Steal This Idea!

IMG_2758

An escaped lobsterman’s glove, tangled in a rope. But doesn’t it look like more than that?

Kate Flora: Yesterday, Maureen Milliken wrote a post about the value of conversation to a writer. She’s so right. It’s impossible to underestimate the importance of talking to people in the know when you’re writing in a genre that requires detailed knowledge about the world of crime. As Maureen wrote, there are a lot of things we need to research in order to get them right, and we work in a genre where our readers are sharp, and quick to call us on it when we don’t do our research.

If you’ve been reading this blog for a while, though, you will know how I like to harp (oh, is that too negative a word or does harp put you in mind of lovely music?) on the subject of imagination. I’ve even taken my interest in prodding writers to use their imaginations as far as teaching a class for Grub Street from time to time called, “Imagine This.” Any student who has ever taken a class with me knows how often I urge those with a desire to write to pull out their earbuds, turn off their screens, and look at the world—and the people—around them to see the fabulous story ideas that are happening all around them all the time.

Once, years ago, I got the assignment to write the Afterword for a magazine. I decided to write about imagination, and since I was at one of those very cool parties that happen at conventions, with a room full of A-list writers, I decided to ask random people what came to mind when I used the word: Imagination. Far too many people reacted like it was a trick question, instead of saying: what we use all the time when we are writing.

This past weekend, I spent far too much time in my car dashing from one writerly event

The goofy blue chair I just finished putting together.

The goofy blue chair I just finished putting together.

to another—events that were great fun, but which took me away from my writing desk, and the work that is calling to me. While I was driving, I was listening to NPR, and heard some interviews with E.L Doctorow, including this quote:

The thing about writing is that you use your imagination a good deal of the time and you can usually work out things by thinking about them and imagining them. That’s the whole game – to get into people’s skins, to pretend to be someone you’re not, to have experiences you’ve never had and to represent them truly to render them. E.L. Doctorow in an interview with Terry Gross on NPR

One of the things that happens when we look around, and let the things we see prod our imaginations, is we begin to ask the question: What is that about? Who is that about? What happened just before this? What is going to happen next?

For example, what is driving that chubby, heavily tattooed man in the diner in Falmouth to want to wear that ratty-looking semi-automatic weapon on his belt?

How did a folding chair, a sleeping bag, a beach towel, and assorted other gear come to be rolling around in the road just north of Portland and how will the owners feel when they realize it is gone?

What is the significance of that wreath of plastic flowers and a helium balloon tied to the corpse of a dead porcupine? Is it just to make people like me wonder? An exercise of whimsical imagination?

It’s a fact. The world is full of marvelous, slightly off-beat things that prompt our questions. But just as Maureen reminds us we need to be talking to people, I’m here today to remind you to look around, see what’s there, and let it prompt your imagination IMG_2762to think about the story it might tell. You don’t need a book of writing prompts, though of course they can be helpful. But you do need to look. And you need to wonder.

Tomorrow, I am off to Union to pick blueberries in the 18-acre field my husband gave me for my 55th birthday. And on Wednesday? Happy Birthday to me.

 

 

 

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Writing a mystery novel? Never discount value of a good conversation.

Hi, Maureen here, on a gloomy July day in Belgrade Lakes.

John Clark, Vaughn Hardacker, Maureen MIlliken and Brenda Buchanan talk mysteries, Maine and other stuff at the Thompson Library in Dover-Foxcroft July 14. (Diane Kenty picture)

John Clark, Vaughn Hardacker, Maureen MIlliken and Brenda Buchanan talk mysteries, Maine and other stuff at the Thompson Library in Dover-Foxcroft July 14. (Diane Kenty picture)

On a much prettier typical Maine summer day two weeks ago, I made the drive up to the Thompson Library in Dover-Foxcroft, whereI and  fellow contributors to this blog Brenda Buchanan and Vaughn Hardacker talked mysteries and writing to a small but appreciative audience, moderated by John Clark, who also contributes to this blog.

