rights. This is a co-op of sorts that I’ve been involved in since 2002. Anyway, I have to wait until those are gone before I try to put up the new versions in e-format, and then hope none of the titles are available for free on some pirate site. Amazon is a royal pain about selling e-books if they think someone else is giving them away. I’ve had them refuse to list other e-book titles and there is apparently no appeals process. Thank goodness Barnes &Noble, Kobo, and other online booksellers make things easier. I’ve never had any of them refuse to carry one of my books.

Keep in mind that I publish my re-issues through Draft2Digital and thereby avoid most of the Amazon hassles. I hate to think what I’d have to go through if I was trying to publish each book there on my own!

Okay. I have finished venting, except to say that it’s a good thing I don’t depend on selling my self-published reissues to pay for food and shelter!

For those of you who, despite my bitching, have now developed an interest in the Face Down series, historical mysteries featuring a sleuth who is a sixteenth-century English gentlewoman and a expert on herbal poisons, please check my webpage for more details. Each trade paperback sells for $15.99, the e-book collections are $9.99 each, and the forthcoming Lady Appleton’s World: The Complete Short Stories from the Face Down Series will be $18.99 in trade paperback and $5.99 in e-book (including Kindle) when it is released on February 6th. Incidentally, all of my newly edited trade paperback editions (children’s books, YA suspense, romance, and biography, as well as mystery) can be ordered by any library or brick-and-mortar bookstore. The ISBN numbers are at my website.

Kathy Lynn Emerson/Kaitlyn Dunnett has had sixty-four books traditionally published and has self published others. She won the Agatha Award and was an Anthony and Macavity finalist for best mystery nonfiction of 2008 for How to Write Killer Historical Mysteries and was an Agatha Award finalist in 2015 in the best mystery short story category. In 2023 she won the Lea Wait Award for “excellence and achievement” from the Maine Writers and Publishers Alliance. She was the Malice Domestic Guest of Honor in 2014. She is currently working on creating new editions of her backlist titles. Her website is www.KathyLynnEmerson.com.

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Weekend Update: January 18-19, 2025

Next week at Maine Crime Writers there will be posts by Kaitlyn Dunnett/Kathy Lynn Emerson (Monday), Maureen Milliken (Tuesday), Sandra Neily Thursday) and Kait Carson (Friday).

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

Matt Cost had an opportunity to have a podcast chat with New York Times best selling author Debbi Mack. Check it out HERE. Mainely Mayhem scored a nice 5 star review from Literate-LY Review. And the short novelette, Death on Out-to-Sea Island by BJ Magnani, Curt Wendleboe, and Matt Cost has been submitted to the Derringer Awards. It can be bought for 99 cents HERE.

 

 

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

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2024 in the Rearview Mirror by the Numbers by Matt Cost

This past year was fantastic for my growth as an author. That does not mean it was easy. It was a day in day out grind. Every day I worked my fingers to the bone gathering coffee beans so that I had enough to grind up and make myself a pot of coffee for the next day. And then I had to do it all over again.

Would I have it any other way? Sure, I dream about becoming an overnight lit legend with books on the New York Times bestseller lists, my name in the credits of a Steven Spielberg movie or a Netflix series, and an Edgar in my pocket. But there is something about earning it, putting the work in, grinding it out—that makes each step up the ladder that much more appreciated.

My 2024 by the numbers is something to take pride in, even if the bank account doesn’t agree and the self-proclaimed pundits of the literary world haven’t yet taken notice.

Here are my numbers:

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How old I am today.

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Books published. April saw the arrival of Pirate Trap, the fifth book in my Clay Wolfe Trap series. July welcomed City Gone Askew, the second book in my Brooklyn 8 Ballo series. And November birthed Mainely Mayhem, the sixth book in my Mainely Mystery series. From searching for pirate treasure to the eugenics movement and mayhem in the judicial nomination process, it was a busy year for books. Write on.

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COST TALKS at libraries

One of my true joys as a writer is to speak to groups of people interested in books, and even more so, if they are excited about my books. Luckily, there is a magical place called libraries where this can happen. Libraries are usually located in the center of towns, because they are the heartbeat on which said town lives and breathes. It is always an honor to be invited to speak to the patrons of a library and share my writing with them.

