The Wonderful World of Fairy Tales

Kaitlyn Dunnett/Kathy Lynn Emerson here, musing today about fairy tales. It was a news item about the first performance of Peter Pan, way back in 1904, that started me pondering this topic, even though I don’t ordinarily think of Barrie’s stage play (in any of its incarnations) as being in the same genre as stories by Hans Christian Andersen or the Brothers Grimm. For one thing, the original versions of most classic fairy tales are short narratives without much dialogue or a lot of description—more akin to tales told around a campfire than to lavish theatrical productions or animated feature films.

I still have the book of Grimm’s Fairy Tales I was given as a child. I was especially fond of “Jorinda and Jorindel,” “Cat-skin,” “Ashputtel,” and “King Grisly-Beard.” “Hansel and Grettel” not so much. Fairy tales are not for the fainthearted. People meet grisly fates in many of them, some deserved and some not.

My all-time favorite fairy tale has always been “The Twelve Dancing Princesses,” in part because it does (sort of) have a happy ending, and in part because of the dancing. One year when I was a teenager it was the basis of our annual ballet recital. As the tallest girl in the advanced class, and the only one who did not take toe lessons, I played the prince. I even got to name him, since he doesn’t have a name in the original story. I chose Basil. Why? No idea. I was just happy the part was to be that of a prince, because in some versions of the story he’s an old soldier instead. It was a cool role to undertake. Not only did I get to do a lot of big leaps and spins and some pantomime, but I also had a magic cloak that made me invisible.

There’s no way to write about this topic without the name Disney coming into the conversation. I admit I have always had a soft spot for Disney versions. Peter Pan was a favorite, even though I liked the live Mary Martin performance on television much better. I can remember sitting through Disney’s Sleeping Beauty numerous times at the movie theater, and Disney’s Cinderella has always appealed to me more than the various theatrical interpretations. Once upon a time, I owned my very own Snow White doll, complete with seven plastic dwarfs.


And then, of course, there’s Into the Woods. I’ve seen it on stage and in two filmed versions. I’m not certain what the appeal is. It’s certainly not an upbeat musical and thinking about it reminds me of a song Peter, Paul, and Mary recorded many years ago. In the patter that goes along with it, they explain that “Blue” has all three basic elements of children’s songs. These work just as well for fairy tales. One is simplicity, so the child can understand it. Two is pathos, to prepare the child for later traumatic experiences. Three is repetition, to give the child a false sense of security.


By now you’re probably asking yourself where the heck I’m going with this post. Darned if I know. Let’s call it a stream of consciousness blog. This can happen when a blogger can’t come up with any other idea and a deadline is looming. But now that I’ve rambled on about fairy tales, I am curious. What role did fairy tales play in your life? Do you think they still have a place in this big bad world? And if you choose to read or tell a fairy tale to a child or grandchild or niece or nephew, are you more likely to pick the grim Grimm version or the fluffy Disney interpretation?

Kathy Lynn Emerson/Kaitlyn Dunnett is the author of more than fifty-five traditionally published books written under several names. She won the Agatha Award and was an Anthony and Macavity finalist for best mystery nonfiction of 2008 for How to Write Killer Historical Mysteries and was an Agatha Award finalist in 2015 in the best mystery short story category. She was the Malice Domestic Guest of Honor in 2014. Currently she writes the contemporary Liss MacCrimmon Mysteries and the “Deadly Edits” series (Crime & Punctuation—2018) as Kaitlyn and the historical Mistress Jaffrey Mysteries (Murder in a Cornish Alehouse) as Kathy. The latter series is a spin-off from her earlier “Face Down” mysteries and is set in Elizabethan England. Her most recent collection of short stories is Different Times, Different Crimes. Her websites are and and she maintains a website about women who lived in England between 1485 and 1603 at A Who’s Who of Tudor Women.



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2 Responses to The Wonderful World of Fairy Tales

  1. Lea Wait says:

    My childhood fairy tale books were a set — one of Anderson’s, and one of Grimm’s. Both had absolutely horrible illustrations. The one of The Girl Who Trod on a Loaf (picturing the girl, wrapped in snakes) gave me nightmares. Of course, I have to peek at it once in a while anyway.. later, I loved the Opie’s history of fairy tales. Still do! Reminiscent post, Kaitlyn — thank you!


  2. Grimm’s have always been my favorite. Nothing against Anderson, but, I always found him to be too modern. My first choice in fairy tales (I pride myself on being able to recite many from memory without reading.) for sharing with young people is Grimm. Although, for the sake of full disclosure, my niece once asked me to update my material to Frankenstein, Dracula, and the Mummy. I guess times do change even if we don’t!

    Liked by 1 person

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