One of the questions to the panel concerned research, how we do it and what amount.

It’s a question I hadn’t given a lot of thought to, and my answer was that we’re always doing research. Since Cold Hard News and the upcoming novels in my Bernie O’Dea series are based near where I live and have a newspaper background, I can’t help but draw from what’s around me and what I experience on a daily basis as a newspaper editor. Aside from the usual Googling and looking things up that comes with writing, I thought that was it.

But I realized later that I’d left out a big aspect of my research: the interview.

I thought of this the other day when I finally sat down with a friend and colleague, Scott Monroe, who I’d been hounding for months to tell me about hunting, specifically about field dressing a deer in as much grisly detail as possible. I’m sure that’s info I could find on the internet, too, but there’s really nothing like talking it out with someone. Particularly when your interview victims are smart and insightful, which I always try to make mine are, it’s a goldmine. I’m sure now that my followup questions have already started and show no sign of letting up, he’s already regretting it.

A possible piece of the cover art for the next Bernie O'Dea mystery novel, generously provided by Scott Monroe.

A possible piece of the cover art for the next Bernie O’Dea mystery novel, generously provided by Scott Monroe.

He’s also offered up some art that I hope will be part of the cover art of my upcoming novel, working name No News is Bad News. It’s a tradition, because he also supplied the photo that’s on the cover of Cold Hard News. Hopefully I won’t bug him so much about hunting that he takes it back.

Interviews were also a big part of Cold Hard News.

When I first started writing the book, I needed to talk to someone who was owner/editor of a weekly newspaper. Though I’d worked on dailies as a reporter, then an editor, since 1983, I knew enough about weeklies to know there was a lot I didn’t know. I was living in Manchester, N.H., at the time, and after a lot of research, found the right size paper with the right kind of owner/editor in Enosburg Falls, Vt. Ed Shamy had recently been laid off from the Burlington Free Press (this was 2009 and newspaper jobs were dropping like flies), had bought the County Courier in Enosburg Falls and was willing, though a little reluctantly, to talk to me. He said he wasn’t sure he could help me much and I said that’s okay, it’ll be painless and only take about half an hour.

Well, it ended up being nearly two hours and Ed not only gave me a lot of good detail about how a weekly operated, but also was candid and heartfelt about what it felt like to go from a big, influential daily to a little country weekly. That conversation formed the foundation Cold Hard News was built on.coldhardnewscover

A while before that conversation, I had another one with my friend, reporter Lorna Colquhoun. Lorna, as a reporter for the New Hampshire Union Leader, had covered the Bruce McKay-Liko Kenney shootings in 2007 in Franconia, N.H. That double-fatal shooting inspired a dramatic turning point in my book.

A lot of what Lorna told me was deep background and detail that didn’t make it into the book, but I needed to have the conversation to fully understand what had happened, both the people and the events, so I could have fertilizer for my thought process.

In all three cases, I fully understood that I was going to get a lot of stuff that I wasn’t going to use. That didn’t matter and none of it was a waste of time. When I was a reporter, I used to approach interviews the same way. Sure, I had some questions jotted down, but I was just as focused on what the person I was interviewing could add that I wasn’t aware of, or hadn’t given a lot of thought to.

Those two conversations for Cold Hard News, and my recent and ongoing one that will help form a big part of the book in progress are big foundation ones. But both books also were formed out of probably hundreds of small conversations I’ve had with more people, about more topics, than I can remember.

I like to talk. I don’t deny it. Anyone who knows me will vouch for it. But I also think it’s becoming a lost art. Okay, not a lost art so much as dismissed as time-wasting or not productive. We love our electronic devices, and I’m thrilled that I can text, email and message people. In a lot of cases it’s more efficient and gets the job done. But none of those are as satisfying as good old-fashioned conversation.

Next time I’m asked about my mystery writing research I’ll keep that in mind.