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Blog Posts

Most of them right here!

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Podcast Interviews

Where I got a chance to chat with wonderful people about books!

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Panel discussions at conferences, libraries, and on zoom

The chance to speak with colleagues in writing and the arts in front of an audience is a special experience that I enjoy immensely.

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Bookstore Signings.

The bedrock of the business.

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Book festivals and sidewalk events

A great opportunity to chat with lovers of books and other authors.

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Mystery Making Events

A wonderful time of creating and solving mysteries with other writers and the audience.

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COST TALKS at retirement homes

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COST TALK at a rotary club

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Book Club

A wonderful time at the Illume Bookshop in Newburyport, MA hosted by my friend, BJ Magnani.

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Author Brunch

Two truths and a Lie was played. I did surprisingly well.

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Book Launch at a golf course

There was beer, food, and music. Need I say more?

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NEW PUBLISHER

I signed a contract with Level Best Books for my new thriller series debuting with The Not so Merry Adventures of Max Creed in April.

Write on!

My resolution for 2025: Be Better

And a bonus: 1 Santa Claus beard.

About the Author

Matt Cost was a history major at Trinity College. He owned a mystery bookstore, a video store, and a gym, before serving a ten-year sentence as a junior high school teacher. In 2014 he was released and began writing. And that’s what he does. He writes histories and mysteries.

Cost has published six books in the Mainely Mystery series, starting with Mainely Power. He has also published five books in the Clay Wolfe Trap series, starting with Wolfe Trap. And finally, there are two books in the Brooklyn 8 Ballo series, starting with Velma Gone Awry. For historical novels, Cost has published At Every Hazard and its sequel, Love in a Time of Hate, as well as I am Cuba.

Cost now lives in Brunswick, Maine, with his wife, Harper. There are four grown children: Brittany, Pearson, Miranda, and Ryan. They have been replaced in the home with four dogs. Cost now spends his days at the computer, writing.

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Character Spirals

Rob Kelley here, exploring real-time character development, which I didn’t think was about characters spiraling out of control, but maybe it kind of is.

My initial character creation process has evolved some since my first novel in which I did detailed character studies and then tweaked them through the editing process. Now I tend to create a backstory that leads up to the moment of their introduction. Nothing super complicated, none of those character sheets with what food they like, what clothing they wear, or what astrological sign they are. That stuff I usually discover in the drafting, if I find I need it at all!

But when I’m doing the first hard edit of my manuscript there is an important character development test that I now perform on all of my point of view characters to ensure that I’m giving the reader the best possible experience. I call it “the complexity test.”

This is learned behavior for me after one of my earliest agent and editor submissions for Raven (High Frequency Press, 2025). A very generous acquisitions editor sent my rejection back with a few insightful observations, the most important of which was that she thought the protagonist was too passive, not driving action, not deeply characterized enough. She liked the other point of view characters, the secondary protagonist, the antagonists, even the secondary characters. But I’d failed to fully depict the tough, resourceful protagonist who rises to threats from a murderous colleague, the FBI, Boston’s Irish Mob, and agents of the Soviet Union, all while staying out of prison.

The backstory and the plot points weren’t enough. The reader needed to see my protagonist struggle and emerge victorious at every turn, both through her own native talent and her growth in the face of adversity. So, each time a decision had to be made, a challenge faced, a potential disaster dodged, I had the opportunity to strengthen her character. That’s what I worked on in the character edit for my protagonist.

In the untitled novel I’m currently doing that first hard edit on, I am introducing a new point of view character who is a Maine State Police Trooper. I have a good background story for her, and I have put her in a situation in which her personal values are challenged by circumstances and institutions. Good start. Now what? I know what purpose she serves in the novel, what key events she will be present for and what the impact of her decisions will be on the plot. But who is she, really? I know her motivations, but I need to see her in action to really know her. I was finding that I was writing her taking actions and moving around the room, but she wasn’t a character, a person. She was a placeholder.

