Making the Pieces Fit: Building a Mystery

Lea Wait, here, taking a deep breath between publication of my SHADOWS ON A MORNING IN MAINE a little less than two weeks ago … and publication of DANGLING BY A THREAD, October 24.Shadows on a Morning in Maine

Of course, I’m not sitting around or being bored. My next manuscript is due to my editor December 1. So, while I’ve been talking about this fall’s publications,  I’ve been thinking a lot about plots, characters, clues, pacing … all the elements that, put together in the “right” order … become a mystery. Most specifically, I’m thinking about the book I’m writing.

My grandmother used to spread the pieces of a large jigsaw puzzle on the corner of our dining room table. (Except at holidays, when the table was actually used for dining. But that’s another story.) When I passed the table I was always tempted (as were other members of the family) to add one or more pieces. Matching colors were sorted. Edges were put together first. Corners were the easy parts. But seeing a picture in terms of shapes didn’t come easily to me. I enjoyed the puzzles, but I was not a master at jigsaw puzzle solving.

And now I write mysteries. Some authors are “seat of the pants writers” (“pantsers,” for short.) They sit at their computer keyboards and words flow, turning magically into characters and plots and solutions.jigsaw

That’s not me. (I wrote one book that way, and it’s the only mystery I’ve written that has not sold. And it took three times as long to write as I normally allotted.)

I’m an “outliner.” Not the sort my fifth grade history teacher insisted on, with large As and small, Roman numerals and Arabic. But an outline of the plot and characters, nevertheless.

True, I leave some plot details to imagination (or serendipity,) to be developed while I write. But before I put my hands on that keyboard I know where I’m going to start, where I’m going to end, and have a fairly detailed idea of what will happen between those points.

When I speak at schools I often explain that writing is like putting together a giant jigsaw puzzle … a puzzle that begins with all white pieces, and no edges. The pieces are parts of the book: characters. Scenes. Weather. Time frames. Clues. A murder weapon (or two.) Suspects. Motivations.

Is it winter, or spring? Is my protagonist angry or contented, haunted by his or her past, or afraid of the future? Why does he or she get involved with solving the crime? Who will die?  Why? How? Do they deserve it? What secrets do each of the main characters have? Do those secrets overlap? How do they complicate the plot?

Some puzzle pieces are the characters’ backstories. Their relationships with each other, then and now. Is there a romance? Is it in trouble? Is there a business that must be run while the crime is being solved? Are there children or elderly relatives who must be cared for? Friends with difficulties? Do any of the characters have flaws that complicate resolving the crime?

What about the unpredictable. Will there be a storm? A flood? An automobile accident? An unrelated crime that confuses both the police (yes, they’re in there, too) and the protagonist?

Could there be a second murder? Or even a third?

The answers to all of those questions become jigsaw puzzle pieces that, when best put together, tell a story.

Sometimes sub-plots or minor characters take over, and demand more than their share of the puzzle. Theses must be ruthlessly disconnected from the rest of the plot and tossed on the floor, perhaps for a dog to nibble or a cat to hide. They have no place in the completed puzzle.Dangling By A Thread comp300

So now, as (I hope!) readers are sitting back and reading SHADOWS ON A MORNING IN MAINE, or anticipating and pre-ordering DANGLING BY A THREAD, I’m organizing the pieces of a Christmas mystery set in Haven Harbor, Maine which will be published in November of 2017. I know who dies. I’m pretty sure who the murderer is. I want to set my characters and plot in a realistic (but slightly glamorized) Maine holiday setting.

And, of course, there will be red herrings and Christmas ornaments and eggnog and cats and lots of motivations and secrets.

When the puzzle is complete, I hope the picture I’ve put together is a true one, and a Christmas my readers won’t forget — at least for about three hundred pages.

For right now … I’m putting together the pieces.

 

 

 

About Lea Wait

I write mysteries - the Mainely Needlepoint, Shadows Antique Print and, coming soon, the Maine Café series. When I was single I was an adoption advocate and adopted my four daughters. Now my mysteries (and historical novels for young people) are about people trying to find love, acceptance, and a place to call home. My website is www.leawait.com
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3 Responses to Making the Pieces Fit: Building a Mystery

  1. Kait Carson says:

    Wonderful post, Lea. I’m printing it, I hope you don’t mind. I am a pantser who strives for plotter. I like order in my life! This sounds like a tight enough/loose enough one that would work for me. I’m off to get Shadows on a Maine Morning. Lately it’s been fog on an Aroostook morning, but that’s fine. I love fog. It’s great writing weather!

    Like

  2. Lea Wait says:

    I love fog, too! Mysterious … and almost magical. Sort of Maine’s invisibility cloak … hope the blog helps!

    Like

  3. Lea: Love your analysis of how you write your mysteries, both the Maine ones and the Threads ones. And now you have two books coming out in two months! Who else has such a marvelous record! As usual, you make me feel like I should sit down right now and at least outline (my own way of course) a manuscript.

    Congratulations, and keep up the inspirational entries.

    Like

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