And be sure to stop by the Belgrade Lakeside Artisan Show next Sunday, Aug. 2, where Vaughn Hardacker, Lea Wait and I will be manning the Meet the Maine Crime Writers table. It’s 9 a.m. to 3 p.m. at the Community Center for All Seasons on Route 27.

I’d love to chat!

Maureen Milliken is the author of Cold Hard News, the first book in the Bernie O’Dea mystery series.

 

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Weekend Update: July 25-26, 2015

fallsbooks1Next week at Maine Crime Writers there will be posts by Maureen Milliken (Monday), Kate Flora (Tuesday), John Clark (Thursday) and Kaitlyn Dunnett/Kathy Lynn Emerson (Friday), with a guest blog on Wednesday.

In the news department, here’s what’s happening with some of us who blog regularly at Maine Crime Writers:

Today (July 25) several of us are at the Beyond the Sea Book Festival in Lincolnville Beach, Maine. Come join us if you can. Late morning and early afternoon is the best time to find us there, as we’re signing in overlapping shifts. Attendees include Barbara Ross, Dorothy Cannell, Lea Wait, Kate Flora, Susan Vaughan, and Kaitlyn Dunnett/Kathy Lynn Emerson. The complete schedule is here: http://www.beyondtheseamaine.com/book-festival-2015.html

Barb: On Thursday evening, July 30, at 6:30 I’ll be at the G.A.R. Memorial Library in West Newbury, MA, discussing “Not Your Ordinary Cozy Mystery” with fellow Wicked Cozy Authors, Jessie Crockett, Liz Mugavero and Edith Maxwell.

Lea: And, for next weekend, Sunday, August 2, Vaughn Hardacker, Maureen Milliken and I will be at the Belgrade Lakes Artisans Show, with our books, of course, from 9 am until 3 pm.  A chance to talk with us … and take home a signed book (or three!)

An invitation to readers of this blog: Do you have news relating to Maine, Crime, or Writing? We’d love to hear from you. Just comment below to share.

And a reminder: If your library, school, or organization is looking for a speaker, we are often available to talk about the writing process, research, where we get our ideas, and other mysteries of the business. Contact Kate Flora: mailto: kateflora@gmail.com

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Okay, But Seriously, What Should I DO? (About Book Promotion)

Hi All. Barb here. Finally back in Maine on a gorgeous summer day.

Back in the spring, I wrote a post called Four Lies Book Publicists Will Tell You about some of the false and outright damaging advice new writers get about marketing their books. In an effort to be more positive, I also wrote a post about Four Principles of Book Promotion. In that post, I explained the philosophical underpinnings of my approach.

A few people have written me and asked for more concrete advice. Philosophy is great and all, but the question is, what should I DO?

So I’ve come up with this timeline of what I think you should do. As always, there are caveats.

  • This is the opinion of one moderately successful, traditionally-published, mid-list writer, who has published four books. Read it through that filter.
  • This list is my advice about what you should do, wherever you are in the first book writing-publishing-publicity cycle now. If you are just starting your first draft, the actual activities further along in the cycle will have changed from the ones I list by the time you get there. Be flexible and be a learning animal. That’s part of the fun, right?
  • The to-do list is underpinned by my Book Promotion Principles, to wit:
    • Find Your Niche
    • Be A Person
    • Seek Safety in Numbers
    • Calm the Heck Down.
  • I am 100% sure there are multiple other approaches that will work.

Stage One To-Dos: As soon as you start a writing project that you seriously think might turn into a book

1. Join at least one, and maybe more organizations for writers. If you know what genre you’re working in,  join organizations in that arena. If you’re working in crime writing, look at Sisters in Crime, Mystery Writers of America, and International Thriller Writers. If you’re working in Romance, join Romance Writers, etc. Be sure to also join the local chapters, even if you don’t live near the place where the meetings are held. Lots of local chapters have online groups and courses, as well as conferences that are worth traveling to. Also consider more general writing centers and groups in your geography. In Maine, Maine Writers and Publishers Alliance, in Mass., Grub Street, in NH, NH Writer’s Project, etc.