In thinking about how to fix it, I came to the metaphor of a spiral. There’s the core, which is the background story and her inciting incident. She’s placed in a difficult situation and we wonder what will happen next for her. But I found that in subsequent chapters I had that same problem I’d had before. This character moved around the room, but was too lifeless. In Raven, I had all the challenges set out, I just needed to make sure my protagonist was at the center of them, growing from each hard decision she had to make, and dealing with the usually unfortunate consequences of those decisions.

For this new character I needed to invent new challenges for her in every chapter in which she is the POV. Some could be small–frustration with a superior, a friend who is being put in a difficult situation–but then her decisions in those moments could lead to future interactions–the superior makes questionable decisions, the friend’s life and liberty may be at stake–that both propel the plot and complexify the POV character. That’s the spiral, increasing threat for the thriller, increasing complexity for the character.

To be fair, I’m still in the early stages of this revision. I may return to you, dear reader, with a different view altogether in a few months!

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What You Got Going On?

Back when James and I lived in Minneapolis, there was a guy who worked at the liquor store by the Parkway. Whenever we went in, he’d say, “What you got going on?” by way of greeting. We’ve since moved and I don’t know if that guy, whose name I never learned, is still working at that particular liquor store. Sometimes I think about him and his greeting and hope that he’s well.

In honor of the “What You Got Going On” guy, I thought I’d let you know what I have going on.

Part I: What I’ve Been Reading

Everything by Megan Abbot, who was recommended to me by people I admire. And MAN do I like what she has going on with her short stuff, with her early stuff, with her longer stuff. Her earlier stuff is classic noir and hard-boiled with broads at the center. None of her characters are clean and I like them more for it. For those of you who read my last post and saw the Quadrants, Megan lives in the upper left and she’s so comfortable there she probably owns real estate. I especially liked Beware the Woman and You Will Know Me and I’m looking forward to El Dorado Drive.

In a Lonely Place by Dorothy B. Hughes. If you haven’t read it, do yourself a favor and do so. It was published in 1947 but reads like something from today. She subverts the “fair game” rules established during the Golden Age, including the one that says the murder cannot be the narrator. And that, my friends, is one of the elements that takes it from mystery into thriller territory. If, like me, you’ve only seen the movie, get your hands on a copy.

Cutting Edge: New Stories of Mystery and Crime by Women Writers edited by Joyce Carol Oates (2021). I’m about halfway through but I cannot shake the first story, “One of These Nights.” It’s dancing on the edges of a lot of things. The way the author takes the familiar: a crowded public swimming pool in the summer, teenagers on the precipice of all sorts of things, and turns it into something dirty has really crawled under my skin in the best possible way.

Part II: What I’ve Been Watching

The Double Life of Véronique (1991). Man oh man. It’s a little magical feeling and also a little like a thriller. I watched it and found myself thinking about it for a while after. The plot? Not entirely sure. Two ladies living parallel lives and somehow sensing each other and then one dies and the other is almost haunted by her but in a good way. And then there’s this manipulative creeper who has a puppet show. I like it because it has me thinking and that’s one of the reasons we do art, right?

Once Upon a Time in the West (1968). It is no secret that I love Spaghetti Westerns. There was this time when I was living in Italy and it was Halloween and it was late and a bunch of university students were running around dressed like cowboys and playing Morricone’s soundtrack from Fistful in the background pretending to shoot each other with capguns outside Santa Maria Novella. I still think about that night sometimes and wonder if it really happened. Anyway, I watched this movie with my kids (and did fast forward through a few scenes). It’s beautifully shot and my younger son was really conflicted about why he felt so sorry for the railroad tycoon, Morton. It was an interesting conversation.

Yojimbo (1961). See my note above about Spaghetti Westerns. Kurosawa influenced Leone. And, get this, I read somewhere at some point, that Red Harvest (1929), by Hammett, influenced Kurosawa. My kids also enjoyed this movie, maybe because there were swords and lots of fighting. I enjoyed it because it hits that stranger comes to town vibe in a way that I always find satisfying. I’ve added a bunch of other Kurosawa stuff to my watch list as a result.

