By Brenda Buchanan
Nine wonderful actors brought the work of five Maine crime writers to life Monday night in front of a nearly-full house at Portland Stage Company.
It was an absolute blast, the tonic we all needed on a cold January night.
Scenes from my first Joe Gale book, Quick Pivot, Gerry Boyle’s Straw Man, Paul Doiron’s The Poacher’s Son, Julia Spencer-Fleming’s One Was A Soldier and Chris Holm’s entire short story Eight Pounds were given staged readings by an enthusiastic and talented troupe of actors.
Several of the actors are professionals—members of Actor’s Equity Association—who are Portland Stage Affiliate Artists. The others possess impressive resumés from their work at Portland Stage and other area theaters. To a person, they did a superb job.
Julia, who studied theater as an undergraduate, observed after the performances that a staged reading is a true test of an actor’s chops. Without costumes, props or sets, the audience is fully focused on the actors and their ability to inhabit the characters. And inhabit they did.
In the case of Quick Pivot, Whip Hubley became dogged newspaper reporter Joe Gale and Courtney Cook really got into the skin of Joan Slater, the wistful former lover of Joe’s late mentor, Paulie Finnegan.
I can’t even describe the thrill I felt when the actors read the words I’d written, and how rewarding it was to hear the audience react. It was equally exciting to watch the actors perform passages written by Gerry, Paul, Julia and Chris, four writers I hold in the highest regard.
As writers, the task of preparing scenes for submission was a lesson on the difference between writing for readers and writing for performers. We were asked to submit two or three 10-minute-long, dialogue-heavy passages for the director’s consideration, each with two or three characters. The work needed to be adapted for the stage by trimming out the words, phrases and sentences that would bog down the dialogue. It was a bit of a challenge to adopt a different mind-set, but the payoff was tremendous.
Enormous thanks go to Director Eileen Phelan, who proposed the idea of staged readings back in November. Her discerning choice of scenes and skill matching actors to parts was critical to the evening’s success.
Bess Welden of Portland Stage, who acted in Paul’s and Julia’s scenes, also did a great job moderating the post-performance discussion with the enthusiastic and engaged audience.
This was the second collaboration between local crime writers and Portland Stage. Last year several authors took part in an audience talk-back after a production of PSC’s The Hound of the Baskervilles. This week’s staged readings took the relationship a step further, and there’s already talk about doing it again next year so more crime writers can experience the thrill of watching their characters come to life on stage.
Bright lights, red carpet? Bring it on!
Brenda, this looks like great fun! And how exciting!
What an extraordinary event! Kudos to all who worked so hard on this. Hearing about it in Brenda’s voice gave me chills. And it provided a thrilling, compelling reason to “always read your own word aloud” as part of the editing process. I enjoyed this post so much! –kate, writing as c t collier
Reading work aloud is always so important, I agree. The ear picks up what the eye misses. In these adaptations, of course, we also had to jettison unnecessary narrative and details like descriptions of characters’ body language. It was a challenge, to be sure.
This is sensational!
It was So. Much. Fun.
This sounds so amazing! So sorry to have missed it.