Comment: This can be a hard thing to do. For one thing, if you’re still working on that first draft, you may feel like a fraud and be intimidated. Don’t be. Everyone in the organization was once where you are now. Also, you may be reluctant because you’re already stealing time from your family and job to write your novel. Now, I’m advising you to steal more time. But believe me, it will be worth it to do this early. For one thing, you’ll have access to craft classes and other things that will make you a better writer and to psychological support that will keep you going. For another, it takes time to build a professional network and it may even take time to find the organization that is the right fit. So do it early. (Read Maureen Milliken’s excellent post about the value of community here.)

2. Reserve your domain name. Reserve the url with your name, or pseudonym if you already know you are going to use one. You can also reserve your protagonist’s name or your series name, but remember, these things may change. If you have a common name (like I do) get as close as you can. This is relatively cheap and easy.

3. If you don’t do so already, play around with social media. Try Facebook, Twitter, Pinterest, Instagram, Goodreads, etc. Don’t do it as an author. Do it as a person. Reconnect with cousins, classmates and former colleagues on Facebook. Follow people you admire on Twitter or Instagram. Create boards of pictures you love on Pinterest. Review the books you read on Goodreads. No agenda. Have fun. (Read Chris Holm’s excellent post on the Tao of Networking here.)

Comment: You will have a huge hill to climb once you sell your book. It will help if you are comfortable with some of the basic tools of book marketing. It will take time to figure out what you like and can sustain and to build a mental map of these services if you are not currently familiar with them. Of course, don’t spend all your time on social media. Writing the best book you are capable of is your most important job.

Stage Two To-Dos. When you’re rounding the turn to that third or fourth draft and you’re thinking, my gosh, this may be a book I can actually sell (or self-publish)

1) Remember those organizations I told you to join? Volunteer at one or more of them.

Comment: So, you’re already stealing time to finish your book, and I’m telling you to sink time into volunteer activities. Am I crazy? Hear me out. a) You’ll learn more about a whole lot of things, including the lives of working writers and the publishing industry, from the inside than from the outside. b) If possible, volunteer to do things that will expand skills you will need to develop anyway. Put out the group’s online newsletter (and learn how to use a program like Constant Contact or MailChimp). Work on the organization’s blog and learn WordPress or Blogger. If you learn WordPress, you’ll be able to create and maintain your own website. (There are other programs that make this easy, too.) Unless you work at a small company or are self-employed in your day job and do all your own marketing, it is unlikely you have all the skills you will need to market your book. Volunteering is a way to bring yourself up the learning curve, while having fun and making friends. And finally, c) You think you don’t have any time now? Just wait until you are a working writer with contract deadlines, book publicity, and let’s be realistic, probably still a day job. Pay your dues now.

2) Figure out what genre and subgenre you are writing in. Find blogs, Facebook groups, Goodreads groups, etc. dedicated to the genre or subgenre. Actively follow some of the leading lights in your field on Twitter or Instagram, and maybe some agents and publishers who publish your kind of book. Participate as a reader. Be a person.

3) Take a class. Go to a conference. I know it’s expensive, but focus on local to save on travel. Do your research to make sure it’s the right opportunity. (If it’s the right conference is a question you can ask that network of fellow writers you’ve been growing.) There’s not a single business you can get into without the investment of some capital, and that includes writing.

Note: At this point, the self-published and traditionally published paths diverge pretty dramatically. Since this post is already crazy long, I’m going to stick with traditional, since that’s the one I know most about.

Stage Three To-Dos: When you’ve started pitching agents and when you have an agent who has started submitting to publishers.

Comment: Okay this is where it gets murky. As I said in the previous posts, I don’t think an agent or publisher should judge a debut fiction author by the number of Twitter followers they have, or their web presence, or the size of their e-mail list. And as Jane Friedman commented on the earlier post, “Get a platform,” has become a gentle way for agents and publishers to say, “no.” (When I was raising venture capital for start-up businesses, we used to call this “Bring me the broom of the Wicked Witch of the West.” Quests you will be sent on that will only lead to more quests. Useful if they are things you should be doing anyway but otherwise, not.)