Part III: What I’ve Got Going on

My short story “Vacationland” is out in Dark Waters Volume 2 Anthology. It’s a great collection edited by Nathan Turner and Kirstyn Petras (who also have a podcast that is pretty great). They’re doing a Crowdcast on 1/18 from 8-10 pm that I’ll be participating in.

“The Cottage” was just picked up by the noir/literary publication A Rock and a Hard Place, which is exciting. It’s due out next month and is a story that’s a bit of a stretch for me. It’s a great publication and I’m excited to be included.

“Quick Turnaround” will be out in the March/April Alfred Hitchcock Mystery Magazine. I had a lot of fun writing it and am still very proud of the twist at the end. This is my first AHMM piece, which is a big honor.

There’s a Noir at the Bar at Cafe Avellino on 2/20 in Swampscott, MA that John Nardizzi is organizing with a some amazing New England crime writers (including me). If you’re in the North Shore, come check it out.

Finally – I had the chance to attend the Maine Crime Writer’s event at the Portland Stage. It was really fun and I’m excited for Murder on the Links. Maybe I’ll see you there?

I’d love to know, if you have a chance and feel so inclined, what you got going on?

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S. A. D. OR HOW A GRINCH IS LOOKING TOWARD 2025

Vaughn C. Hardacker

Once again, the holidays are over, and we start the infinite journey through January, February, March, and the first half of April. I suffer from S.A.D. (Seasonal Affected Disorder), a depression caused by life as a mushroom. I get up in the dark, and a few hours later, or so it seems, it’s dark again. Between the two, I deal with the B. S. I get inundated with. Today, it’s not too bad; the sun is out for the first time in a week (someone must have sacrificed a goat), but the temperature is in the single digits with a brisk wind creating a below-zero wind chill. Then there are the heating bills! I’m depressed enough without going there …

Having finished that rant, I can get to what is bothering me. For years, I have told people I will live forever. God doesn’t want me, and the devil is afraid I’ll take over.  Since I was stationed in Japan, I’ve not been a fan of Christmas. The Japanese are predominantly Buddhist, so why does every retailer have Santa Claus in their store windows every December? Maybe Japanese retailers are Christian; damned if I know. The entire holiday is a sham anyway. For example, Christ was born in the twelfth month. Okay, I can accept that. The only problem I have is that the year was based on agricultural seasons in the Hebrew calendar. The twelfth month was March, and April 1st was New Year’s Day.  Astronomers studied the descriptions of the stars as listed in the scriptures and have said that Christ was, in reality, born in the Spring. I’ve read that the early catholic church wanted to attract people to the new religion, so they moved the holiday to December because it was close to a major pagan holiday. The holiday has lost its true purpose to celebrate the birth of Christ. However, the three wise men hijacked it and started the gift-giving, which got out of control. Suicide rates peak over the holidays … enough on that.

I am not looking forward to my 78th trip around the sun. Why, you ask? I have been quite lucky in my advanced years. I have been able to stay involved in veteran issues and have had fewer physical issues than many of the people I know. I do have type II diabetes and suffer from PTSD (I still flinch when I hear loud noises, and the sounds of gunfire made me give up hunting–when I hear a gunshot, I still want to dive to the ground.  One day, I woke up and saw the obituary of someone I’ve known most of my life, and it dawned on me that I’m getting to the point where I know more dead people than live ones. I am the sole survivor of my nuclear family, and most of the people I knew led more sedate lives and took care of themselves better than I did. I am living proof that God has a special affection for drunks and idiots.

As I embark on 2025, I have realized that my body has finally convinced my brain that I’m old, and it makes me feel it, too. In December, I tripped and slammed my ribs into a nightstand. For two weeks, I was in severe pain. During the week before Christmas, Jane, my significant other, came into my room holding a paper towel. She opened it and said, “We have to have a funeral.” On Christmas of 2023, her granddaughters gave her two Society Finches, one of which was dead and enclosed in a paper towel. I have known many animal lovers, but none as avid as Jane.