On the other hand, it is completely legitimate for an agent or publisher to want to be reassured that you are prepared to be a partner in supporting your book and that you have the skills necessary to do that.

1. So to that end, it may be useful to build a rudimentary author website at this point. Things you will do anyway in the process of preparing pitches–creating a log line, a query, a synopsis, a bio, etc–will come in handy in helping you shape content. Choose a look and feel for your website that says you understand your genre. Make sure the website provides a way to sign up for your e-mail newsletter.

2. Do whatever your agent tells you to do. Unless, of course, your agent is crazy and/or you feel he/she is using your lack of promotion as an excuse for why he/she can’t sell your book. In which case, drop your agent and move on. (Incredibly painful decision, I know.) But otherwise, do whatever your agent tells you.

Stage Four To-Dos: After your book has been sold to a publisher.

1. Three day party! Enjoy it before you have your inevitable meltdown about how you’ll never be able to make your book perfect, and you don’t know how to market it, and your mom is going to read your sex scenes.

In my experience, writers are terrible about enjoying their accomplishments. Don’t forget, this is what you’ve wanted for years.

2. Work with your publisher to fill out all all those marketing forms. Aren’t you glad you reserved your domain name way back in Stage One?

3. Get blurbs if this is your responsibility. (Remember that network you started on back in Stage One? Use that.) Plus approach some aspirationals. Your agent and/or publisher may be willing to help with this.

4. Once you have a cover, cover copy and blurbs, update your website and bring it into conformance with the look and feel and marketing positioning of your book.

5. As soon as your book is listed on Amazon and Goodreads, (which may be much earlier than you think) create an author page for each and “claim” your books. And probably do a Facebook author page at this point, too.

5. Get clear with your publisher’s publicist/marketing person who is doing what. Are they arranging a blog tour? Who are they submitting review copies too? Is your book going to be on NetGalley? Are they doing a Goodreads giveaway? You’re going to end up doing whatever they do not.

6. Get some tchotchkes. Bookmarks at a minimum. Decent stationery for cover notes for review copies (the ones that are hardcopy). Envelopes, shipping labels. All that stuff.

7. Get rid of every single Advanced Read Copy. Take one for sentimental reasons, and make sure the rest are gone. They’re not doing any good sitting in a box under your desk. Remember those book bloggers you identified in Stage Two? Where you’ve been participating as a person? Approach them. (Most will have review guidelines on their sites. Be respectful.) Do a Goodreads giveaway if your publisher isn’t going to.

8. Find some peers. Join a group blog or start one. (Not every one agrees with this advice, but it has been invaluable to me.) Find local authors (remember your network) who have books coming out at the same time as you. Set up some gigs at libraries, book stores, etc, with author friends. Remember, seek safety in numbers. Only 3 people may come to see not-yet-famous you, but if you have 3 friends and your friend has 3 friends, etc.

9. Plan your launch. Remember all those cousins, former colleagues and school friends you found on Facebook in Stage One? Make sure they know about your book and your launch. You’ve been living surrounded by people writing books, probably for years now, but to your non-writer friends, your first book launch is a big deal, particularly if they know it’s the culmination of a lifelong dream. You’ll be amazed at how many of them come out. Or just buy the book in their far-flung corner of the country. Or the world.

10. Send out an e-mail blast announcing your book, your appearances, your launch, include some early reviews, etc.

11. Try to relax and enjoy it. You love your book. You want to support your book. If you could, you would take a killer mortgage and move to a good school district so your book could have a better chance at a good college and a fulfilling life. But you can’t. You can only do what you can do. What happens from here depends on your book, your publisher and a little bit on you. You can only help so much, and you probably can’t screw it up.

Overwhelmed by this list? Don’t be. Some final pieces of advice.

  • Just focus on the tasks for the stage you are at now. Don’t worry about what’s coming next. By the time you get there, you’ll have more experience and a better foundation. What seems unthinkable now will be thinkable by then.
  • Don’t be freaked out by something you hate. If you would rather be killed than do an appearance at a bookstore, or if you hate, hate Facebook, skip it. Don’t let these hang ups prevent you from doing the other stuff.
  • You can always pay for stuff. This is a pretty DIY list. You can’t pay others to be you (or at least I think that rarely works on social media and never in person) but you can pay them to build websites or send e-mail newsletters or whatever.

So that’s all of what I know about my little corner of the universe today. Happily, the world is always changing and I am always learning, so I might have to do an entirely new list a year from now.

Posted in Barb's Posts | Tagged , , , , | 26 Comments

Walking

DSC02316Lea Wait, here, admitting there are a few downsides to being an author.

One is that I spend most of my time (sometimes 8-12 hours a day) sitting and staring at a keyboard and screen. And getting up to stretch can lead to cups of tea and snacks. Or meals.

Last fall I knew I should do something about my weight — I weighed more than I ever had. But then snows were deep, the YMCA gym and pool half an hour away, and I had deadlines … and migraines.

My neurologist prescribed meds to help with the headaches, and I forged on. No one could help with the deadlines. (Yes: all manuscripts were in on time.)

DSC02312This spring, knowing my clothes-to-wear-in-public were a little tight, I was still shocked when my doctor told me I’d gained (gulp) twenty MORE pounds during the winter.

I got that news in the middle of a series of weeks I was speaking (sometimes in different states) several times a week. Dieting and exercise didn’t seem realistic. I had too much to juggle in my life already.

Then my headaches got worse. When I spoke with my neurologist again he mentioned, casually, that, well, those meds he’d put me on in December sometimes caused weight gain

Early 19th C stone wall
Early 19th C stone wall

 

 

I threw out the rest of the bottle and by Memorial Day I was serious. I had to lose weight. A LOT of weight. I asked my Facebook friends about devices that counted steps, and ended up with a Garmin I love. It sets goals for me, counts my steps, and keeps track of my weight. Now, almost two months later, I walk 3-5 miles a day, am still counting calories, and have lost over ten pounds. Yes, I have a bad knee. Recovering from a walk requires an ice pack. But the pain is worth it. Slowly but surely I’m returning to a body

Graveyard, late 18th -early 19th C

Graveyard, late 18th -early 19th C

I’m comfortable with. But I still have a long way to go.

Almost every day I walk down a road near my home that I’ve come to know well. It’s along the shore of a river, so houses on one side have waterfront. Houses on the other side have woods. And there are many acres of woods without homes.

I head down that road, not knowing what I’ll see. I’ve met deer. I found a perfect (dead) luna moth. Great blue herons hang out in one area. Neighbors who seem to work in their gardens no matter when I walk, greet me. When cars pass, we wave at each other. Even in parts of the road where woods are deep, I hear lobster boats working their traps, and pleasure boats speeding along. I’ve met most of the dogs who live along the road, and we’ve made peace with each other.DSC02309

I’ve grown selfish about my walks. It’s my time to think. To plan. To listen to crows and bees and the rustle of squirrels and chipmunks in the woods. To plot my next chapter, or my next meal.

My Garmin nags me to make sure I walk at least 10,000 steps. When I started, I thought 5,000 steps was a good day. Now I miss my goal only on days when weather is really awful (when I walk on a treadmill, which is much more boring) or when I have a signing or book festival or other “away from home” event that takes most of the day.DSC02306

Maine is a beautiful place. And walking in it is, yes, helping me get my body back to where it should be. But it’s also helping me focus more. There’s more to my world than a computer screen, and it’s good to be reminded of that. So, today, I’m taking you all along with me on my walk. All the pictures I’ve posted are scenes I pass along the way.

Welcome to my world.

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