A few years back, we hit a moose, and when I got out, she ran across the road. I asked, “Where are you going?” She said, “To see if the moose is all right.” I said, “You’re talking about an animal that may weigh a half ton–and I doubt if it’s in a good mood right now.”  I had hit the moose a glancing blow and saw it in the ditch beside the road. It got to its feet and trotted off into the woods, back to my story. I told her I’d buy her another bird. We drove to the closest pet store–in Bangor, where I bought her two birds. When we got home, one of them got loose. We chased it around the dining room, and it seemed to be having a great time observing the fools trying to catch it. It landed on our china hutch and got up on a small ladder, hoping to catch it in a net. Remember the fall I took a few weeks before, which had finally stopped hurting? By now, I’m sure you’ve figured out that I fell off the ladder and smashed the ribs on the other side. Today is the first day I’ve been pain-free. Fortunately, we safely captured the bird and placed it in its new home.

My next 2025 issue will be in the works shortly after this blog post. In late January, I’ll have cataracts removed. I’m hoping that it will give me a better outlook on life!

In closing, I HOPE YOU ALL HAD TERRIFIC HOLIDAYS AND A SAFE AND PROSPEROUS 2025

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Weekend Update: January 11-12, 2025

Next week at Maine Crime Writers there will be posts by Vaughn Hardacker (Monday), Gabi Stiteler (Tuesday), Rob Kelley (Thursday) and Matt Cost (Friday).

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

 

 

 

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business, along with the very popular “Making a Mystery” with audience participation, and “Casting Call: How We Staff Our Mysteries.” We also do programs on Zoom. Contact Kate Flora

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My New Novel Just Published-Why I’m Freaking Out

My new novel just published and now I’m freaking out.

Marketing. Book selling. NetGalley. BookSirens. Double down on Twitter. No, make that X. Send out ARCs to readers. Book bloggers. Book tour bloggers. Tell people about my new novel. Tell more people. Spread the news on Facebook without totally annoying people. Create marketing visuals.

Oh, did I tell you I my new book came out the day after Christmas? That’s why all this marketing hubbub. All the publicity and worry lines and wrinkles and anxiety.

The name of my new novel is Cruel & Bitter Things, Book 1.

Thank the people who wrote great blurbs and penned advance book reviews. Convince myself I’m not a fraud and imposter but a real writer. Go to the post office and send out ARCs of wonderful new book. Tell the postal office that there are books inside the Manila envelope, while fighting the urge to tell them that they are my books. The books I wrote. Then I jokingly tell him I’m a novelist, but he grimaces and asks me for $19.80, and if I want any stamps.

Return home. Schedule podcast appearances. Call bookstores to make sure they carry my book. Read existing reviews of my novel and realize there are some errors and inconsistencies that made it through to the ARC. Damn. Make notes to fix errors before they appear in the final version. Keep track of email addresses to put into my mailing list—which I have yet to set up.

Sit down. Take a deep breath. Try to ignore the pain in my chest. Tell myself not to have an anxiety attack over the first world problem of being an author. Worry about the bad reviews that will come with publishing a novel (there are always bad reviews) and bad sales (there are always bad sales). Call my therapist and set up a session. Take some anti anxiety meds. Grab a box of tissues in the event I feel a tear coming.

Shit! I forgot I the blog post I have to write by mid morning. For Maine Crime Writers! That damn Kate Flora never stops with the reminding emails, although I loved her last novel. Stop thinking about marketing my book and think about what I’m going to write about in blog. Sip coffee and consider various topics, but dismiss each one. Procrastinate. Go into the kitchen and stare into the fridge for the nth time. Grab something to nosh on and head back to the desk to write. Hopefully, whoever reads this won’t think I’m a moron, but that’s near impossible.

Check the reviews on NetGalley and realize that my best review has been taken down by the reviewer who wrote it. Curse! Jump out and down. Tear out the three remaining hairs on my head. Spend the next three hours trying to track down this reviewer and demand to know why she has taken down such a such a superfluous review. Did I offend her? Did she go back and realize she hated my book,  it loved it? Just my luck. Grab a tissue and have a good cry.

Feeling better now. Until I glance at the orders on Amazon. Another quick crying spell. See that it’s near bedtime and hit the hay. Have nightmares about publishing this new novel.

Wake up.

It’s a new day in .

Do the above all over again. Except writing the blog.

Check out the first book in my new series, Cruel & Bitter Things, Book 1.

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